Sentences with phrase «through changing exhibitions»

The Miller Meigs Gallery offers new ideas, artists, and mediums through changing exhibitions.

Not exact matches

Replacing the grass is necessary because of the wear and tear on the field and the changes in climate through the course of a Bears season, from exhibition games in August through the final home game on December 28 against Minnesota.

The series Through The Ice, Darkly currently on show at the Peggy Notebaert Museum as part of the Weather To Climate exhibition is specifically about the subjective change in the landscape, the shift of mood apparent to an artist's eyes, a lost ice world.

Imagine walking through this exhibition and seeing over a hundred humanoid robots that represent, in different periods over the last 500 years, what we thought of the world, what we valued, how technology would change our lives, how we dreamt the future would look.

Supported in part by the Parks Conservancy, an exhibition of wildflower photos by Rob Badger and Nita Winter (through March 27 at the San Francisco Main Public Library) inspires hope in reducing the impacts of climate change.

Whanganui has an interesting history and you can discover this at the Whanganui Regional Museum through a range of permanent and changing exhibitions.

As I moved through the space, I sensed the lights change and was informed of the advanced lighting system that not only imitates the natural light, but also is complimentary to the windows and is adaptable to each exhibition and gallery space.

«It's about how changing images of the Queen act as a kind of lens through which to see changes in our society and changes in artistic values,» says exhibition curator Paul Moorhouse.

EXHIBITION «Who We Be» @ Cantor Center for the Arts at Stanford University (March 30 — June 27, 2016): This timely and innovative exhibition explores visual culture since 1965 through the lens of cultural, political and demographEXHIBITION «Who We Be» @ Cantor Center for the Arts at Stanford University (March 30 — June 27, 2016): This timely and innovative exhibition explores visual culture since 1965 through the lens of cultural, political and demographexhibition explores visual culture since 1965 through the lens of cultural, political and demographic change.

Audiences rarely flock to exhibitions about 18th century European art with the enthusiasm shown for Impressionism and ancient Egypt, but the Kimbell Art Museum is hoping Casanova: The Seduction of Europe, on view Aug. 27 through Dec. 31, will change that.

Sim Smith Gallery works closely with collaborators to inspire multidisciplinary projects aiming to engage new audiences for the work and changing the viewer experience through exhibition design, curation and by taking art outside of the traditional gallery setting.

Design Observer's OBlog recently highlighted Pratt Manhattan Gallery exhibition Graphic Advocacy: International Posters for the Digital Age 2001 - 2012 (through 8/28), which demonstrates the potency of the art form as a catalyst for social and political change...

How her relationship to the photographic medium has changed over time can be read through the different works in the exhibition.

Exhibition Openings for Dorit Cypis» FabLab (looking for patterns) and Elena Siff's Making Change at 18th Street Arts Center, Saturday, October 23, 6pm - 10 pm Santa Monica, CA — 18th Street's 2010 Visual Art Fellowship Winners, Dorit Cypis and Elena Siff, debut their projects FabLab (looking for patterns) and Making Change in the 18th Street Gallery and Project Room, beginning October 23, 2010 and running through December 17, 2010.

The exhibition positioned fashion through two overlapping perspectives: an ever - changing global marketplace and the unique ways that black women throughout the African Diaspora construct their lives.

This exhibition will also investigate changing visual conceptions of couples beginning in the 19th century through the contemporary.

The program changes weekly, repeating itself mid-way through the exhibition to give viewers several chances to view all the pieces.

Through exhibitions, scholarship, grants, and a residency program, the Foundation furthers Rauschenberg's belief that art can change the world, while ensuring that his singular achievements and contributions continue to have global impact and resonance with contemporary artists.

Shedding light on a rarely examined topic in the history of modernism, the major exhibition «Cross Country: The Power of Place in American Art, 1915 - 1950» (Feb. 12 through May 7, 2017) at the High Museum of Art will uncover how experiences of rural life fundamentally changed the direction of American art.

The mission of The Ogden Museum of Southern Art, University of New Orleans, is to broaden the knowledge, understanding and appreciation of the visual arts and culture of the American South through its permanent collections, changing exhibitions, educational programs, publications, research center, and its Goldring - Woldenberg Institute for the Advancement of Southern Art and Culture.

Rachel Heidenry reviews the exhibition «Perpetual Revolution: The Image and Social Change» at the International Center of Photography, on view through May 7, 2017.

Meg Webster in the exhibition Indicators: Artists on Climate Change at Storm King Art Center May 19 through November 11, 2018.

Enlightened Princesses Well, here's a change from Diana's dresses at Kensington Palace — this ambitious exhibition surveys the intellectual and cultural world of the 18th - century Enlightenment through the lives of Caroline of Ansbach, Augusta of Saxe - Gotha, and Charlotte of Mecklenburg - Strelitz, German princesses who married into Britain's Hanoverian dynasty.

Each artist in the exhibition has developed a language through media and technique to show the varied expressions within impressionistic styles known to engage sensations of changing light and movement in overlapping everyday subjects such as cityscapes, landscapes, and portraits.

His sculpture and video works in this exhibition reveal messages and meaning through recurring forms that change over time and in different geographic locations.

The exhibition will position fashion through two overlapping perspectives: an ever - changing global marketplace and the unique ways that black women throughout the African Diaspora construct their lives.

On view through January 24, Reeder's «Chicago Works» exhibition represents a seismic change not only for the MCA, but for every young artist in the city.

Taking its title from David Bowie's song Changes, the exhibition examines the vernacular through which artists interpret contemporary culture whilst re-evaluating established genres and conventions.

Dynamic and changing, the Whitworth continues to expand its collection through gifts and purchases and in 2014 underwent a major # 15 million redevelopment, transforming the galleries and doubling them in size, while creating new spaces for the collection and exhibitions.

This change in how we perceive landscape, with landscape increasingly being mediated through technology, will be the focus of an exhibition exploring altitude in art at Towner next summer.

The first publication to document the Museum's collection and its connections to dramatic changes in artistic practice over the past 70 years, Unpacking the Collection introduces this vital regional center for craft through photographs of work, essays, texts, archival photographs, decade - by - decade accounts of the institution's links to modern craft history and an abbreviated exhibition chronology.

«Asia Society Museum presents a timely exhibition exploring artistic practice as a response to social and political change through the works of seven contemporary artists and one artist group from three Southeast Asian countries: Indonesia, Myanmar, and Vietnam.

The first exhibition organized by TBA21 — Academy, Tidalectics offers a thought - provoking exploration into the cultural, political, and biological dimensions of the oceans, including the effects of climate change and sea - level rise, through the work of 13 artists, nine newly commissioned pieces, and artworks carefully selected from the TBA21 collection.

Notably, 1953 was also a pivotal year for de Kooning, who finally found staunch critical support and solid financial success following the exhibition of paintings and drawings from his Woman series at the Janis Gallery that spring.22 By then, Rauschenberg had known de Kooning for a year or more and had seen him on occasion, often through their mutual friend Jack Tworkov (1900 — 1982), who sublet studio space from de Kooning.23 Even as other details of the Erased de Kooning Drawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he replied no.

This exhibition traces the evolution of his practice across each of its major stages, while asserting ongoing themes, most notably, the changing relationship of the individual to society as filtered through American mass media and architecture at the end of the 20th century.

Art as an illocutionary act draws from an accretion of meaning through changes, edits, critique, interpretation, exhibition, interfacing with setting and other works, etc..

This exhibition examines the urgency of climate change through an architecture and design process that takes climate, atmosphere, and physiology as its primary material.

Although based on the personal collection of its founder, the Saatchi Gallery's main activity is developed through semi-permanent and thematic temporary exhibitions, which during the last years reflected the changing composition of the collection.

«Sharrer negotiated a sophisticated and coherent artistic vision through the political and social changes that spanned the Cold War era,» explained exhibition co-curator Melissa Wolfe.

The three artists included in this year's residency exhibition extend this notion to explore how communities themselves can influence the ways in which art is produced, whether through incorporating images that document change and progress, questioning the contexts of cultural and physical representation so as not to repeat history's mistakes, or archiving materials from a community's past in order to benefit future generations.

Through a series of works by 10 international artists, the exhibition articulates the profound impact of the acceleration of technological, social and structural change upon contemporary life.

The graphic system that Marina Willer devised for the exhibition is inspired by the dynamic storytelling devices associated with Manga comics: the iconic storyboards, composed of panels that vary radically in angle, size and scale; and cinematic framing, achieved through a rapid alternation between long shots and close - ups, montages and scene changes.

A new exhibition at London's Barbican explores life in Britain as seen through the eyes of international photographers, capturing its changing social, cultural and political identity since the 1930s.

Since the completion of his BFA at the Emily Carr Institute of Art + Design in 2002, Sonny Assu has established his practice through various group exhibitions including Thinking Textile at the Richmond Art Gallery, Futuristic Regalia at Grunt Gallery Vancouver, and Changing Hands: Art without Reservation currently showing at the Museum of Arts & Design in New York before it tours nationally.

She has curated the Robin Rhode exhibition Who Saw Who at the Hayward Gallery for autumn 2008, Walking in my mind (summer 2009), which explored the inner workings of the artist's imagination through the medium of large - scale installation art; Move: Choreographing you a show about the relationship between visual art and dance (2010); Pipilotti Rist: Eyeball Massage (2011); and Art of Change: New Directions from China (2012).

The collaboration will «explore Flavin's work through exhibitions, research, and publications that can contribute to the ongoing conversation about how this remarkable American artist changed the course of things,» Schnabel says.

In this group show, each artist at the Plus One Gallery group exhibition depicts the constant changing surface of the water through their own ways of expression.

Through this exhibition, viewers were invited to consider the complexity of their surroundings and how realities may change over time.

Through excellence and diversity in our changing exhibitions and educational programming, MOCA stimulates critical thinking and dialogue throughout the Hampton Roads community.

The Leigh Yawkey Woodson Art Museum, located in a beautiful residential area on the east side of Wausau, Wisconsin, offers artworks from every corner of the world to north central Wisconsin residents and visitors through diverse changing exhibitions.