Sentences with phrase «texas wasteland»
«The Bad Batch» seems to focus on Waterhouse's character, Arlen, a girl who wanders through a Texas wasteland and has grizzly encounters with cannibals and a cult leader.
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Starring: Suki Waterhouse, Jason Mamoa and Jm Carrey Directed by: Ann Lily Amirpour Synopsis: A dystopian love story in a Texas wasteland, set in a community of cannibals.
is pretty much all you need to know: «A dystopian love story in a Texas wasteland set in a community of cannibals.»
Synopsis: «Arlen (Waterhouse) as she is unceremoniously dumped in a Texas wasteland fenced off from civilized society.
The log line for her follow - up, The Bad Batch is pretty much all you need to know: «A dystopian love story in a Texas wasteland set in a community of cannibals.»
After losing an arm and a leg to a ravenous cannibal, Arlen kills her captor and escapes, navigating her way across a Texas wasteland occupied by the muscular Miami Man (Jason Momoa), a mysterious hermit (Jim Carrey) and a revered figure known as «The Dream» (Keanu Reeves).
The film is a dystopian love story set in a Texas wasteland, but beyond that, there are no plot details.
The film centers around Arlen (Suki Waterhouse), who's dropped off in the Texas wasteland «fenced off from civilization» and almost immediately captured by a band of cannibals led by Miami Man (Jason Momoa).
Ana Lily Amirpour's latest film is an anthropophagous dystopian fairytale, set in a Texas wasteland where society's rejects are just trying to make ends meet... or it would be more appropriate to say meAt.
The film is set in a post-apocalyptic United States, where those who are deemed not good enough, smart enough, or cool enough are dumped in a «Texas wasteland fenced off from civilized society.»
The logline for her next film reads «A dystopian love story in a Texas wasteland and set in a community of cannibals».
Like «Night» it appears to be another mix of compelling drama and horror elements except set in a «Texas wasteland.»
Not exact matches
Drilling operations have turned some of Texas's most affluent communities into industrial wastelands.
Ana Lily Amirpour's follow - up to the ravishing A Girl Walks Home Alone at Night envisions an America where those deigned unworthy of residing on home soil are turfed out to a dusty wasteland on the border of Texas.
FIRST PLACE / NARRATIVE The Peculiar Abilities of Mr. Mahler, Paul Philipp, director FIRST PLACE / ANIMATION Negative Space, Max Porter & Ru Kuwahata, co-directors FIRST PLACE / NONFICTION Breaking the Cycle, Josephine Jackson & Vincent Augusto, co-directors FIRST PLACE / EXPERIMENTAL Gray Umbrella, Mohammad Poustindouz, director STUDENT AWARD It's Just a Gun, Brian Robau, director TEXAS AWARD Bodies of Water, David Lykes Keenan, director Jury Prize — Guan Xi, Dora Wu, director Jury Prize — The Driver is Red, Randall Christopher, director Jury Prize — The Modern Lives, Bill Plympton, director Performance Award — Michael Laskin, A Real Adventure Cinematography Award — Wasteland, Jakub Michnikowski, director Honorable Mention, Narrative — Counterfeit Kunkoo, Reema Sengupta, director Honorable Mention, Narrative — Mrs McCutcheon, John Sheedy, director Honorable Mention, Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack, director
Elegant Wasteland is a series that explores the wasteland, nostalgia and isolation of empty parking lots and abandoned stores by Texas artist Karen Wasteland is a series that explores the wasteland, nostalgia and isolation of empty parking lots and abandoned stores by Texas artist Karen wasteland, nostalgia and isolation of empty parking lots and abandoned stores by Texas artist Karen Williams.
Over Memorial Day weekend, a select few eschewed beaches and mountains traversing through a barren wasteland to a Mecca in West Texas known as Ballroom Marfa.
Group Exhibitions 2016 Object Type, UCSD SME Gallery, San Diego (Curated by Monique van Genderen and Kim MacConnel) 2015 Creative Nights, Lux Art Institute, Encinitas, California (Curated by Mike Whiting) 2014 Cherry on Topless, Topless Gallery, Rockaway, New York (Curated by Brent Birnbaum and Jenni Crain) Fun for Summer, Entwine, New York (Curated by Alison Kuo and CoWorker projects) 2013 Tragic Songs From The Grassy Knoll, Dallas (Curated by Bruce Lee Webb) Fall Risk, Eleven Seventeen Garland, Austin (Lance Letscher, Joshua Saunders) 2012 Juvenile Intention Center, Conduit Gallery, Dallas (Fahamu Pecou / Stephen Lapthisophon / Joshua Saunders) More Awkward Then Heavy, Up Collective, Austin (Curated by INK Tank Collective) Teenage Wasteland, CoLab, Austin (Curated by Julia Hungerford) 2011 Monster Show # 6, Domy Books, Austin (Curated by Russell Etchen, Alison Kuo, Travis Kent) Swallow, 1400 Cedar, Austin (Curated by Jen Daly) Gun and Knife Show, Cental Trak, University of Texas, Dallas (Curated by Heyd Fontenot) 2010 Monster Show # 5, Domy Books, Austin (Curated by Russell Etchen, Alison Kuo) Texas Crude, CoLab, Austin (Curated by Matt Winters) Pretend You Are Rich, Austin (Curated by J. Haley) Up to Something, Bay Six Gallery, Austin 2009 Silent Night, Birdhouse Gallery, Austin (Curated by Kevin Foote) Monster Show # 4, Domy Books, Austin (Curated by Russell Etchen, Alison Kuo) Teeny Tiny Diorama Zoo, CoLab, Austin (Curated by Amanda Jones) Death Is Not The End, Holly Street Compound, Austin (Curated by Bill Jeffery)