Sentences with phrase «thirty year retrospective»

Presented by Ffotogallery, the national development agency for photography in Wales, the organisation has enjoyed a longstanding relationship with the artist, having published Helen Sear's thirty year retrospective monograph Inside The View in 2012, and previously exhibited her work on several occasions both internationally and in Wales.

BASIC FACTS: «Gavin Zeigler: A Thirty Year Retrospective of Painting and Sculpture, 1983 to 2013» is exhibited from June 8 to 23, 2013 at Peter Marcelle Gallery, 2411 Main, Bridgehampton, NY 11932. www.petermarcellegallery.com.

PETER MARCELLE GALLERY — «Gavin Zeigler: A Thirty Year Retrospective of Painting and Sculpture, 1983 — 2013» has an Opening Reception on Saturday from 6 to 8 p.m. Zeigler creates mixed media paintings using everyday objects with a focus on surface, pattern, and color.

In 1997 Scott was given a thirty year retrospective at the New Mexico Fine Arts Museum, entitled «Sam Scott: An American Voice Paintings 1967 - 1997.

Not exact matches

The Maze War 30 Year Retrospective at the DigiBarn Celebrating Thirty Years (1974) of the world's first multiplayer 3D game environment!

DELUXE EDITION BONUS: Deluxe format of 11» x 15», premium vintage hardcover, exclusive dedicated 16 - page retrospective celebrating thirty years of Zelda games, a 16 - page dedicated art section, and two ribbon bookmarks.

The Monet show comes at a time when New York has recently seen Bonnard, Diebenkorn, Léger and Soutine retrospectives and the first Nicholas de Ställ in thirty - five years and that is hopeful.

In 1997 Hampton University Museum in Virginia published her book From Painting to Painting as Sculpture: The Journey of Lilian Thomas Burwell in conjunction with her thirty - year retrospective exhibition there.

Miriam Schapiro is the recipient of six honorary doctorates and has been the subject of numerous doctoral and master's degree dissertations and she has been honored with painting retrospectives, a thirty - year works on paper retrospective, numerous one - person exhibitions and has been included in hundreds of group exhibitions throughout the world.

Tate Modern will present the first posthumous retrospective of Robert Rauschenberg, also his first comprehensive exhibition in the UK for almost thirty - five years.

Born in Arkansas in 1940, Durham left the United States thirty years ago for Europe and has largely refrained from exhibiting in the U.S. since, giving a provocative tone to the retrospective's title, At -LSB-.....]

Thresholds: Images from Music, Reverie and Place, is the first retrospective to survey thirty years of consistent practice by Margaret Wilson.

Thirty years later, the San Francisco Museum of Modern Art organized the first international traveling retrospective of her photographs.

In 1993, the Neuberger Museum of Art in Purchase, NY, organized Melvin Edwards Sculpture: A Thirty - Year Retrospective 1963 — 1993, an exhibition documenting his artistic development.

Art Center South Florida 30 Years on the Road ArtCenter / South Florida is celebrating its 30th anniversary this year with a retrospective exhibition, Thirty Years on the Road, curated by Edouard Duval - Carrié.

T.J. Carlin reports in Time Out that Barkley Hendricks, who for the past thirty years has been a wry, beret - wearing presence in my town's quiet art community, is long overdue for a retrospective.

In 1993, the Neuberger Museum of Art in Purchase, NY, organised the first retrospective in Edwards» career documenting his thirty - year artistic development.

Following his 2009 retrospective, Robert Longo presents an overview of works from the past thirty years at Germany's Kunsthalle Weishaupt opening this Saturday.

It honors the celebrated South Korean artist with a major thirty - five - year retrospective, presenting a selection of abstract paintings from 1983 to the present.

THIS IS THE FIRST major retrospective of my work in nearly thirty years.

This publication accompanies a major retrospective exhibition that focuses on Kerry James Marshall's paintings made over the last thirty - five years.

Although Jackson Pollock (1912 — 1956) is widely considered to be one of the most important artists of the 20th century, Tate Liverpool's major new retrospective is the first exhibition in over thirty years to properly survey the artist's late works.

In 1993 the Neuberger Museum of Art in Purchase, New York, USA, organized the first retrospective in Edwards» career documenting his thirty - year artistic development.

Her first retrospective exhibition «The Paintings of Joan Mitchell: Thirty - six Years of Natural Expressionism» travels to museums across the US in 1988, including the San Francisco Museum of Modern Art and the Albright Knox Art Gallery.

In 2000, the Baltimore Museum of Art celebrated Scott's work with a thirty - year retrospective entitled Joyce J. Scott: Kickin» It With the Old Masters.

Thirty years after the last retrospective of Carlos Cruz - Diez in Germany (Josef Albers Museum Quadrat, Bottrop, 1988), the Museum für Konkrete Kunst presents the exhibition «Carlos Cruz - Diez.

KIMSOOJA Unfolding is the first retrospective exhibition to assess the thirty - year career of the Korean - born, Paris - and New York - based artist, whose powerful and provocative work has earned her a prominent position as one of the most innovative artists working today.

The first major retrospective of the paintings of George Bellows to be seen in thirty years, this exhibition afforded a welcome opportunity to reassess the work of a leading figure in early 20th - century American art.

Born in Arkansas in 1940, Durham left the United States thirty years ago for Europe and has largely refrained from exhibiting in the U.S. since, giving a provocative tone to the retrospective's title, At the Center of the World.

Reynolds: What's interesting now, thirty - five or forty years later, as museums mount retrospective shows of Smithson and his contemporaries, is a tendency to emphasize the objects or the physical aspects of his practice.

On Tuesday, March 15, University Galleries will host free screenings of «Facets: A Recital Compilation by Terry Adkins» from 12 - 2 p.m. and 6 - 8 p.m. «Facets: A Recital Compilation» is the documentation of a two - hour collaborative performance that Adkins developed and presented at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York, in conjunction with his 2012 thirty - year retrospective.

In 2007, his work was the subject of a solo exhibition at the Museum of Contemporary Photography, Chicago, and in 1999 a thirty - five - year retrospective was presented at the Museum of Contemporary Art, Chicago that toured the same year to the Los Angeles County Museum of Art.

There's lyricism, indeed, to the painter's vibrantly hued works, currently featured in the retrospective «Kazuko Inoue: Thirty Years of Painting» at Allan Stone Projects in New York.

A retrospective of the thirty - odd year career of Iranian - American Shirin Neshat (b. 1957, Iran) currently on view at the Hirshhorn Museum in Washington, D.C., «Shirin Neshat: Facing History,» affords a welcome opportunity to address this question.

Acquired by Frieder Burda over thirty years ago, No. 36 (Black Stripe) has never appeared at auction and has been featured prominently in every major museum exhibitions devoted to the artist, including the Tate Gallery in London, the National Museum of Modern Art in Tokyo, The National Gallery of Victoria in Melbourne, the Art Gallery of New South Wales in Sidney and was part of the seminal artist's retrospective at the Fondation Beyeler, in 2001.

Almost thirty years later we are presenting this exhibition just as the MoMA in New York is devoting a large retrospective to Louise Bourgeois» prints and is publishing (Louise Bourgeois, An Unfolding Portrait), for the occasion, an on - line catalogue raisonné of this portion of her oeuvre.

Other major shows have included «Frank Auerbach: Paintings and Drawings 1977 — 85» at the British Pavilion at the XLII Venice Biennale (1986), where he shared the Golden Lion prize with Sigmar Polke; «Frank Auerbach at the National Gallery: Working after the Masters» (1995), at the National Gallery, London, presented drawings made over a thirty - year period from paintings in the National Gallery's collection; a major retrospective at the London's Royal Academy in 2001.

1967 First solo exhibition, Lidchi Jhb and Walsh Marais Durban 1972 Goodman Gallery Jhb 1975 Natal University «Fifteen years of People, Places and Things» 1987 50th retrospective - Durban Art Gallery and toured South African museums 1988 Homage to Seferis, NSA 1996 Opening exhibition of NSA Gallery and Artist in Residence Grahamstown Festival 1996 «New Paintings» Artpreciation Gallery, Hong Kong 1996 «Thirty Five Small Paintings», South African Consulate Mumbai and Delhi 1997 Sixtieth retrospective «Mapping Terra Incognita», Durban Art Gallery and toured South African museums 1997 «We are Bricolage», Goodman Gallery and Pretoria Art Museum 1997 «Ragini», NSA Gallery, Durban 1997 «New Work», Pretoria Art Museum 2000 «Indus», João Ferreira Fine Art, Cape Town 2001 «Bandhini», KZNSA Gallery, Durban 2001 «Recent Paintings», Goodman Gallery, Johannesburg 2002 «Recent Paintings», The Dorp Street Gallery, Stellenbosch 2003 «Mendhi», Tamasa Gallery

«Rick Swain Sculpture — A Retrospective» features the artist's work spanning thirty years of his career.

Robert Irwin specifically configured for the fourth floor of the Whitney's Marcel Breuer building on the occasion of his 1.977 retrospective, will be reinstalled, after thirty - five years of dormancy within the museum's collection, along with a group of related drawings and photographs.

Huiles sur toile et Pastels Galerie Jean Fournier, Paris (catalogue) Joan Mitchell: Pastels Les Cordeliers Châteauroux Joan Mitchell: Selected Paintings and Pastels 1950 — 1990 Manfred Baumgartner Galleries, Inc., Washington, D.C. 1994 Pastels Galerie Jean Fournier, Paris Joan Mitchell»... my black paintings...» 1964 Robert Miller Gallery, New York (catalogue) Joan Mitchell: Oeuvres de 1951 à 1982Musée des Beaux - Arts de NantesJoan Mitchell: les dernières années, 1983 - 1992 Galerie Nationale du Jeu de Paume, Paris (catalogue) Works on Paper Montgomery — Glasoe Gallery, Minneapolis Joan Mitchell in Vétheuil Newport Harbor Art Museum, Newport Beach 1993 83rd Annual Exhibition: Joan Mitchell Maier Museum of Art, Randolph — Macon Woman's College, Lynchburg (catalogue) Galerie Ulrike Barthel, Bremen Joan Mitchell: 26 Farbige Radierungen, 1972 — 1989 Galerie Daniel Blau, Munich Joan Mitchell 1992 Robert Miller Gallery, New York (catalogue) Joan Mitchell Prints and Illustrated Books: A Retrospective Susan Sheehan Gallery, New York Joan Mitchell: Etchings and Lithographs Pace Prints, New York 1992 New Prints Bobbie Greenfield Fine Art, Venice Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan Galerie Jean Fournier, Paris Trees & Other Paintings, 1960 to 1990 Laura Carpenter Fine Art, Santa Fe Joan Mitchell: Pastels Whitney Museum of American Art, New York Joan Mitchell: Recent Lithographs Susan Sheehan Gallery, New York Joan Mitchell: Sunflowers and Trees Series Tyler Graphics, Mt. Kisco 1991 Robert Miller Gallery, New York (catalogue) 1990 Joan Mitchell: Paintings and Drawings Barbara Mathes Gallery, New York Joan Mitchell: Champs Galerie Jean Fournier, Paris 1989 Robert Miller Gallery, New York (catalogue) 1988 Joan Mitchell: Selected Paintings Spanning Thirty Years Manny Silverman Gallery, Los Angeles (catalogue) The Paintings of Joan Mitchell: Thirty - Six Years of Natural Expressionism organized by Judith Bernstock and the Herbert F. Johnson Museum of Art, Cornell University, Ithaca; traveled to: Corcoran Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art, San Francisco; Albright Knox Art Gallery, Buffalo; La Jolla Museum of Contemporary Art, La Jolla (catalogue) 1987 Joan Mitchell: Peintures, 1986 et 1987 - River, Lille, Chord Galerie Jean Fournier, Paris (catalogue) 1986 An Exhibition of Paintings and Works on Paper Keny & Johnson Gallery, Columbus Joan Mitchell: New Paintings Xavier Fourcade Inc., New York (catalogue) 1985 Joan Mitchell: The Sixties Xavier Fourcade Inc., New York (catalogue) 1984 La Grande Vallée et autres peintures Galerie Jean Fournier at the Foire Internationale d'Art Contemporain, Grand Palais, Paris Joan Mitchell — La Grande Vallée Galerie Jean Fournier, Paris (catalogue) 1983 Joan Mitchell: New Paintings Xavier Fourcade Inc., New York 1982 Choix des peintures, 1970 — 1982 Musée d'Art Moderne de la Ville de Paris, Paris (catalogue) 1981 Paintings and Works on Paper Janie C. Lee Gallery, Houston Joan Mitchell: New Paintings Xavier Fourcade, Inc., New York Gloria Luria Gallery, Bay Harbor 1980 Galerie Jean Fournier, Paris Joan Mitchell: Major Paintings Richard Hines Gallery, Seattle Joan Mitchell: The Fifties, Important Paintings Xavier Fourcade Inc., New York 1979 Gallery Paule Anglim, San Francisco 1978 Galerie Jean Fournier, Paris Webb and Parsons Gallery, Bedford Village New Paintings and Pastels Ruth S. Schaffner Gallery, Los Angeles 1977 Joan Mitchell: New Paintings, 1977 Xavier Fourcade, Inc., New York 1976 Joan Mitchell: New Paintings, 1976 Xavier Fourcade, Inc., New York (catalogue) Galerie Jean Fournier, Paris 1974 Joan Mitchell: Recent Paintings The Arts Club of Chicago, Chicago Whitney Museum of American Art, New York (catalogue) 1973 Ruth Schaffner Gallery, Santa Barbara 1972 My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Everson Museum of Art, Syracuse, New York (catalogue) My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Martha Jackson Gallery, New York 1971 Galerie Jean Fournier et Cie, Paris 1969 Galerie Jean Fournier et Cie, Paris 1968 Joan Mitchell: Recent Paintings Martha Jackson Gallery, New York 1967 Galerie Jean Fournier et Cie, Paris 1965 Stable Gallery, New York 1962 Joan Mitchell: Ausstellung von Ölbildern Galerie Klipstein und Kornfeld, Bern Galerie Jacques Dubourg, Paris Galerie Lawrence, Paris Paintings by Joan Mitchell The New Gallery, Hayden Library, Massachusetts Institute of Technology, Cambridge (catalogue) 1961 Joan Mitchell: Paintings 1951 — 1961 Mr. and Mrs. John Russell Mitchell Gallery, Southern Illinois University, Carbondale Dwan Gallery, Los Angeles Recent Paintings by Joan Mitchell Stable Gallery, New York Holland - Goldowsky Gallery, Chicago 1960 Galleria dell «Ariete, Milan Gallery Neufville, Paris 1958 Stable Gallery, New York 1957 Stable Gallery, New York 1955 Stable Gallery, New York 1954 Stable Gallery, New York 1953 Stable Gallery, New York 1952 New Gallery, New York (catalogue) 1950 Paintings by Joan Mitchell St. Paul Gallery and School of Art, St. Paul Paintings by Joan Mitchell Bank Lane Gallery, Lake Forest Solo Exhibition Home of Mrs. George Roberts, Lake Forest, Illinois 1943 Solo exhibition Francis Parker School, Chicago

His solo exhibitions include New Paintings at David Richard Gallery (Santa Fe, NM),... dust at Elizabeth Leach Gallery (Portland, OR) and Figure / Ground Stephen Hayes: A Thirty - Year Retrospective at Hoffman Gallery of Contemporary Art (Lewis and Clark College, Portland, OR).

THIRTY YEARS AFTER THE DINNER PARTY, MAVERICK ARTIST JUDY CHICAGO FINDS NEW LIFE IN AN ART GALLERY OF CALGARY RETROSPECTIVE OF HER ICONIC TEXTILES.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

Thirty years from now, what would you like to see in a future retrospective?