There's the old joke about how you recognize an intellectual: it's someone who can hear Rossini's William
Tell Overture without thinking about the Lone Ranger.
The William
Tell Overture does not play once during gameplay (except for a brief section of the piece that you would blink or miss to hear).
Some of the film's action sequences are also lacking, but it goes all out with a brilliant final set piece involving two trains and the famous «William
Tell Overture» that the 1930s radio series used as its theme.
The film opens with a fast - paced 1937 wedding set to a sped - up version of The William
Tell Overture.
Hans Zimmer contributes a nice score (which is best when it includes a flute) and, perhaps inevitably, the William
Tell Overture is summoned for a big, long climax, which of course involves fisticuffs atop moving trains.
as the galloping cadences of «The William
Tell Overture» fill the soundtrack.
Heroic moments scored to «The William
Tell Overture» still have the power to thrill.
The Canal revels in the visceral, trumpeting jump scares like it's the «William
Tell Overture.»
The final action sequence (also set on a train) proves to be as exhausting as the first was amusing, with the body count escalating unpleasantly and the William
Tell Overture — used sparingly throughout most of the film — commencing to trample everything in its path.
There are some very impressive segments within the film and having Rossini's William
Tell Overture playing over the heart - pounding climax adds a level of fun that most movies don't have.
When the William
Tell Overture starts playing and he rides to save the day, it feels like the Lone Ranger truly lives again.
It's all here: the «William
Tell Overture» theme music, the beautifully photographed canyons, and a couple of exhilarating chase and fight sequences.
When The William
Tell Overture, the Ranger's theme song since his radio days in the 1930s, finally blares on the soundtrack after being sneakily withheld for much of the picture, the effect is so rousing that you levitate in your seat a little bit.
William
Tell Overture (finale)-- Gioachino Rossini You may or may not wish to hear the much - parodied finale of the William
Tell Overture again, but imagine hearing this thrilling, galloping, finale for the first time!
Not exact matches
ICI General Counsel David Blass
told California State Treasurer John Chiang in a Thursday letter that the feasibility study, conducted by
Overture Financial LLC, fails to fully consider the range of likely events that could raise the costs and undermine the feasibility of the program.
Had Tiger's staffers responded to his
overture, Bonati would have
told them the surgery did not address Tiger's primary problem, which was the stress that the golf swing puts on the joints around the spine that enable movement and rotation.
While Klein has made
overtures to reunite the conferences in the past, as recently as May he
told a bipartisan group of senators at a private dinner that «if I have anything to do with it, John Flanagan is going to be the leader for a long, long time,» according to several sources who spoke with the Daily News.
However, sources
tell ScienceInsider that several prominent scientists and nuclear policy heavyweights rejected the Administration's
overtures, and that other candidates were thought to carry too much political baggage to be confirmed by the Senate.
From Aggressive
Overtures to Sexual Assault: Harvey Weinstein's Accusers
Tell Their Stories Multiple women share harrowing accounts of sexual assault and
Even though his tacky ostinatos did as much to keep Notes on a Scandal walking that fine line between class and trash, it's hard to imagine it playing well on Borders» P.A. systems as do Desplat's regal albeit icy themes (or Glass's own nominated score for The Hours)-- I can't
tell you how many times I found myself paging through an issue of Adbusters, The Believer, or Instinct while «
Overture to Ennis Fucking Jack Nasty» twanged from the overhead speakers.
The roadshow version of The Hateful Eight, which runs just over three hours long, and includes a musical
overture introduction and an intermission, is something of a spectacle, and Tarantino chooses to
tell his tale in six chapters, giving it a précis - like, recounted quality, which is further enforced by Tarantino's own, non-flashy narration.
Sony / Marvel's initial
overtures to Keaton didn't get past the offer stage, insiders
tell The Hollywood Reporter.
Worse is the recurring figure of a scarecrow (and the
overtures to The Wizard of Oz are as many as they are superficial) that turns out to be a missing prince from the next kingdom over — the revelation of which isn't a spoiler in any way because not only were we not
told there's a next kingdom over, we also weren't aware that a prince was missing.
It's a historical novel set in the medieval period (
telling the story of the real King Richard III), so I'm booking stalls at every appropriate medieval festival; it's a book aimed primarily at children aged 10 and up, so I'm making
overtures to local schools about author visits and to libraries; I'm attending events at my first literature festival next week to meet and network with local authors and hand out some leaflets (maybe even sell a copy or two).