Through recent installations that include filmed performances, where projections of the «ghosted» human body wash over sculptural elements, the artist attempts to create an alienating / disorienting illusory effect that reflects an increasing loss of the corporeal gesture in the every day, the infinite attempt at calibrating the body to technology, as well as the entrapment of the human psyche within it; manipulating and playing with memory, space and time.
Not exact matches
The PCCO is a physical space where the most
recent polar research findings can be displayed
through innovative and attractive
installations, and their global context explained.
The BMA presents Front Room: Adam Pendleton, a dramatic
installation of new and
recent work by the New - York based artist that examines the relationship between abstraction and representation
through layered and fragmented texts and images sourced from the artist's personal library.
It ranges from Four Posters (1984)
through celebrated performances such as Museum Highlights (1989), Inaugural Speech (1997), Official Welcome (2001/2003), and her audio
installations for the Austrian pavilion at the 45th Biennale di Venezia in 1993, to
recent works such as Men on the Line (2012).
«
Through three video
installations — Grand Paris Texas, Movie Mountain (Méliès), and the premiere of their most
recent film, Giant — Hubbard / Birchler frame the traces that filmmaking leaves behind in physical places as well as in people's psyches,» writes A+C contributor Nancy Zastudil.
My
recent body of work explores the geopolitical landscape
through drawing and sculptural
installation.
Co-organized by the Dallas Museum of Art with Minneapolis's Walker Art Center, the American artist's first comprehensive U.S. survey tracks his development
through early
installations made of hundreds of drawings on paper napkins and disassembled silk flowers pinned to the wall
through the more elaborate
installations large mirror mosaics of
recent years.
Peter Gerakaris's
installations display a vibrant «Post-Pop Botanic» style, filtering botanical imagery
through cultural references that are both
recent and remote.
Recent installations have allowed Issa, who also writes fiction and essays as part of her practice, to investigate historical works of art
through poetic, written descriptions and varied interpretative forms.
This acclaimed solo show, organized by the Whitney Museum of American Art and now on view at the Dallas Museum of Art, looks back on her 20 - year career
through more than 60 works and objects, from early pieces made in the mid-1990s to more
recent installations and paintings.
Jacob Lawrence's Legend of John Brown
Through June 10, 2012 Free admission This special
installation highlights an important
recent acquisition of American art — Jacob Lawrence's The Legend of John Brown graphic series.
Krsko will transform the gallery space
through a large - scale
installation composed of repurposed lumber collected during the artist's
recent explorations throughout the metro region and beyond.
Opens March 3, 2011 Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day,
through monographic
installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and
recent acquisitions.
The exhibition will feature
recent work by contemporary artists who use the moving image as a versatile tool for both documenting and questioning reality, including Zineb Sedira's fourteen screen
installation Floating Coffins 2009 and Steve McQueen's Static 2009, which probes ideas of freedom and migration
through the potent symbol of the Statue of Liberty.
Santa Fe photographer and
recent Guggenheim Fellow Nic Nicosia exhibits three, large - scale
installation works in light... in black and white tomorrow, March 3
through April 7, 2012, at Hiram Butler Gallery on Blossom Street in Houston, Texas.
Please join us for a preview of Issue 12 of NOVEMBRE featuring an exploration of Stewart Uoo's
recent sculpture work
through a video
installation by Corey Olsen and Jeanne - Salomé Rochat.
A Certain Slant of Light (2014), created for the glass atrium of New York's Morgan Library, reflected the colors of the four seasons, and his
recent solo show at James Cohan, My business is circumference (2016), included
installations inspired by fog, the light of a passing cloud, and the colors he noted during a hike
through Yellowstone National Park.
Guests entered single - file
through the bamboo entrance and were met by the first art performance piece unfolding in the woods: Costume Designer Jacques Reynaud's Angels of Apocalypse, which included sound
installations adapted from
recent recordings by Oscar nominee singer / songwriter, ANOHNI (aka Anthony Hegarty).
Occupying the three main floors of the museum, and including a range of work from the artist's early career that investigates the representation of the female body, the event moved
through to her more
recent video
installations that transform spaces into surreal dreamlike environments.
Phillipson's
recent exhibition at Zabludowicz Collection,
through the flesh - tone scenario, the imported combi - boudoir (2013), saw the artist create a multi-layered
installation that investigated the relationship between virtual and tactile spaces
through cultural references as diverse as point - of - view «selfies», experimental architecture, supermarkets, museums and pop videos.
White Space featured Wang Haiyang's abstract paintings — created to cope with his sexual energies during a
recent hospitalization — along with videos and
installations depicting human communications
through images of gums and saliva.
Organized in collaboration with London's Tate Britain and the Metropolitan Museum of New York, the exhibition celebrates the artist's 80th birthday, retracing his entire career
through more than 160 works (paintings, photographs, engravings, video
installations, drawings and printed works), including his most iconic paintings — swimming pools, double portraits and monumental landscapes — and some of his most
recent creations.
Lehmann Maupin looks to highlight these ideas with their new show, which features two
recent installations — Civitas Solis IV (2016) and Souterrain (2012/2016)-- that,
through carefully choreographed interplays of mirrors, lightbulbs, and metal, seek to instill in their viewers a sense of both the freedom and claustrophobia that are so often linked in utopian ideals.
His first solo show in the Middle East, «White Domes», presents his visualisation of the inner journey
through recent works from his abstract «Dome» and «Endless Prayers» series, several portraits, a painting of hands, and a sculptural
installation.
This
installation features works from the nineteenth
through the twenty - first century, including selections of hand - colored snapshot photographs from a
recent gift by Peter J. Cohen.
Video art however has gone
through so many changes in its brief history that it does not have much aesthetic coherence at all: does an
installation by Gary Hill from the early 1990s belong in the same category as a more
recent work by Cory Arcangel?
The exhibition at the Guggenheim Bilbao, simply titled Bill Viola: A Retrospective, presents a chronological survey of his work from the 1970s as a graduate of the Experimental Studies program at New York's Syracuse University,
through his breathtaking 90s sculptural screen - based
installations, to 2014's Inverted Birth, the most
recent piece in the show.
Fabiana Faleiros most
recent research focuses on the voice as gender performativity
through music, performance, text and sound
installations.
Drawing on images that range from childhood snapshots to photographs of his most
recent gallery
installations, this book traces the evolution of Gormley's work, from the drawings he makes every day in the studio,
through the constantly evolving process of casting his own body in various forms, to the ultimate expression of his ideas in such masterpieces as the colossal Angel of the North or the scattered figures of Another Place.
The artist's
recent projects and commissions include a large - scale outdoor public art commission for the Seattle Art Museum's Olympic Sculpture Park, where her work — Seattle Cloud Cover ‖ allows visitors to walk
through a covered skyway while viewing the city's skyline
through tiny holes in multicolored glass; — Blind Blue Landscape ‖, a site - specific commission for the renowned Benesse Art Site in Naoshima, Japan, completed in September 2009; and — Stacked Waters ‖, a site - specific
installation created for the cavernous entrance of the Blanton Museum of Art, January 2009.
The pieces range from the artist's body - centered early performances of the 1980s,
through large sculptures of threatening household objects, to more
recent, politically charged
installations.
Through three video
installations — Grand Paris Texas, Movie Mountain (Méliès), and the premiere of their most
recent film, Giant — Hubbard / Birchler frame the traces that filmmaking leaves behind in physical places as well as in people's psyches.
Andrea Ray is a Brooklyn - based artist whose
recent installations explore issues of subjectivity and community
through, for example, proposed forms of alternative living and utopian communities.
A major solo exhibition of American artist Bruce Nauman's artwork, the first in France in over 15 years,
through a comprehensive exhibition where the artist chose to exhibit a series of
recent artworks never shown in France, along with some earlier
installations, created from a various array of media, artworks representative of his career.
Adrift is a solo exhibition featuring new works by conceptual artist Ryan McIntoch that investigate the artist's
recent fascination with dark and ominous nautical themes
through various mediums including photography, printmaking, painting, and temporal site - specific
installation.
With SPREAD funding, I want refine the language of abstraction articulated in my
recent ceramics, and expand my sculptural practice from objects to environments,
through larger works and new
installations.
Isaac Julien is joined by Giuliana Bruno, Professor of Visual and Environmental Studies, Harvard University and author of the upcoming book Surface: Matters of Aesthetics, Materiality, and Media, for a discussion of Julien's prolific and diverse moving - image work, and its active migration from cinema screen to gallery
installation in such
recent works as Vagabondia (2000) and Baltimore (2003), both of which take as their subject the space of the museum; the immersive video
installation Ten Thousand Waves, on view in the Museum's atrium
through February 17; and his most
recent installation, the seven - screen PLAYTIME.
Whose beginning is not, nor end can not be presents new and
recent works that explore recurring themes and new subject matter
through a wide range of media including film, drawing,
installation and performance.
For his first solo exhibition with Lisson Gallery New York and to launch a second space in the city, British artist Haroon Mirza presents an
installation highlighting his
recent exploration of the perceptual distinctions between noise, sound and light as experienced
through the transformative use of psychotropic plants.
This first book on their important and unusually egalitarian working relationship offers a revealing look at the development of a 25 - year collaboration, beginning with the title work, a
recent site - specific environmental
installation, and continuing
through a survey of their portfolio.
For more than 25 years, the artist, teacher and archaeologist has actively responded to the country's
recent decades of civil conflict
through his expressive figure paintings, performances and
installations.
Susan Amorde: In My Case at the Los Angeles Art Association By Genie Davis
Through June 2nd Susan Amorde's In My Case, now at the Los Angeles Arts Association / Gallery 825, is a collection of new and
recent mixed media sculptural works and
installations.
Fiber, as the ICA's website attests, may be «the first exhibition in 40 years to examine the development of abstraction and dimensionality in fiber art from the mid-twentieth century
through to the present,» but it also speaks to a broader interest in this type of work evidenced by
recent curatorial and scholarly projects, including Elissa Auther's String, Felt, Thread: The Hierarchy of Art and Craft in America (Minneapolis: University of Minnesota Press, 2009)(click here for review); Thread Lines, a group exhibition curated by Joanna Kleinberg Romanow at the Drawing Center in New York (2014); and Richard Tuttles's
installation I Don't Know.
In
recent work he has developed a series of
installations that would challenge non-traditional spaces
through intervention and participant interaction
Now, Ulay, whose most
recent work has focused on environmental issues, is coming to Abramović's home turf to be part of a site - specific
installation and performance curated by Mitra Khorasheh entitled Watermark / Cutting
Through the Clouds of Myth.
Other works include The Humanizer by Simon Fujiwara; a sound and
installation work of an imagined Hollywood biopic of Sir Roger Casement and If the Ground Should Open... by Jaki Irvine, a sound and film work currently on view in IMMA that traces our past and present from the forgotten women of the Rising
through to the leaked Anglo Irish tapes of
recent years.
The current exhibition — presented
through Pace's main gallery and an adjacent space at 6 Burlington Gardens — features an
installation of seven sculptures in vivid colours, some floor - bound, others suspended mid-air, as well as
recent works on paper.
From June 3
through July 30, visitors will also have the chance to see Atlas's The Illusion of Democracy — a trilogy of video
installations comprising Plato's Alley (2008), Painting by Numbers (2011), and 143652 (2012)-- in the Museum's second - floor exhibition galleries as part of Inbox, an ongoing series of
installations that showcase
recent additions to MoMA's collection.
Her successes, the
recent show at Hauser & Wirth, Somerset, a monumental
installation at the Kiev Biennale, and now being chosen to represent the UK in Venice are not overnight flarings but won
through hard and persistent work.
Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day,
through monographic
installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and
recent acquisitions.