Sentences with phrase «texte zur»

Her writing has been published in Tank, The New Inquiry, Texte zur Kunst, Artforum and frieze d / e.

In the same year, 1990, Isabelle Graw and art historian Stefan Germer founded the art commentary magazine Texte zur Kunst in Cologne, a partner institution that was just as important for the artists exhibiting in the city as the galleries were.

In the art publication «Texte zur Kunst «(Texts about Art, number 55), he was defined as an example for a new German neo-conservatism.

Germer, Stefan, «Raymond Pettibon,» Texte zur Kunst, June, Edition Heft, Nr 70, p. 266.

His writing has appeared in publications by Texte zur Kunst, Frieze, Harvard Design Magazine, Sternberg Press, and Printed Matter, as well as many artist monographs and exhibition catalogs.

She has published essays and fiction in Frieze, October, Sarai Reader, Texte zur Kunst and Transition, among other magazines and journals.

Beshty's writing has appeared in Texte zur Kunst, Afterall Journal, Artforum, Aperture, Art Review, Parkett, Dot Dot Dot, and The Exhibitionist, in addition to several exhibition catalogues and anthologies.

His writing has been published in numerous exhibition catalogues and art magazines, including Parkett, Texte zur Kunst and Artforum.

Her writing has been published in The New Inquiry, Texte zur Kunst and frieze d / e, among other magazines, and in her book Dark Pool Party (Dominica / Arcadia Missa).

Reviews and features have appeared in journals including Artforum, Frieze, FlashArt, Texte zur Kunst, Artext, and Springerin.

He is a frequent contributor to Artforum, October, and Texte zur Kunst, among other publications.

Cotton has contributed to various publications, including Artforum, Frieze, Mousse, and Texte zur Kunst, and is a member of the Jury for the 2016 Turner Prize at Tate Britain, London.

Paul Chan: Selected Writings 2000 — 2014 collects the critical essays and artist's texts that first appeared in Artforum, October, Texte zur Kunst and Frieze, among other publications, as well as previously unpublished speeches and language - based works.

In June 2017 Texte zur Kunst published a portfolio of Ojo's work titled «Become What You Fear.»

Dall has recently contributed to journals such as Kunstkritik, Texte zur Kunst, Cura, Frieze, Spike Magazine, Bulletins of The Serving Library, and Mousse.

In terms of style, his general idea is to bring writing about art into public discourse and away from the near - incomprehensible academy (represented by most of the pedantic grad student analyses in Artforum, or anything in Texte zur Kunst, for example).

T.J. Demos writes widely on modern and contemporary art and his and is also a critic, writing for magazines such as Artforum, Texte zur Kunst, and Art Press and Art Journal.

He is also a critic, writing for magazines such as Artforum and Texte zur Kunst.

Since 1985, Koether has also worked as a reviewer and editor for many magazines and journals such as Spex, Texte zur Kunst, FlashArt and Artscribe.

In addition to her book, Pop or Populus: Art between High and Low (Sternberg Press, 2009), her writings on contemporary art and its production have been published widely, in both artist monographs and magazines, including Afterall, Artforum, Bookforum, Speculations, and Texte zur Kunst.

Texte zur Kunst article is reflecting on cryptocurrency in the art world and its relation to the value of art.

His writing has appeared in magazines such as OCTOBER, Texte zur Kunst, frieze d / e, and Ilinx; and he has lectured at institutions including the University of Cambridge, the Courtauld Institute, EIKONES / Basel University, Harvard, Princeton, Oxford, Secession Wien, Stanford, University College London, the Warburg Institute and the Zentrum für Literatur - und Kulturforschung Berlin.

His texts are regularly published in Artforum, Camera Austria and Texte zur Kunst.

He contributes regularly to art magazines such as Parkett, Texte zur Kunst, Artforum, and Art Papers, and he has published many catalog essays on contemporary art.

He has written for Parkett, Texte zur Kunst, DOMUS, and Critique d'Arts, and was a columnist for Purple (magazine) from 2001 to 2003 as well as a correspondent for Flash Art from 2002 to 2007.

She has published several books and contributed to many catalogues and publications, including Texte zur Kunst and the Frankfurter Allgemeine Zeitung (FAZ).

Franzen has authored and edited many publications on the subject of contemporary art, including books such as «Die vierte Natur» (2000; out of print) and «Landschaftstheorie» (2005; out of print), as well as catalogues such as «Stephen Willats — Texte zur Architektur» (2008), «Closer than Fiction — Hyper Real Reader» (2012), «Phyllida Barlow — Brink», «Susan Phillipsz: You are not Alone» (2013) and «Nancy Graves Project» (2014).

Beshty's writing has appeared in Texte zur Kunst, Afterall Journal, Artforum, Aperture, Art Review, Parkett, Dot Dot Dot, and The Exhibitionist, in addition to numerous catalogs and anthologies.

My work on feminism, space ecologies, and climate change will soon appear in Texte zur Kunst as «Feminist Futures in the Anthropocene,» in which I consider works by Dawn DeDeaux, Sylvie Fleury, Aleksandra Mir, and Martine Syms.

She is a contributor to art journals including Texte zur Kunst, Metropolis M, Modern Painters, and Mousse.

Her writing has appeared in journals and publications, including Artforum, Parkett, October, and Texte zur Kunst.

Another new artist, at Kraupa - Tuskany Zeidler, Daniel Keller presents an exhibition based on a recent Texte zur Kunst essay about different structures for marriage — namely an LLC.

She is a lecturer at the UdK (Universität der Kunste) Berlin and her writings have appeared in publications such as e-flux journal, Art - Agenda, Mousse, Frieze / de, Domus, Inaesthetics, Manifesta Journal, and Texte zur Kunst.

Jenni's writing has appeared in Art Journal, Art Monthly, NU: The Nordic Art Review, Frieze, The Journal of Modern Craft, Modern Painters, Third Text, and Texte zur Kunst.

She contributes regularly to magazines such as Texte zur Kunst, Artforum and Mute Magazine.

An editor of numerous volumes, including a collection of John McHale's writings, The Expendable Reader: Articles on Art, Architecture, Design, and Media, 1951 - 1979, and October 136 on New Brutalism, he is also a frequent contributor to publications including Artforum, May, October, and Texte zur Kunst.

His writing has been published in Artforum, Camera Austria and Texte zur Kunst, as well as in numerous exhibition catalogues.

In the 1970s and 1980s, he was a music editor for the German magazine Spex, and he has written art criticism and essays in renowned art magazines from Artforum to Texte zur Kunst, as well as numerous books including On (Surplus) Value in Art (2008) and, most recently, Über Pop - Musik (On Pop Music)(2014).

An editor of numerous volumes, including a collection of John McHale's writings, The Expendable Reader: Articles on Art, Architecture, Design, and Media, 1951 — 1979, and October 136 on New Brutalism, he is also a frequent contributor to publications including Artforum, May, October, and Texte zur Kunst.

Anke Kempkes has contributed to numerous international art magazines, periodicals (e.g. Frieze and Texte zur Kunst) and catalogs.

A former editor of Afterall and co-founder of the journal FR David, Roelstraete has published extensively on contemporary art and related philosophical issues in numerous catalogues and journals including Artforum, e-flux journal, Frieze, Metropolis M, Mousse Magazine, and Texte zur Kunst.

As a critic she has written essays for specialist journals and compendia such as Artforum, Kunst og Kultur, Texte zur Kunst, Springerin: Hefte für Gegenwartskunst, Siksi: The Nordic Art Review, Parkett and NU.

His writing has appearedin a variety of periodicals and publications including Texte zur Kunst, Die Zeit, die tageszeitung, Der Tagesspiegel, Süddeutsche Zeitung, Theater heute, Artscribe, Artforum, and Frieze.

Her writing appears in Mousse, Metropolis M, Modern Painters, and Texte zur Kunst, and she is co-editor with Suhail Malik and Christoph Cox of the forthcoming book Realism, Materialism, Art, co-published by CCS Bard and Sternberg Press.

Of the prestigious pool of nearly 70 leading thinkers who nominated artists for the survey, there were nine sitting museum directors (among them the heads of the Pompidou, Tate Modern, Palais de Tokyo, and Haus der Kunst); the philosopher - critics Boris Gorys and Theirry de Duve; the director of Frankfurt's influential Städelschule art school; the art critic Dave Hickey, Frieze editor Jennifer Higgie, and Texte zur Kunst editor Isabelle Graw; and the curators of that year's dOCUMENTA, Gwangju Biennial, and following year's Venice Biennale.

Her work has been featured in the New York Times, Artforum, Art in America, Sculpture Magazine, Modern Painters, NY Arts, Flash Art, and Texte zur Kunst.

A former editor of Afterall and co-founder of the journal F.R. DAVID, Roelstraete has published extensively in catalogues and journals, including Artforum, e-flux journal, frieze, Mousse Magazine, and Texte zur Kunst.

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R. Otto, West - östliche Mystik, Vergleich und Unterscheidung [Gotha, 1926](English translation: Mysticism East and West); «Vishnu - Narayana,» in Texte zur indisehen Gottesmystik [Jena, 1917, 1923], Vol.