Sentences with phrase «though other characters»

When used, Pit will engage in conversation with Palutena and Viridi about the character Pit is facing, though other characters appear for a few conversations, and are based upon the conversations that occur in Kid Icarus: Uprising.

Once the first player reaches the boss it will start for everyone, though the other characters will have to mash the (A) button to rush to the boss while the first player gets a head start.

And even though the other characters are entirely controlled by the game, it still feels very much like a living, breathing population helmed by gamers the world over.

Though other characters make an appearance, these are the three we follow around.

Even though other characters appear from time to time, Barracuda is a two - hander, with one extraordinary scene after another (the script was written by Cortlund).

Though no other character in the film is nearly so fleshed out, a game supporting cast — including the welcome Michael Stuhlbarg and a pitch - perfect Mark Strong — help balance Chastain's blistering presence.

Not exact matches

Other changes will update the characters too, though DeNure wouldn't offer many hints.

The funny thing is, though, that this other group knows all of the stories your family likes to tell about the deceased, and the stories they add to the mix sound more like mythic embellishments of his character than outright lies.

Though the chapter on how God values women was worthwhile reading, the damage done by every other chapter in the book to the Gospel, to the character of God, and to the witness of the church in this world makes this book not worth reading.

Perhaps, though, the biblical character of Jesus, rather than being entirely mythical, was based on one of many Jewish messiah claimants who had followers who euhemerized his life to a greater extent than those of other such claimants, so that in time the stories were so embellished that he became a god in them, but the Tesimonium Flavianum is hardly proof of his existence.

The character contradicts the name, and this is the man who most avidly seconds Portia in her complete humiliation of Shylock, though the others join in readily enough.

As other masters of hermeneutics have done, Humboldt postulates a circle — though not of the vicious variety: only through the empirical observation of manifestations and expressions can we arrive at an understanding of the inner forces that determine a character, but we need to understand these inner forces to interpret the manifestation correctly.

Joining a club of arsenal s stature has its ups and downs.There is a requirement of how our players should perform when on the pitch.The following is a list of players who were wrong to choose arsenal.Aaron ramsey - Even though he is the most favoured of all players at the club now.I cant help but think how it would have gone for Him if he decided to search for other greener pastures.He was a clear talented footballer during his time at cardiff but he hasnt been raised with the discipline at arsenal.You can always see ramseys all round strengths but sadly Its not helping him or the club with his foward moving pleasurr.He is so Over used and its sometimes difficult for him to get used to the rythm of the game.With time you realise he gets low ib confidence and his engine gets wasted.He needed somebody who would have managed him properly and with care and that person is certainpy not wenger.You would have been better off at Manu mate.Calum chambers - Came us a very talented player from southampton with raw talent.He was very good at first but wenger found a way to reduce his level of confidence.His inexperience was left exposed and wenger did nt do anything to resolve that problem and instead He looked for other talented players.Alex oxlade chamberlain - Another very talented player who needed only his skilled sharpened and his character modelled.That and he was ready to become a world beater.But wenger decided to let him run and run like a headless chicken causing him to be often injured and damaging his confidence.Who knows what would have happened to him gad he decided to look for more greener pasture.He is surely a much better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibility

Bob Boothby comes to mind; and others such as Gerald Nabarro and Andrew Faulds, though they belong on the other side of that thin line separating character and caricature.

There, he wrote «collision detection» algorithms — which make characters and other elements in the game look as though they follow physics laws — for a PlayStation video game called Monster Racer.

Johnson writes her character well enough, though the film's general dearth of women characters — there are three, two of them serve mostly as Mother figures (and, in Perabo's case, as a hooker), and the other is a waitress — is something I hope he takes note of.

While Metroid Prime engages on no level other than gameplay, that gameplay is so perfectly tuned and refined, so continuously evolving and clever that you'll keep playing and playing, even when you're frustrated, even when you're honestly just a little bored with the back - tracking, and even though you don't care about the character or story.

It's not quite that simple, though, because Boden and Fleck understand that these two characters feed off of each other's personalities, while fueling the addiction that unifies them.

That said, it's largely action and character driven, though with so many characters in play there's no way to avoid the necessity of some getting far more attention than others.

Steve Carell's character as their marriage therapist, on the other hand, though likable, could have been played by almost anyone.

Some characters get a great deal of screen time, while other talented actors — like James LeGros and Patton Oswalt — only appear briefly, even though they're all introduced with the same weight.

The second part, on the other hand, with the action that ensues after the two main characters manage to escape, does not meet the expectations set by the first part, even though the action scenes are well executed and sure to hold one's attention.

By the end, though both characters have found a measure of that normalcy for themselves, there's a strong sense their real home is out in the open of the New Zealand bush, in each other's company, armed with a renewed sense of openness to life's possibilities.

Though it's mildly raunchy in the Apatow style (he co-produced), The Five - Year Engagement, like most of the films Segel's co-written, also allows its female characters to be recognizable human beings with senses of humor and personality traits other than niceness.

Johnson and Heyman have a script here that deserves Best Original Screenplay consideration, almost simply for how well they've created a quartet of characters (Burrell and Wilson's supporting players don't behave as these sorts of characters would in other films), though the balance of both comedic and dramatic emotion is tremendously done as well.

Though it isn't as laugh - out - loud funny as you might expect from a film starring a Seinfeld - alum, Enough Said still emerges as a warm and insightful romantic comedy that sees its characters as flawed but well - meaning people looking for happiness in their interactions with others, but ultimately finding it within themselves.

On a more negative note, the film is designed and crafted in such a way that you take one side, with a certain perspective more prominently presented than the other, while the fact we're dealing with an ensemble feature does mean there's a lack of emotionality attached, as with so many characters to explore, we drift between them without ever feeling as though we've truly got to the bottom of their respective character developments.

Other confirmed names include Jack Kesy as the film's central villain (though the identity of the villain has yet to be confirmed), Japanese actress Shioli Kutsuna and Julian Dennison — though it has not yet been revealed which characters they'll be playing.

His familiar loveable form from Sonic Generations has made a return and, even though he doesn't speak throughout the game, his interactions with Tails, Eggman and the other characters are quite brilliant at times.

Whereas the other untested Marvel property, Guardians of the Galaxy, won over audiences with irreverent charm, funny and likeable characters, and a toe - tapping soundtrack, Ant - Man is more content to deliver a broadly goofy and blatantly corny sensibility that makes it feel like it is aiming for a younger set than the other MCU releases, even though it does still garner a PG - 13 rating for its violence.

Though it's evident that Marina comes from a different class than most of the film's other characters, A Fantastic Woman is withholding about her background and family — and this would be less of a problem if Lelio and co-screenwriter Gonzalo Maza offered her much in the way of motivation or aspirations.

For instance, even the humanisation of the villain is less compelling than Fritz Lang's portrayal of Peter Lorre's character in M, though an attempt to make him seem ordinary is more evident here than in other serial killer movies like Dahmer (2002).

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

Q: There are lots of other great characters in the movie, though, from the disappointing guys Lady Bird dates (played by «Call Me by Your Name's» Timothee Chalamet and «Manchester by the Sea's» Lucas Hedges) to her patient dad (Tracy Letts) to a cool school nun (Lois Smith) and more.

Though realized on a more modest scale than other Aardman features, the film is still an absolute delight in terms of set and character design, with sophisticated blink - and - you'll - miss - it detailing to counterbalance the franchise's cruder visual trademarks.

This craziness in the main game's plot is kind of necessary, though; the game features an incredibly large cast of Fire Emblem characters that span multiple different original games and, in theory, these characters shouldn't be able to fight alongside each other.

None of these other characters really matter though, they are in a way just extra props for Petit's act.

At least it's a mean to an end though and not just empty exposition designed to save the characters from having to reveal their past through conversation and other interactions.

An Easy Mode option is also provided at the beginning of the game in case you really get stuck, but the game's normal difficulty should be no less challenging, though the cycle of finding evidence and talking to other characters might grow repetitious to some players.

Each environment looks as though it's been crafted out of cardboard and construction paper, and non-playable characters even crumple and crease when they collide with other objects to reinforce this theme.

Though beautifully acted by Freeman, Kinnear and other veterans, the film has uneven work from newcomers such as Davalos, who defines her character with pretty - girl preening.

Snyder managed to kneecap the most quintessentially noble of superheroes, Superman himself, as an aspirational figure, though maddeningly other characters still talk about him that way.

Young as he is, the titular character in Baby Driver is already an experienced pro, to the point that he is relied upon by Doc (Kevin Spacey) for all his missions, even though Doc changes up the other members of the team.

Both Leigh and Ian play fun characters in the film, though Leigh's extremely abrasive lines stand out amongst all others.

On the other side of the argument, though, there is the fact that these moments are aberrations for the character in writer / director Paul Feig's screenplay.

The same holds for other recent Landmark selections, including Amelie, Y tu mama tambien, and The Fast Runner (Atanarjuat)-- movies whose ability to hold an audience is so great the fact that their characters aren't speaking English scarcely matters, though it will still keep such movies out of most other American multiplexes.

It's also the first film in the series that probably necessitates watching the earlier films to appreciate fully, with its recurring characters and references to Indy's departed family and friends (Connery, who played Henry Jones I, has permanently retired from acting, and though tempted, turned down appearing in this film — I guess just one drink from the Holy Grail isn't enough for his character's immortality), so do yourself a very big favor and, if you haven't seen them, or have forgotten the details, watch the other three films prior.

The other visual sacrifice has has been the reduction of a great amount of detail from both the player characters and your opponents, as well as all the locations, though the smaller screen means that it's not as glaringly obvious as it could have been.

It starts with a concept that's right out of an issue of either Cracked or Mad, with parodies of characters from several different films teaming up with each other for an adventure, but at every turn, it attempts (and fails) to score its laughs via gross - out gags, slapstick, or just the uttering of obscenities... though, of course, it never gets so obscene that they lose their PG - 13 rating.

There's an actual tenderness that develops between Tyler and Bomer, though their shared scenes create an altogether different kind of energy from the other characters, as if indeed this was the episode of some cheesy television series whirring back and forth between the banal subplots of its human characters.