Sentences with phrase «the story of art»

I am proud to say that I am a success story of art therapy.

Centered around a leftist musical drama and attempts to stop its production, the film is a true story of art and politics in America in the 1930s.

Summary: Centered around a leftist musical drama and attempts to stop its production, the film is a true story of art and politics in America in the 1930s.

This also tells the story of art and the development of sculptural form in Art and how art develops through the ages from Paleleolithic, Egyptian, Greek - Archaic, Classical, Hellenistic Art and Gothic Art following with Early Renaissance and the work of Donatello to the work of Michelangelo in Late Renaissance.

The many worlds of Harlem come together in this exciting, mysterious story of art and adventure.

This is a beautiful, patient, and timeless book, one that builds upon centuries and shows how the smallest choices — like the chosen mix for yellow paint — can be the definitive markings of an entire life» - Kirkus Reviews «The Last Painting of Sara de Vos is a tremendous story of art, deception, love, ambition and the place of women in the world, and in history.

For Fineberg, the story of art over the past 55 years is the story of exceptional individuals profoundly engaged in interpreting existence.

Similarly, art historian Erich Gombrich intended his «Story of Art» to be read by high school students.

A very effective way to discover the story of your art is to document your process.

Module 7 — The elements of good storytelling & Artist case studies — how do artists tell the story of their art?

The story of art in America is incomplete without acknowledging Black American artists.»

Chronology, which governs the story of art through about the 1970s, isn't the only change.

A film that depicts the story of the Art Party, directed by the Smiths with Tim Newton, will also be screened at the opening.

Despite Dubuffet's intentions, Outsider Art is today an important chapter in the story of art since Modernism — and, as such, has exerted considerable influence on artists trained in art schools.

«They were important in their own day, but it was a struggle and it has not recognised as a key aspect of the story of art at that time.

Here is a theme that threads back and forth through the 20th century, forming a loop; and a story of art in which the past is constantly alive in the present.

So if one can get past the issue of the donors wanting to demonstrate by example to a next - generation of contemporary collector, the larger issue is how fundamentally, all this emphasis on the trophies compresses the story of art.

In terms of the story of art history, it ties in directly with the Blinky Palermo show one level down (Palermo and Knoebel were close)...

Ryan Gander conceptually and wittily portrays stories of art, culture, and the artist's personal experiences through var...

However, with major solo exhibitions at Tate from artists like Marlene Dumas, Yayoi Kusama and Georgia O'Keefe; and at Modern Art Oxford, Jenny Saville, Barbara Kruger and currently Lubaina Himid, it seems that finally, women's part of the story of art is taking its rightful place.

For more than 60 years Ernst Gombrich's The Story of Art has been both a colossal global bestseller — with more than 8 million copies sold — and the perfect introduction to art history, from the earliest cave paintings to art of the 20th century.

Czech art historian and curator Tomáš Pospiszyl recounts a history of contemporary Eastern European art by highlighting emblematic stories of the art scene's protagonists, mixing personal anecdotes with artistic agendas.

On Level 2, «Between Object and Architecture» looks at the way post-1960s artists employed geometric shapes and ordinary building materials like bricks or cubes, and includes artists from Latin America and China as well as Europe, emphasizing the museum's commitment to what Frances Morris, the director of the Tate Modern, called «a more global story of art.»

«Every bit as comprehensive and authoritative as E. H. Gombrich's The Story of Art... Concepts and movements are explained concisely, while the range of art covered -LSB-...] is both diverse and inspiring.»

It's basically two stories of art stuff produced and assembled from 1973 on — paintings, and drawings on the second floor; other people's paintings, drawings, pamphlets, t - shirts and religious banners on the third floor.

This is a major claim since Realism has been such an important part of the story of art in America.

Using the medium of film, the platform brings together acclaimed artists, historians, academics and curator to unlock hidden stories of art and visual culture to the broad audiences.

Women Surrealists by Henry McBride, New York Sun, 18 January 1943, cited in Peggy Guggenheim and Frederick Kiesler: The Story of Art of this Century, edited by Susan Davidson and Philip Rylands, published by Guggenheim Museum, 2005, page 292.

After an introduction to catalogue and discussion of his work, invited panelists will discuss how the story of art is written, raising questions on living legacy, the archive, and preservation.

«You can no longer read the story of art without reading China into it.»

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Duchamp's dictionary, Picasso's (other) muse, Lucy Lippard's landscapes, and Hans Ulrich Obrist's map quests are among the subjects of recent volumes that expand the story of art Read More

Whether it's an advertisement, flyer or signage, every element of your marketing materials should tell the story of the art, the artist, the gallery — of you!

Every piece of art has a story, and Jolie's blog posts tell the story of her art in progress.

As well as being a story of art's capacities to change people's emotional and physical behaviour, Scissors Cut Paper Wrap Stone is a story of the artist's struggle to manage these responsibilities.

As we were preparing for the Kerry James Marshall exhibition, we asked several artists, art historians, and curators to fill in the gaps or alter the stories of an art...

Woodmere's mission is to tell the story of the art and artists of Philadelphia.

Because it has acquired the Marshall and Helen Hatch collection, SAM now owns the early modernist story of art in this region.

Couple this testimony with his affidavit; reproductions of his entire series of Canal Zone paintings; and his lawyer's detailed argument defending their copyright status, with Patrick Cariou's own exhaustive, illustrated assertions of unlawful theft; and you basically have the entire, firsthand story of the art world's most controversial copyright battle.

corralled [the stampede's] energy Francis V. O'Connor, «Jackson Pollock's Mural for Peggy Guggenheim: Its Legend, Documentation, and Redefinition of Wall Painting,» in Susan Davidson and Philip Rylands, eds., Peggy Guggenheim & Frederick Kiesler: The Story of Art of This Century (New York: Guggenheim Museum Publications, 2004), p. 163.

Follows in the tradition of bestsellers such as The Story of Art, The Art Book, The Photography Book, and 30,000 Years of Art.

As well as being a story of art's capacities to change people's emotional and physical behaviour, the book is a story of the artist's struggle to manage these responsibilities.

This is partly because their work was catnip to private collectors long ago; but also because the story of art, as told in British museums, stints on US modernism.

Her newly commissioned work, The Story of Art 2003, situated in the History / Memory / Society displays at Tate Modern, extends her interest in the systems by which we collectively perceive, store and access bodies of knowledge, whilst raising specific questions about the museum?s status as a source of knowledge.

Tully also tells the story of art advisor Todd Levin's experience with galleries who had a re-sale agreement:

PS: More videos covering Plovdiv Night coming soon: M — Ute Müller, Christoph Meier at Sariev Contemporary; Craig Havens: An Ending Is Only The Beginning Of Another Story at Cosmos Cinema; and Dimitar Solakov: The Story of Art — a Concise Version at Sariev Project Space.

He admired Phaidon's redesigned pocket edition of EH Gombrich's The Story of Art, published in 2006.

The size of the book was an homage to Phaidon's edition of EH Gombrich's The Story of Art.

«That's the story of art.»

Carrier and Pissarro will write a follow - up version of E. H. Gombrich's The Story of Art, from 1950, taking the 21st century into account.