Through photographic manipulation, Simmons attempts to deconstruct the intent and original content of these source photographs to construct an entirely new narrative link.
Not exact matches
Pariset reimages
photographic imagery
through the
manipulation of the medium, shifting the photo towards sculpture.
Though each of the
photographic works in this exhibition have been altered
through digital
manipulation, the tools of collage, illustration, deconstruction, redaction, surrealism are used in different measures by the exhibiting artists.
In this lecture recorded on February 24, 2013, exhibition curator Mia Fineman traces
photographic manipulation from the 1840s
through the 1980s and shows that photography is — and always has been — a medium of fabricated truths and artful lies.
Working on whim and
through the
manipulation of materials and relationships close at hand, his sculptures, videos, and
photographic works are placed in conversation together causing further ripples of insight and possible understanding.
Through a variety of techniques, including digital and traditional
photographic manipulation, set constructions, temporary sculpture, models and intricate dioramas, the artists create a very calculated visual experience.
While poles apart visually, the two series excerpted in Stan Douglas's 14th solo appearance at David Zwirner
through April 7 have more in common than may initially appear; both are products of sophisticated processes of
manipulation, and both position the
photographic medium as an arena in which the staged and the real (however that's defined) are not simply pitted against one another, but are fused into new and confounding wholes.