Sentences with phrase «texture artists for»

Later on, she worked as a texture artist for a post-production studio before pursuing further postgraduate education at Stellenbosch University where she gained a BPhil in illustration.

Not exact matches

Try Clé de Peau Concealer, the fave of Surratt and many makeup artists for its silky texture (here in Honey), $ 70, or Merle Norman Cover Up, $ 13.

Such «a substantial colour calls for substantial clothing,» says makeup artist Sandy Linter — which means heavier fabrics with notable texture and dark colours — all aspects of a winter wardrobe, or sometimes, an evening one.

I am a concept artist (as well as textures) for Gearbox.

I'm an aspiring artist who is not yet professional, who is studying anatomy and other principles pertaining to common themes in illustration (light, texture, etc) in the hopes of one day doing commissions for folks.

Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.

Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.

Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.

As a game artist you will learn how to model and texture worlds and characters for games using industry standard 3D tools.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

The middleware is said to be fully integrated into the Unreal Engine 3's graphical rendering system, and is promised to allow artists to create «scalable data - driven Flash UI elements for videos, menuing systems, overlays, HUDs and animated textures directly on 3D objects.»

Virtuos artists, out of our studio in Saigon Vietnam, Sparx *, were responsible for the modeling, texturing, layout, matte painting, animation, lighting and FX production to the final full color.

DICE 3D modeler and tech artist Kristi Alvarado is celebrating today as she prepares for the launch of Star Wars: Battlefront II, comforted by the knowledge that all of her beautifully - rendered models and textures...

Virtuos artists, out of our studio in Saigon Vietnam, were responsible for modeling and texturing, layout, matte painting, animation, lighting and FX production through to final full color.

Stratosphere Games is looking for a (paid) 3D artist intern to produce, texture, and export a wide variety of 3D elements for use in - game.

In this session, Allegorithmic technical artist and Substance Jedi Vincent Gault will share some tips and tricks for texture artists who want to up their game, and more importantly, preserve the visual identity of their project no matter what its size.

The Senior Character Artist will work from concept art to model and texture visually striking, high - poly, characters for an exciting, new unannounced title.

For American visual artist Carolyn Beehler, collage offers endless possibilities thanks to its «textures words and symbols that create layers of story and symbolism».

Untitled III carries over the shift in texture from opaque to virtually transparent tonality in the greys and blues in particular, as if the artist had absorbed the style of Sumi - e brush painting, as for example in the lithograph owned by the Museum of Modern Art, Wah Kee Spare Ribs, 1970, a medium with which de Kooning was preoccupied in the early years of the decade.

The works of Saville and Fischl, for example, were framed to demonstrate ways that artists can use paint as a stand - in for physicality — pigment and texture as skin and bone.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

The bold color, pattern, and texture of the artist's paintings serve as a metaphor for the complex merging of relationships and cultural backgrounds that contribute to the artist's sense of self.

The artist's studio practice is based on her feel for visual texture, a rich and adventurous palette, and a level of draftsmanship that takes full advantage of an expressive linear technique.

For example, Sherman's ground - breaking Untitled Film Still # 41 (1979), which opens the show and depicts a staged set - up of the artist as a glamorous actress in a striped bathing suit, displays a grainy texture, achieved by accident when the top came off the can of film she was developing.

Stunning abstract with Native American symbols using earth tones and 3D aspect for increased depth and texture by listed artist Duane Armstrong (American, b. 1938).

In still life painting, the subject matter is rarely important for its own sake; rather, it most often serves as a showcase for the artist's compositional skill and ability to render detail and texture.

Along with some other artists, like Jimmie Durham or David Medalla, Hammons still makes my perception of the world a beautiful critical collapse: The sound of a metal bucket or a basket - ball hitting a wall, the flavor of fried chicken, the texture of my own hair, the smell of dung, can be something appealing, seductive, but also prime matter for a political statement.

Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of Open Score will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media's mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies.

Paramount for all three artists was the strong «itch» to experiment with various techniques, as well as a shared consideration of the figure as interwoven into the textured background of a painting.

For the first time, Black Paintings gathers all of the best of the title artist's black works together: textured black, striped black, blue - black, brown - black, black - black.

As time went on, Greenberg's orthodoxy when it came to his bans on figuration and multidimensional texture in painting became ripe for a backlash among artists seeking non-Greenberg-ian ideals.

Alert to the artist's capacity for merging with — one might say, feeling in concert with — his surroundings, we feel his presence, the texture of his awareness, even in the light that fills the Infinity Fields that first appeared in the 1970s.

Bernice Akamine is a visual artist known for the abstract glass sculptures and vessels she creates with smooth flowing lines, often covered with a form - fitted skin of texture and color.

As for the artist's use of colour, Parlour extracts the oil binder from her paint so that the texture of the colour is parched like chalk pastel.

Neutral in color but still full of captured texture, these two pieces represented a new type of material process for the artist, which he plans to explore further.

Intricately composed abstract works are painted with precise detail, yet allow for interpretive textures new to the artists work.

This series takes a more perverse, grotesque turn for the artist, incorporating materials with a more sinewy and oily texture.

One of the representatives of Leningrad school of painting and Meritorious Artist of the Soviet Union, Maya Kopitseva is famous for her still lifes where she was inspired by colors and textures of fruits, dishes and other objects found in a kitchen.

For other artists, the works are representative, but lesser - known: the figures in Pistoletto's mirrors are fibreglass and bronze sculptures, rather than painted onto the surface; Boetti's maps are serigraphed rather than embroidered; Castellani's textured white surface is paper rather than canvas.

Once I had settled on this technique, I combined my delight with my new - found textured surfaces with my passion for landscape painting by artists such as Turner.

2018 Honorable Mention Award for Texture / Use of Medium; American Artists Professional League Online Members Show 2017 BRONZE AWARD & MEDALLION; Montana Watercolor Society 35th Annual Exhibition 2017 LOUISIANA WATERCOLOR SOCIETY AWARD: Watercolor Society of Alabama 2016 PRESIDENT»S AWARD: American Artists Professional League 88th Grand National 2016 FRANK WEB AWARD IN AQUAMEDIA; Audubon Artists Annual; Salmagundi Club, NYC 2016 MTWS FOUNDERS AWARD: MTWS Annual Watermedia 2016 CATHARINE LORILLARD WOLFE ART CLUB AWARD: Allied Artists of America Annual; Salmagundi Club, NYC 2016 INTERNATIONAL ARTIST MAGAZINE FLORALS & GARDENS CHALLENGE FINALIST 3RD AWARD: June / July Issue 2015 EDGAR A. WHITNEY MEMORIAL AWARD: CLWAC 119th Annual Open: National Arts Club, NYC, 2015 AMERICAN ARTISTS PROFESSIONAL LEAGUE PRESIDENT»S AWARD; SALMAGUNDI CLUB, NYC 2015 THIRD PLACE BRONZE AWARD & MEDALLION: Montana Watercolor Society 33rd Annual Watermedia 2015 JUROR»S AWARD; Pennsylvania Watercolor Society 35th International, Carlisle, Pa 2015 MARGARET G. KRANKING MEMORIAL AWARD: Baltimore Watercolor Society Mid-Atlantic Regional, MD 2015 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2014 BEST OF SHOW: GOLD MEDALLION AWARD: Montana Watercolor Society 32nd Annual Watermedia 2014 REALISM IN NATURE AWARD: Adirondacks National; Old Forge, NY 2013 MERIT AWARD: Pittsburgh Watercolor Society Aqueous Open 2013 HONOURABLE MENTION: Mississippi Watercolor Society 2013 Grand National 2013 MARY BRYAN MEMORIAL AWARD; Academic Artists Association, CT 2013,07 TRAILS & STREAMS MEDALLION FOR A WOODLAND THEME; Adirondacks National; Old Forge, NY 2013 INVESTMENT AWARD Oklahoma Watermedia Exhibition 2013 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2013 ART ACADEMY LIVE.COM AWARD; Western Colorado Watercolor Society's Rockies West National 2012 CLAUDE PARSONS MEMORIAL AWARD; American Artists Professional League Grand National On - line 2012 JUROR» S AWARD; Watercolor West 44th Annual, CA 2012 WINSOR NEWTON AWARD; Baltimore Watercolor Society Mid-Atlantic Regional, MD 2012 GORDON & MILDRED EVANS MEMORIAL WARD; ANEAW Old Forge, NY 2012 PATRON»S FINE ART GIFT CERTIFICATE / MERCHANDISE AWARD # 3 Watercolor Society Alabama 2011 AWARD: 38TH Rocky Mountain National, CO 2011 MERIT AWARD: Watercolor Society of Alabama 2008 AWARD WITH GIFT CERTIFICATE; Watercolor Society of Alabama 2008 ACHIEVEMENT AWARD: Missouri Watercolor Society 2006 VERILUX INfor Texture / Use of Medium; American Artists Professional League Online Members Show 2017 BRONZE AWARD & MEDALLION; Montana Watercolor Society 35th Annual Exhibition 2017 LOUISIANA WATERCOLOR SOCIETY AWARD: Watercolor Society of Alabama 2016 PRESIDENT»S AWARD: American Artists Professional League 88th Grand National 2016 FRANK WEB AWARD IN AQUAMEDIA; Audubon Artists Annual; Salmagundi Club, NYC 2016 MTWS FOUNDERS AWARD: MTWS Annual Watermedia 2016 CATHARINE LORILLARD WOLFE ART CLUB AWARD: Allied Artists of America Annual; Salmagundi Club, NYC 2016 INTERNATIONAL ARTIST MAGAZINE FLORALS & GARDENS CHALLENGE FINALIST 3RD AWARD: June / July Issue 2015 EDGAR A. WHITNEY MEMORIAL AWARD: CLWAC 119th Annual Open: National Arts Club, NYC, 2015 AMERICAN ARTISTS PROFESSIONAL LEAGUE PRESIDENT»S AWARD; SALMAGUNDI CLUB, NYC 2015 THIRD PLACE BRONZE AWARD & MEDALLION: Montana Watercolor Society 33rd Annual Watermedia 2015 JUROR»S AWARD; Pennsylvania Watercolor Society 35th International, Carlisle, Pa 2015 MARGARET G. KRANKING MEMORIAL AWARD: Baltimore Watercolor Society Mid-Atlantic Regional, MD 2015 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2014 BEST OF SHOW: GOLD MEDALLION AWARD: Montana Watercolor Society 32nd Annual Watermedia 2014 REALISM IN NATURE AWARD: Adirondacks National; Old Forge, NY 2013 MERIT AWARD: Pittsburgh Watercolor Society Aqueous Open 2013 HONOURABLE MENTION: Mississippi Watercolor Society 2013 Grand National 2013 MARY BRYAN MEMORIAL AWARD; Academic Artists Association, CT 2013,07 TRAILS & STREAMS MEDALLION FOR A WOODLAND THEME; Adirondacks National; Old Forge, NY 2013 INVESTMENT AWARD Oklahoma Watermedia Exhibition 2013 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2013 ART ACADEMY LIVE.COM AWARD; Western Colorado Watercolor Society's Rockies West National 2012 CLAUDE PARSONS MEMORIAL AWARD; American Artists Professional League Grand National On - line 2012 JUROR» S AWARD; Watercolor West 44th Annual, CA 2012 WINSOR NEWTON AWARD; Baltimore Watercolor Society Mid-Atlantic Regional, MD 2012 GORDON & MILDRED EVANS MEMORIAL WARD; ANEAW Old Forge, NY 2012 PATRON»S FINE ART GIFT CERTIFICATE / MERCHANDISE AWARD # 3 Watercolor Society Alabama 2011 AWARD: 38TH Rocky Mountain National, CO 2011 MERIT AWARD: Watercolor Society of Alabama 2008 AWARD WITH GIFT CERTIFICATE; Watercolor Society of Alabama 2008 ACHIEVEMENT AWARD: Missouri Watercolor Society 2006 VERILUArtists Professional League Online Members Show 2017 BRONZE AWARD & MEDALLION; Montana Watercolor Society 35th Annual Exhibition 2017 LOUISIANA WATERCOLOR SOCIETY AWARD: Watercolor Society of Alabama 2016 PRESIDENT»S AWARD: American Artists Professional League 88th Grand National 2016 FRANK WEB AWARD IN AQUAMEDIA; Audubon Artists Annual; Salmagundi Club, NYC 2016 MTWS FOUNDERS AWARD: MTWS Annual Watermedia 2016 CATHARINE LORILLARD WOLFE ART CLUB AWARD: Allied Artists of America Annual; Salmagundi Club, NYC 2016 INTERNATIONAL ARTIST MAGAZINE FLORALS & GARDENS CHALLENGE FINALIST 3RD AWARD: June / July Issue 2015 EDGAR A. WHITNEY MEMORIAL AWARD: CLWAC 119th Annual Open: National Arts Club, NYC, 2015 AMERICAN ARTISTS PROFESSIONAL LEAGUE PRESIDENT»S AWARD; SALMAGUNDI CLUB, NYC 2015 THIRD PLACE BRONZE AWARD & MEDALLION: Montana Watercolor Society 33rd Annual Watermedia 2015 JUROR»S AWARD; Pennsylvania Watercolor Society 35th International, Carlisle, Pa 2015 MARGARET G. KRANKING MEMORIAL AWARD: Baltimore Watercolor Society Mid-Atlantic Regional, MD 2015 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2014 BEST OF SHOW: GOLD MEDALLION AWARD: Montana Watercolor Society 32nd Annual Watermedia 2014 REALISM IN NATURE AWARD: Adirondacks National; Old Forge, NY 2013 MERIT AWARD: Pittsburgh Watercolor Society Aqueous Open 2013 HONOURABLE MENTION: Mississippi Watercolor Society 2013 Grand National 2013 MARY BRYAN MEMORIAL AWARD; Academic Artists Association, CT 2013,07 TRAILS & STREAMS MEDALLION FOR A WOODLAND THEME; Adirondacks National; Old Forge, NY 2013 INVESTMENT AWARD Oklahoma Watermedia Exhibition 2013 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2013 ART ACADEMY LIVE.COM AWARD; Western Colorado Watercolor Society's Rockies West National 2012 CLAUDE PARSONS MEMORIAL AWARD; American Artists Professional League Grand National On - line 2012 JUROR» S AWARD; Watercolor West 44th Annual, CA 2012 WINSOR NEWTON AWARD; Baltimore Watercolor Society Mid-Atlantic Regional, MD 2012 GORDON & MILDRED EVANS MEMORIAL WARD; ANEAW Old Forge, NY 2012 PATRON»S FINE ART GIFT CERTIFICATE / MERCHANDISE AWARD # 3 Watercolor Society Alabama 2011 AWARD: 38TH Rocky Mountain National, CO 2011 MERIT AWARD: Watercolor Society of Alabama 2008 AWARD WITH GIFT CERTIFICATE; Watercolor Society of Alabama 2008 ACHIEVEMENT AWARD: Missouri Watercolor Society 2006 VERILUArtists Professional League 88th Grand National 2016 FRANK WEB AWARD IN AQUAMEDIA; Audubon Artists Annual; Salmagundi Club, NYC 2016 MTWS FOUNDERS AWARD: MTWS Annual Watermedia 2016 CATHARINE LORILLARD WOLFE ART CLUB AWARD: Allied Artists of America Annual; Salmagundi Club, NYC 2016 INTERNATIONAL ARTIST MAGAZINE FLORALS & GARDENS CHALLENGE FINALIST 3RD AWARD: June / July Issue 2015 EDGAR A. WHITNEY MEMORIAL AWARD: CLWAC 119th Annual Open: National Arts Club, NYC, 2015 AMERICAN ARTISTS PROFESSIONAL LEAGUE PRESIDENT»S AWARD; SALMAGUNDI CLUB, NYC 2015 THIRD PLACE BRONZE AWARD & MEDALLION: Montana Watercolor Society 33rd Annual Watermedia 2015 JUROR»S AWARD; Pennsylvania Watercolor Society 35th International, Carlisle, Pa 2015 MARGARET G. KRANKING MEMORIAL AWARD: Baltimore Watercolor Society Mid-Atlantic Regional, MD 2015 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2014 BEST OF SHOW: GOLD MEDALLION AWARD: Montana Watercolor Society 32nd Annual Watermedia 2014 REALISM IN NATURE AWARD: Adirondacks National; Old Forge, NY 2013 MERIT AWARD: Pittsburgh Watercolor Society Aqueous Open 2013 HONOURABLE MENTION: Mississippi Watercolor Society 2013 Grand National 2013 MARY BRYAN MEMORIAL AWARD; Academic Artists Association, CT 2013,07 TRAILS & STREAMS MEDALLION FOR A WOODLAND THEME; Adirondacks National; Old Forge, NY 2013 INVESTMENT AWARD Oklahoma Watermedia Exhibition 2013 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2013 ART ACADEMY LIVE.COM AWARD; Western Colorado Watercolor Society's Rockies West National 2012 CLAUDE PARSONS MEMORIAL AWARD; American Artists Professional League Grand National On - line 2012 JUROR» S AWARD; Watercolor West 44th Annual, CA 2012 WINSOR NEWTON AWARD; Baltimore Watercolor Society Mid-Atlantic Regional, MD 2012 GORDON & MILDRED EVANS MEMORIAL WARD; ANEAW Old Forge, NY 2012 PATRON»S FINE ART GIFT CERTIFICATE / MERCHANDISE AWARD # 3 Watercolor Society Alabama 2011 AWARD: 38TH Rocky Mountain National, CO 2011 MERIT AWARD: Watercolor Society of Alabama 2008 AWARD WITH GIFT CERTIFICATE; Watercolor Society of Alabama 2008 ACHIEVEMENT AWARD: Missouri Watercolor Society 2006 VERILUArtists Annual; Salmagundi Club, NYC 2016 MTWS FOUNDERS AWARD: MTWS Annual Watermedia 2016 CATHARINE LORILLARD WOLFE ART CLUB AWARD: Allied Artists of America Annual; Salmagundi Club, NYC 2016 INTERNATIONAL ARTIST MAGAZINE FLORALS & GARDENS CHALLENGE FINALIST 3RD AWARD: June / July Issue 2015 EDGAR A. WHITNEY MEMORIAL AWARD: CLWAC 119th Annual Open: National Arts Club, NYC, 2015 AMERICAN ARTISTS PROFESSIONAL LEAGUE PRESIDENT»S AWARD; SALMAGUNDI CLUB, NYC 2015 THIRD PLACE BRONZE AWARD & MEDALLION: Montana Watercolor Society 33rd Annual Watermedia 2015 JUROR»S AWARD; Pennsylvania Watercolor Society 35th International, Carlisle, Pa 2015 MARGARET G. KRANKING MEMORIAL AWARD: Baltimore Watercolor Society Mid-Atlantic Regional, MD 2015 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2014 BEST OF SHOW: GOLD MEDALLION AWARD: Montana Watercolor Society 32nd Annual Watermedia 2014 REALISM IN NATURE AWARD: Adirondacks National; Old Forge, NY 2013 MERIT AWARD: Pittsburgh Watercolor Society Aqueous Open 2013 HONOURABLE MENTION: Mississippi Watercolor Society 2013 Grand National 2013 MARY BRYAN MEMORIAL AWARD; Academic Artists Association, CT 2013,07 TRAILS & STREAMS MEDALLION FOR A WOODLAND THEME; Adirondacks National; Old Forge, NY 2013 INVESTMENT AWARD Oklahoma Watermedia Exhibition 2013 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2013 ART ACADEMY LIVE.COM AWARD; Western Colorado Watercolor Society's Rockies West National 2012 CLAUDE PARSONS MEMORIAL AWARD; American Artists Professional League Grand National On - line 2012 JUROR» S AWARD; Watercolor West 44th Annual, CA 2012 WINSOR NEWTON AWARD; Baltimore Watercolor Society Mid-Atlantic Regional, MD 2012 GORDON & MILDRED EVANS MEMORIAL WARD; ANEAW Old Forge, NY 2012 PATRON»S FINE ART GIFT CERTIFICATE / MERCHANDISE AWARD # 3 Watercolor Society Alabama 2011 AWARD: 38TH Rocky Mountain National, CO 2011 MERIT AWARD: Watercolor Society of Alabama 2008 AWARD WITH GIFT CERTIFICATE; Watercolor Society of Alabama 2008 ACHIEVEMENT AWARD: Missouri Watercolor Society 2006 VERILUArtists of America Annual; Salmagundi Club, NYC 2016 INTERNATIONAL ARTIST MAGAZINE FLORALS & GARDENS CHALLENGE FINALIST 3RD AWARD: June / July Issue 2015 EDGAR A. WHITNEY MEMORIAL AWARD: CLWAC 119th Annual Open: National Arts Club, NYC, 2015 AMERICAN ARTISTS PROFESSIONAL LEAGUE PRESIDENT»S AWARD; SALMAGUNDI CLUB, NYC 2015 THIRD PLACE BRONZE AWARD & MEDALLION: Montana Watercolor Society 33rd Annual Watermedia 2015 JUROR»S AWARD; Pennsylvania Watercolor Society 35th International, Carlisle, Pa 2015 MARGARET G. KRANKING MEMORIAL AWARD: Baltimore Watercolor Society Mid-Atlantic Regional, MD 2015 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2014 BEST OF SHOW: GOLD MEDALLION AWARD: Montana Watercolor Society 32nd Annual Watermedia 2014 REALISM IN NATURE AWARD: Adirondacks National; Old Forge, NY 2013 MERIT AWARD: Pittsburgh Watercolor Society Aqueous Open 2013 HONOURABLE MENTION: Mississippi Watercolor Society 2013 Grand National 2013 MARY BRYAN MEMORIAL AWARD; Academic Artists Association, CT 2013,07 TRAILS & STREAMS MEDALLION FOR A WOODLAND THEME; Adirondacks National; Old Forge, NY 2013 INVESTMENT AWARD Oklahoma Watermedia Exhibition 2013 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2013 ART ACADEMY LIVE.COM AWARD; Western Colorado Watercolor Society's Rockies West National 2012 CLAUDE PARSONS MEMORIAL AWARD; American Artists Professional League Grand National On - line 2012 JUROR» S AWARD; Watercolor West 44th Annual, CA 2012 WINSOR NEWTON AWARD; Baltimore Watercolor Society Mid-Atlantic Regional, MD 2012 GORDON & MILDRED EVANS MEMORIAL WARD; ANEAW Old Forge, NY 2012 PATRON»S FINE ART GIFT CERTIFICATE / MERCHANDISE AWARD # 3 Watercolor Society Alabama 2011 AWARD: 38TH Rocky Mountain National, CO 2011 MERIT AWARD: Watercolor Society of Alabama 2008 AWARD WITH GIFT CERTIFICATE; Watercolor Society of Alabama 2008 ACHIEVEMENT AWARD: Missouri Watercolor Society 2006 VERILUARTISTS PROFESSIONAL LEAGUE PRESIDENT»S AWARD; SALMAGUNDI CLUB, NYC 2015 THIRD PLACE BRONZE AWARD & MEDALLION: Montana Watercolor Society 33rd Annual Watermedia 2015 JUROR»S AWARD; Pennsylvania Watercolor Society 35th International, Carlisle, Pa 2015 MARGARET G. KRANKING MEMORIAL AWARD: Baltimore Watercolor Society Mid-Atlantic Regional, MD 2015 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2014 BEST OF SHOW: GOLD MEDALLION AWARD: Montana Watercolor Society 32nd Annual Watermedia 2014 REALISM IN NATURE AWARD: Adirondacks National; Old Forge, NY 2013 MERIT AWARD: Pittsburgh Watercolor Society Aqueous Open 2013 HONOURABLE MENTION: Mississippi Watercolor Society 2013 Grand National 2013 MARY BRYAN MEMORIAL AWARD; Academic Artists Association, CT 2013,07 TRAILS & STREAMS MEDALLION FOR A WOODLAND THEME; Adirondacks National; Old Forge, NY 2013 INVESTMENT AWARD Oklahoma Watermedia Exhibition 2013 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2013 ART ACADEMY LIVE.COM AWARD; Western Colorado Watercolor Society's Rockies West National 2012 CLAUDE PARSONS MEMORIAL AWARD; American Artists Professional League Grand National On - line 2012 JUROR» S AWARD; Watercolor West 44th Annual, CA 2012 WINSOR NEWTON AWARD; Baltimore Watercolor Society Mid-Atlantic Regional, MD 2012 GORDON & MILDRED EVANS MEMORIAL WARD; ANEAW Old Forge, NY 2012 PATRON»S FINE ART GIFT CERTIFICATE / MERCHANDISE AWARD # 3 Watercolor Society Alabama 2011 AWARD: 38TH Rocky Mountain National, CO 2011 MERIT AWARD: Watercolor Society of Alabama 2008 AWARD WITH GIFT CERTIFICATE; Watercolor Society of Alabama 2008 ACHIEVEMENT AWARD: Missouri Watercolor Society 2006 VERILUArtists Association, CT 2013,07 TRAILS & STREAMS MEDALLION FOR A WOODLAND THEME; Adirondacks National; Old Forge, NY 2013 INVESTMENT AWARD Oklahoma Watermedia Exhibition 2013 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2013 ART ACADEMY LIVE.COM AWARD; Western Colorado Watercolor Society's Rockies West National 2012 CLAUDE PARSONS MEMORIAL AWARD; American Artists Professional League Grand National On - line 2012 JUROR» S AWARD; Watercolor West 44th Annual, CA 2012 WINSOR NEWTON AWARD; Baltimore Watercolor Society Mid-Atlantic Regional, MD 2012 GORDON & MILDRED EVANS MEMORIAL WARD; ANEAW Old Forge, NY 2012 PATRON»S FINE ART GIFT CERTIFICATE / MERCHANDISE AWARD # 3 Watercolor Society Alabama 2011 AWARD: 38TH Rocky Mountain National, CO 2011 MERIT AWARD: Watercolor Society of Alabama 2008 AWARD WITH GIFT CERTIFICATE; Watercolor Society of Alabama 2008 ACHIEVEMENT AWARD: Missouri Watercolor Society 2006 VERILUX INFOR A WOODLAND THEME; Adirondacks National; Old Forge, NY 2013 INVESTMENT AWARD Oklahoma Watermedia Exhibition 2013 PATRON»S FINE ART AWARD: Watercolor Society of Alabama 2013 ART ACADEMY LIVE.COM AWARD; Western Colorado Watercolor Society's Rockies West National 2012 CLAUDE PARSONS MEMORIAL AWARD; American Artists Professional League Grand National On - line 2012 JUROR» S AWARD; Watercolor West 44th Annual, CA 2012 WINSOR NEWTON AWARD; Baltimore Watercolor Society Mid-Atlantic Regional, MD 2012 GORDON & MILDRED EVANS MEMORIAL WARD; ANEAW Old Forge, NY 2012 PATRON»S FINE ART GIFT CERTIFICATE / MERCHANDISE AWARD # 3 Watercolor Society Alabama 2011 AWARD: 38TH Rocky Mountain National, CO 2011 MERIT AWARD: Watercolor Society of Alabama 2008 AWARD WITH GIFT CERTIFICATE; Watercolor Society of Alabama 2008 ACHIEVEMENT AWARD: Missouri Watercolor Society 2006 VERILUArtists Professional League Grand National On - line 2012 JUROR» S AWARD; Watercolor West 44th Annual, CA 2012 WINSOR NEWTON AWARD; Baltimore Watercolor Society Mid-Atlantic Regional, MD 2012 GORDON & MILDRED EVANS MEMORIAL WARD; ANEAW Old Forge, NY 2012 PATRON»S FINE ART GIFT CERTIFICATE / MERCHANDISE AWARD # 3 Watercolor Society Alabama 2011 AWARD: 38TH Rocky Mountain National, CO 2011 MERIT AWARD: Watercolor Society of Alabama 2008 AWARD WITH GIFT CERTIFICATE; Watercolor Society of Alabama 2008 ACHIEVEMENT AWARD: Missouri Watercolor Society 2006 VERILUX INC..

The shapes, colors and textures of brooms, cleaning mops, clothes, and precast structures of civil construction are the trigger for free associations and unexpected translations done by the artist.

Known for abstract paintings that combine mesmerizing colors with multilayered texture, Los Angeles - based artist Mark Grotjahn (b. 1968, United States) has created a series of sculptures out of discarded cardboard boxes.

The artist is noted for his textured compositions, building up layers of acrylic and collage.

The South African — born artist «excavates in reverse,» layering everyday materials imbued with memory like burlap or denim into densely textured visual feasts for the 14 paintings plus collages on display here.

Having already denounced, in his personal letters, the painter widely considered the king of 20th - century art («charlatan» was his epithet of choice), Graham (again, from Wilkin's essay) «expanded on his objections, castigating artists for emphasizing -LSB-...] formal concerns: «Young painters, nowadays, are wont to talk about pure form, plastic values, plane - tension, texture, space, design and whatnot.

Key works include Andrew Erdos's Texture of a Ghost (2011), a 6 x 8 foot room featuring hand - blown glass sculptures and a video installation; Josiah McElheny's Landscape Model for Total Reflective Abstraction (I)(2004); Luke Jerram's E. coli (2010), which explores the tension between scientific objectivity and cultural perceptions of viruses, diseases, and bacteria; twelve snow globes by Walter Martin and Paloma Muñoz from the Travelers series; three stained glass light boxes by Judith Schaechter; and a recent body of work by Czech Republic - based artist Karen LaMonte that highlights the role of the kimono in Japanese culture.

The one work for a fine artist, the one painting, is the painting of the one - size canvas — the single scheme, one formal device, one color - monochrome, one linear division in each direction, one symmetry, one texture, one free - hand - brushing, one rhythm, one working everything into one dissolution and one indivisibility, each painting into one overall uniformity and non-irregularity.

Not only will International Pop remain a scholarly reference for future exhibitions and research, but the range of page colors and textures, to the variety of layouts and organizational methods used throughout the catalogue, succeed in capturing the feel of Pop in every spread, succinctly bringing together a large number of artists, artworks, and several countries to tell a multi-faceted and open - ended narrative of Pop Art across the world.

Surface Tension highlights artists who explore the materiality of paint on canvas, transforming a means of representation into a vehicle for building texture and depth.