Sentences with phrase «then paint the area»

Then paint the area below the line in a bold shade, leaving the last third of the wall white.

Not exact matches

He then paints the light areas with the desired colors, using pigments derived from minerals and other natural sources.

The Bay Area is too diverse to paint an entire side with one brush, then use a completely different one for the other side.

Bring the family out to pick - your - own apples, pears and pumpkins then enjoy farm park including: The Golden Goat Bridge, animal feeding area, Play Area, The Mazes, tractor - drawn wagon rides, pony rides, pedal carts, gemstone mining, Bounce House, Johnny Appleseed show (reservations required), pig races, face painting, children's games and delicious farea, Play Area, The Mazes, tractor - drawn wagon rides, pony rides, pedal carts, gemstone mining, Bounce House, Johnny Appleseed show (reservations required), pig races, face painting, children's games and delicious fArea, The Mazes, tractor - drawn wagon rides, pony rides, pedal carts, gemstone mining, Bounce House, Johnny Appleseed show (reservations required), pig races, face painting, children's games and delicious food.

I then used a gold mica and alcohol to fill in the areas between those I painted copper.

After the paint has completely dried, I usually wait overnight, I do a light overall sanding, then focus a bit more on any areas I would like to distress a bit.

I have painted one of my kitchen walls (well, a 6 X 6 area of it) with magnetic paint and then with chalk paint.

The paint dried pretty quickly, then I flipped the table over and added some black paint to areas of the crate for a cohesive look.

Then, if there were any areas where I wanted to add more mascara, I wipe the wand on my hand — because the Lancôme wand picks up a lot of mascara — and I lightly painted the formula through the lashes, basically streaking it across the false lash piece and her real lashes.»

If it's all over and you have no clue what the cause is, I would sand the entire piece to smooth out the cracked areas then re-prime and paint.

If your stencil doesn't fit your project then you will want to line the stencil up and paint the other area.

We lightly distressed the painted areas with a sanding block, then sealed it with a couple coats of our favorite sealer.

The process for painting is simply to spray water first over one area of the leather at a time, then paint it, continue to spray then paint until the surface is covered.

I agree with @Foxwolf70 but if you really wanted to see for yourself, you could just paint the monster with a paintball, then leave the area and see if the monster is moving.

With that said, I would just sand down the rust areas, use some sealer / primer, then follow with rattle cans of your color of paint.

If you feel pretty comfortable with a bottle of spray paint and aren't too worried about a pro job, you could then obtain some automotive spray paint and repaint the affected area (s).

The original owner, California black - plate car was almost completely rust free (the only rusty areas were a few pinholes in the floorboards and the gas tank mounting lip) but because we're going to have the car in our SEMA Show booth and at several shows for the next year or so, it needs to be show quality so we prepped the car for the build by sending it to Superstition Restoration in Mesa, AZ for the fitment of a Mustangs To Fear front fascia and hood, and then a retina - burning Axalta 2017 Mustang Competition Orange paint job.

But if the tire is not completely removed from the tailgate's area of travel, then the paint will be scratched.

He made stitch welds along both sides, and then gave the area a good coating of rust - inhibiting paint while the area was still warm.

Free morning to explore the artist area of San Blas with many workshops of paintings and scultures, (typical from Cusco) visit the Inca Museum just near the main Cathedral on the main Cusco's plaza, then you can visit the new Machupicchu Museum just 2 blocks near the Plaza and visit the Merced Convent.

Racing in teams up to three - versus - three, players paint the track as they race, capturing key areas to dynamically change the racing line, then boosting on their team's color.

The rhythm between dashing about, painting the world, and then diving into your painted area to both hide from enemies and restock your ink, is unique and compelling.

You simply tap which color you would like to change the paper tiles into on the color palette that is at the bottom of the touch screen and then tap the block area you would like to paint over.

It's not an uncommon occurrence to be exploring a painting only to be stopped and asked to go to the outside world to synthesise an item that you don't even have the recipe for, obtain the recipe and get the ingredients to synthesise the item, then go all the way back to where you were in the painting (remember, the fast travel system only takes you to the start of an area), use the item, and then progress further into the location.

But then I'll do something intentional like painting a hard - edged geometric shape on top of an area of thick texture or heavy impasto.

I also «reserve» some white areas for later in the painting process by brushing around them and then leave the painting to dry.

Masked — off areas and a strategic mixing of oil and Flashe (a matte, vinyl - based paint) suggest sturdy effort and deliberation rather than a passionate struggle; forms tend to circulate intriguingly rather than urgently, as if the artist, stirring together elements of flaming pink, crusty off - whites, and gray - greens, then allowed them to settle like tea leaves.

If I understand this correctly, you try to keep much of the painting in a certain range of relatively close values, like the light seen on a grey day and then orchestrate the contrasts of light and dark almost as if the clouds parted and a blast of full sun fell on the desired area of focus.

For one series, he replicated the signs of small businesses in the area and then gave business owners his painted signs in exchange for their real ones.

Cooke's impasto surfaces are punctuated with masked, recessed areas that are then weathered and eroded with subsequent washes of paint.

The painting is then a mixture of grey as a fiction and grey as a visible, designated area of colour» (G. Richter, quoted in «Letter to Edy de Wilde, 23 February 1975», H - U.

«I recall my first painting — that is, where I felt that I had moved into an area for myself that was completely me — I painted on my birthday in 1948 [young artists today take note, Newman was then 43 years old].

After applying a light color wash to the paper, Ossorio would draw forms with wax, and then paint in watercolor, which would saturate all areas of the paper except those with wax - drawn shapes.

would draw forms with wax, and then paint in watercolor, which would saturate all areas of the paper except those with wax - drawn shapes.

Striking for their hot, vivid, deep colors, their pierced or jagged forms, and their pulsating energy, these works were created using a wax resist technique — Ossorio would apply a light color wash to the paper, draw forms with wax, and then paint in watercolor, which would saturate all areas of the paper except those with wax - drawn shapes.

The rest of Hibid's display, however, is less convincing: a series of pages of the Guardian newspaper in which areas are painted out to reveal what she appears to see as unconscious racism, specifically — in the way images of black people are used — feels rather dated, if not in its racial paranoia, then certainly in the way Hibid has chosen to express it.

The stretched canvas with which she covers these unquestionably sculptural forms, in a dual movement of concealment and revelation, then allows her configure the painting area.

And then a longing for the return of curves and for work with larger areas of colour brought paintings where flat planes of colour appear to weave in space in compositions of lyrical and exuberant rhythms.

With a similar skepticism, Hantaï responded to Abstract Expressionism by reinterpreting its processes using a technique in which he crumpled a canvas into a large bunch, painted the exposed areas, then stretched it to reveal large abstractions.

To create his postcard paintings, Wegman typically mounts one or more vintage postcards onto a wood panel, then expands the landscape or subject within them onto the surrounding area, blending them visually and, often, ironically.

Subtracting paint by rubbing out areas using a turpentine - laden cloth and then adding back paint became an important technical element, creating cloud - like areas and voluminous forms, like the orange area in the bottom left corner of «Luminous Undercurrent.»

He would paint an area and then stand back several feet to look at what he had just done before going back to the wall to paint.

Then, he discovered he'd erred taking the measurements for the wall area destined for his painting.

Sullivan Goss presents an exhibition of early, important paintings by Lockwood de Forest made in 1875 and 1876 that chart the artist's journey up the Nile and across the area then known as the Holy Land.

Building up the paint surface and then scraping it down in areas, I seek to reveal something unknown.

Seeking, in his own words, «a crudity in style to match the crudity of my surroundings in the poor area of NYC,» Oldenburg adopted a papier - mâché technique that he found in a children's art book, using tattered scraps of newspaper and wheat paste to make objects that he then splattered with black paint.

I started out drawing and painting my grandmother and her stepfather where we all lived together, in an area by the Monongahela River known as «the bottom», then turned to photography once I entered college at Edinboro University in Pennsylvania.

To create them, large quantities of paint are poured onto a canvas laid flat on the ground; a variety of objects, which might include clumps of ribbon, shiny pipe cleaners, styrofoam balls, and other bric - a-brac, are then tossed into areas where the pooled paint has yet to dry.

Frottage Technique In the early 1920s, in his pursuit of Surrealist ideas of automatism in art, he developed a technique called frottage (rubbing)- which involved placing objects under a canvas layered in paint, and then scraping back the paint on the raised areas of the canvas.

The white areas of this pattern appear to be the uncovered acrylic gesso primer and the black pattern was probably created using a scrunched up rag that was dipped in black emulsion paint and then dabbed all over the stretched canvas.