Sentences with phrase «terkper laid the paper»

Then lay the paper down on another plate and place a piece of lettuce.
Lay paper towels out on the counter and scoop the Chex Mix onto the paper towels to cool (this also helps absorb any excess oils).
If a beautifully - textured antique laid paper label is required for a precious vintage, self - adhesive label technology can provide it — even in very short print runs.
Lay the paper out on the floor.
Basic layers are an outer shell of breathable polyethylene film or a nonwoven and film composite which prevents wetness and soil transfer, an inner absorbent layer of a mixture of air - laid paper and superabsorbent polymers for wetness, and a layer nearest the skin of nonwoven material with a distribution layer directly beneath which transfers wetness to the absorbent layer.
Finance Minister Seth Terkper laid the paper containing details of the budget before parliament on Thursday, October 20.
I apply a thin layer of Mod Podge directly onto the furniture and then carefully lay the paper on top starting on one end and slowly pressing down until the entire paper is flat on the wood.
Carefully lay the paper on the water so it floats.
Red chalk and red - ink wash on laid paper.
ALINA SZAPOCZNIKOW Untitled (# 526) 1968 Pencil on laid paper watermarked «Arches Ecoles Ingres» 24 x 18 7/8 inches (61.1 x 48 cm) Framed: 29 x 23 inches (73.7 x 58.4 cm) ARG # SZA1968 - 001 © The Estate of Alina Szapocznikow — ADAGP Paris Courtesy BROADWAY 1602, New York
Edgar Degas, Self - Portrait (Ca. 1855 - 57), red chalk on laid paper, 31 x 23.3 cm.; courtesy The National Gallery of Art, Washington, D.C.
To make these drawings, Serra often pours melted paintstick onto the floor and then lays the paper on top of the pigment.
As a student in 1949 at the Art Students League of New York, for example, he laid paper on the floor of the building's entrance to capture the footprints of those entering and exiting.10 The creation of receptive surfaces on which to record, collect, or index the direct imprint of elements from the real world is especially central to the artist's pre-1955 works.11 Leo Steinberg's celebrated 1972 article «Reflections on the State of Criticism» isolated this particular approach to surface as collection point as the singular contribution of Rauschenberg's works of the early 1950s, one which galvanized a new position within postwar art. 12 Steinberg coined the term «flatbed picture plane» to account for this radical shift, through which «the painted surface is no longer the analogue of a visual experience of nature but of operational processes.»
Signed «Augustus E John» in pencil l.r. Etching on laid paper, plate size 4 More...
John Singleton Copley, American, 1738 - 1815, Governor John Wentworth (1737 - 1820)(detail), 1769, pastel on laid paper, mounted on canvas.
Francisco Zúñiga (Mexican, 1912 - 1998) Seated Women Signed and dated «Zgá / 1976» l.r. Charcoal and conté crayon on laid paper with Ingres Canson watermark, 19 11/16 x 25 1/2 in.
Robert M. Barnes, Canto I, From the series of eight drawings based on Ezra Pound's Cantos, 1961, Pastel on laid paper.
James McNeill Whistler, American, 1834 - 1903, Study in Black and Gold (Madge O'Donoghue), 1883/1884, watercolor on white laid paper mounted on paperboard, Collection of Mr. and Mrs. Paul Mellon, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.7.5
James Tissot, The Fatted Calf, 1882, Etching on Van Gelder laid paper.
This is one of 50 deluxe sets, printed on Montval laid paper, and is believed to be one of only eight examples that the artist signed in full.
Study of a Woman Holding a Shawl, 1765 — 70, black chalk with smudging, oil - soaked chalk, on laid paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III 57.
Wooded Landscape with Cottage, Cowherd, and Cow, ca. 1750, graphite, with smudging, on laid paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III 51.
A Boy with a Book and a Spade, 1748, graphite with smudging, on laid paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III 59b.
Lady Walking in a Garden, ca. 1785, black and white chalk with smudging, worked wet and dry, watercolor, on laid paper, purchased by Pierpont Morgan in 1909.
A Woman and Three Children, 1780 - 5, black chalk with smudging, and white chalk, some applied wet, on tan laid paper purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III 59.
Wooded Landscape with Horseman, Figures, and Bridge, ca. 1780, black chalk with smudging, opaque lead white, on laid paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum.
Part of the RA CollectionPen and ink over black chalk on cream laid paper.
Kawase Hasui, Carp Banner, Toyohama, Kagawa Prefecture,, color woodblock print on laid paper, 1948.
Albrecht Durer, Sudarium Displayed by Two Angels, 1513, Engraving on cream laid paper.
Smart Museum of Art, Bequest of Ruth Philbrick, 2010.37 Top: James Abbott McNeill Whistler, Long Venice, 1879 - 1880, Etching on laid paper.
James Abbott McNeill Whistler, Black Lion Wharf, 1859, Etching and drypoint on laid paper.
Above: Boetius Adams Bolswert, After Abraham Bloemaert, Landscape, c. 1614, Etching on laid paper.
Charcoal and pastel on blue fibered laid paper, 223⁄8 x 181⁄4 in.
Etching on laid paper.
1854, Charles Meryon (French, 1821 — 1868), etching with drypoint in black ink on laid paper, fifth of twelve states.
1922, John Taylor Arms (American, 1887 — 1953), etching with stipple in black ink on laid paper.
Image Credit: The Vampire (Le Stryge), 1853, Charles Meryon (French, 1821 — 1868), etching in brown ink on laid paper, fourth of eight states.
Drypoint with scraper printed on montval laid paper.
Image: Leonardo da Vinci, Sheet of Studies [recto], probably 1470/1480, pen and brown ink over black chalk on laid paper, The Armand Hammer Collection, 1991.217.2.
Dante Gabriel Rossetti, Jane Morris, 1870, pen and iron gall ink with brown wash on laid paper; laid down on paperboard, Ailsa Mellon Bruce Fund, 1988.29.1
John Dixon after John Hamilton Mortimer, Incantation, 1773, mezzotint on laid paper, Gaillard F. Ravenel and Frances P. Smyth - Ravenel Fund, 2002.65.2
Francisco Goya (1746 — 1828) Pesadilla Pen and black ink, black wash on laid paper The Morgan Library & Museum, New York; 1959.13 Gift of Mr. and Mrs. Richard J. Bernhard
Giovanni Battista (Giambattista) Piazzetta (Italian, 1682 — 1754) A Young Woman Buying a Pink from a Young Man, ca. 1740 Black crayon (wetted and rubbed), heightened with white chalk, on blue laid paper (faded to green - gray) The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1938.387
Simply lay the paper out in four to six sheet thick sections and spray with water to set in place.
It was super simple: I just printed out the wording * backwards *, and laid the paper face down on the board.
Once I had the tray in place, I laid some paper doilies I had from another project on the bottom of it.
When I got home I took off the hardware and simply laid the paper over the piece and then started to modge podge away.
Then I was able to lay the paper on each drawer and drill the new holes (right through the paper!).
I used Varathane no order Polyurethane (heavy use Formula) water based as the glue to lay the paper down with.
Lay each paper square in turn on place neatly butting up all edges.
a b c d e f g h i j k l m n o p q r s t u v w x y z