Sentences with phrase «time benefit art»

Martynka Wawrzyniak in front of her own photograph at the Creative Time Benefit Art Auction at Roseland Ballroom, New York.

By the Sea, By the Sea... Creative Time Benefit Art Sale, Christie's, New York Benefit Art Auction for Parallel Films, Littlejohn Smith Gallery, New York Paper: From Surface to Form, City Gallery, New York.

Not exact matches

Those who labor with intellectual abstractions often benefit most from leisure - time activity in the field of arts and crafts.

Calvin was a representative of the learned class who wanted to use his skills in the liberal arts for the benefit of common people who had neither the time nor the skill to acquire such learning.

The argument says language was not of benefit in the present time of an evolving hominid thus it served no purpose then only future purpose after develepoment of arts etc. thousands of years later.

So how can you reap the benefits of art and music education while spending time with your child?

But many will give them the benefit of the doubt for the time being - after all, you can't have it all your own way all the time - politics is the art of the possible.

For many years, clinicians debated the best time to start antiretroviral therapy (ART) for HIV infection, with some worrying that the risks of treatment in terms of drug toxicities could outweigh the benefits of controlling the virus.

Known as a «co-benefit,» using state of the art models for human and natural systems, along with climate projections from the international community, the team was able for the first time to put a value on the global air pollution benefits of cutting greenhouse gas emissions over the 21st century.

Thanks to the «sport's» move into the mainstream, the original Miss Pole Dance Australia now splits her time between judging world - class pole dance events, performing and teaching her art to women seeking access to their sexy side (with the fringe benefit of creating a killer body you'd be devastated to hide under clothes).

During my time at UF, I volunteered and took classes with Shands Hospital's Arts in Medicine program, where I witnessed the healing benefits of creative aArts in Medicine program, where I witnessed the healing benefits of creative artsarts.

Tags: Amanda McKay, American Forces Network, Amy Heckerling, Annie Ilonzeh, Anthony Weiner, Attack of the Show, Bianca Hunter, Bully Beadown, Charlie's Angels, Clint Eastwood, Conan O'Brien, David O. Russell, Deputy Travis Junior, E3, Eddie Alvarez, Erica McDermott, Eva Mendes, Fast Times at Ridgemont Hight, Forest Whitaker, Friends with Benefits, G4, Gametrailers, Google, Guy's Choice Awards, Honeycomb, iPads, iPhones, Jeff Spicoli, Jenna Lamia, Jennifer Aniston, Jennifer Jason Leigh, Jim Carrey, Justin Timberlake, Justine Ezarik, Kate B. O'Brien, Keith Richards, Kevin Pereira, Lieutenant Jim Dangle, Mantlers, Mark Wahlberg, Melissa McMeekin, Michelle Bachman, Mickey War, Mike Damone, Mila Kunis, mixed - martial arts, MMA, MTV, Pakistan, Reno 911, Robert Ben Garant, Robert De Niro, Robert Romanus, Robert Smigel, Rolling Stones, Sarah Palin, Sean Penn, sisters, spike tv, Telemundo, The Fighter, the Silent Assassin, Thomas Lennon, Triumph the Insult Comic Dog, Windows 8

So the next time someone asks me why it matters whether students go to art museums or see live theater, I can tell them that there is at least as much rigorous evidence showing the long term benefits of cultural activity as there is for interventions designed to boost standardized test scores.

The aim of the Arena Stage program, like that of similar theater - education programs across the country, is to offer the benefits of arts education at a time when schools are increasingly putting the subject on the back burner.

Bottom Line: Every language arts class could benefit from some time spent on MakeBeliefsComix.com.

Check out the following links for some interesting research in the field of arts education: Advantages in Arts Learning Over Time, Music Lessons in Childhood Benefits, Neuroscience and Music, Improved Academic Performaarts education: Advantages in Arts Learning Over Time, Music Lessons in Childhood Benefits, Neuroscience and Music, Improved Academic PerformaArts Learning Over Time, Music Lessons in Childhood Benefits, Neuroscience and Music, Improved Academic Performance.

Common warm - up activities in language arts classrooms, such as editing sentences, vocabulary study, or journal prompts, may yield limited instructional benefits; but none produce the same level of academic power as 15 minutes of reading time.

Since his election to the Board of Education in July 2007, Dr. Vladovic has been a strong advocate for a number of important LAUSD issues including eliminating year - round calendars, ensuring health benefits for all employees, personalizing education, championing for the arts, fighting for more environmentally safe schools, supporting drop - out prevention and mentorship programs, and maintaining world class instruction through difficult budget times.

Moreover, most of the benefits we observed are significantly larger for minority students, low - income students and students from rural schools — typically two to three times larger than for white, middle - class, suburban students — owing perhaps to the fact that the tour was the first time they had visited an art museum.

If you enjoy the art of driving, then the time, effort, and expense of benefiting from those training tools is well worth it.

The BMW 3 Series Gran Turismo also benefits from time spent in a state - of - the - art wind tunnel during development to fine - tune its aerodynamics.

McCullough observes that Morse»... was a man on a mission, a kind of cultural evangelical... He would bring the good news of time - honored European art home to his own people, for the benefit and betterment of his country.»

The obvious benefits of «title - by - title» (or «pick - and - choose») buying have been well documented in LIS literature: not only does it provide libraries with the flexibility to supplement their existing catalogs with targeted selections, it requires less initial investment of time and money; it is often seen as the easiest way to select and purchase only what libraries need; and it is also the most intuitive to the library profession, because it places the art of curation front and center — something many librarians still see as an integral part of their professional identity.

I'm new to the ramifications and specific processes involved, but am pursuaded this is the likely model for future publication projects that most benefit the first person on the food chain: the writers / artists who conceived them, who are trying to make some kind of living doing what they do best, hoping to find an audience for their work as a * first * resort rather than wearing themselves out with full - time day jobs of no comparable skill or education preparation — but that pay the bills, maybe — and that leave little energy and reserves for their art.

First Time Home - Buyer News Home Improvement News US Credit Card Repayments Holden Act - California Fair Lending Mortgage Broker Disclosure Update Oakland - California Lending Law 125 Home Equity Loan Benefits & Risks Financial Real Estate Trends - 2005 Financial Warnings Financial Writer - Sees - Real Estate Fannie Mae & Freddie Mac FHA Home Mortgage News Arm Flexibility 20 Tips on Home Values Before You Start Best Appraisals Home Bidding Strategies Appraisal Art or Science?

Every pet receives the full attention of our dedicated, experienced veterinary office staff, every time, and the full benefits our state - of - the - art veterinary facility can provide.

Then move on to the Animal Art Party for the first time at SLICK Creative and get wild withart, music and cocktails from 7 - 10 pm at 610A Venice Blvd. Plus Aids Art Benefit at Canal Club with art by Daniel Samakow, Owner of Canal Club and Art Crawl Founder from 6 - 11 Art Party for the first time at SLICK Creative and get wild withart, music and cocktails from 7 - 10 pm at 610A Venice Blvd. Plus Aids Art Benefit at Canal Club with art by Daniel Samakow, Owner of Canal Club and Art Crawl Founder from 6 - 11 Art Benefit at Canal Club with art by Daniel Samakow, Owner of Canal Club and Art Crawl Founder from 6 - 11 art by Daniel Samakow, Owner of Canal Club and Art Crawl Founder from 6 - 11 Art Crawl Founder from 6 - 11 pm.

By Terry R. Myers > click here to download PDF One of the added benefits of this well - timed mid-career survey of Laura Owens» paintings comes from it having been organized by the Whitney Museum of American Art.

«Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals - Cisneros Collection,» Cisneros Fontanals Art Foundation, Miami, FL, December 3, 2014 — March 29, 2015; catalogue «The Other Side - Mirrors and Reflections in Contemporary Art,» Belvedere, Vienna, Austria, June 18 — October 12, 2014; travels to Museum of Modern Art Carinthia, Klagenfurt, Austria, November 27, 2014 — March 1, 2015 «CalArts Art Benefit & Auction,» Paula Cooper Gallery and Metro Pictures, New York, NY, April 5 — 19, 2014 2013 «Damage Control: Art and Destruction Since 1950,» curated by Kerry Brougher and Russell Ferguson, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 24, 2013 — May 26, 2014; traveled to Mudam, Luxemburg City, Luxembourg, July 12 — October 12, 2014; Kunsthaus Graz, Graz, Austria, November 14, 2014 — February 22, 2015 «Room to Live: Recent Acquisitions and Works from the Collection,» Museum of Contemporary Art, Los Angeles, CA, October 5, 2013 — January 12, 2014 «Nasher XChange,» various sites throughout Dallas, TX, presented by the Nasher Sculpture Center, Dallas, TX, October 19, 2013 — February 16, 2014 «For the Time Being: Hidden Behind Plaster,» Staatliche Kunsthalle Baden - Baden, Baden - Baden, Germany, July 20 — October 27, 2013; catalogue «Endless Bummer II: Still Bummin»,» curated by Jan Tumlir, Malborough Gallery Chelsea, New York, NY, May 11 — June 29, 2013 «Speak, Memory,» Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY, May 1 — June 8, 2013 «Made in Space,» curated by Peter Harkawik and Laura Owens, Night Gallery, Los Angeles, CA, March 16 — April 15; traveled to Gavin Brown's Enterprise, New York, NY, July 11 — August 10, 2013 «Selections from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, March 3, 2013 — January 27, 2014.

Otis College of Art and Design staged its Annual Benefit and Fashion Show on campus for the first time on May 5, 2018, inviting Special Guest Jason Wu to a sold - out fashion show followed by an exclusive scholarship dinner at its newly - expanded Elaine and Bram Goldsmith campus in the Westchester neighborhood of Los Angeles.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

The Los Angeles Times provides elaborate details about Michael Crichton's heirs and who will benefit from the $ 100 million sale of his art collection at Christie's this May.

2003 Kim, Christine Y., Kehinde Wiley Faux Real, Issue Magazine, December Myers, Holly, Scenes Far, Far Out of Tiepolo, Los Angeles Times, 7 November Wood, Eve, Acerbic Beauty, Artnet.com, October Thompson, Bonsu, Benefit II Society, King Magazine, September / October Stillman, Nick, Art Seen, The Brooklyn Rail, August / September Sirmans, Franklin, A Bling Bling Baroque, One World Magazine, August / September Weisen, Barbara, Re: Figure, College of Du Page, The Guhkberg Gallery, April / May Jackson, Brian Keith, B - boy Stance, Vibe, August Stein, Lisa, Re: Figure Plays with Figurative Painting, Chicago Tribune, 5 May Murray, Derek, Ironic / Iconic, Art in America, March Kerr, Merrily, New Wave, Flash Art, March / April Cohen, Mark Daniel, Real Art Ways, Hartford Current

Category: Blog, What's Up · Tags: 10th Anniversary Benefit, AIPAD, anyd warhol, art parties, Bob Colacello, creative time, Discovering Public Art Fund, Domino Sugar Factory, Factory Gala, FIGMENT, Julian Schnabel, new york, new york city, PARTICIPANT Inc., Photography Show, public art fund, round up, SKOWHEGAN SCHOOL, Spring Benefit 2013, spring benefart parties, Bob Colacello, creative time, Discovering Public Art Fund, Domino Sugar Factory, Factory Gala, FIGMENT, Julian Schnabel, new york, new york city, PARTICIPANT Inc., Photography Show, public art fund, round up, SKOWHEGAN SCHOOL, Spring Benefit 2013, spring benefArt Fund, Domino Sugar Factory, Factory Gala, FIGMENT, Julian Schnabel, new york, new york city, PARTICIPANT Inc., Photography Show, public art fund, round up, SKOWHEGAN SCHOOL, Spring Benefit 2013, spring benefart fund, round up, SKOWHEGAN SCHOOL, Spring Benefit 2013, spring benefits

It's November, which in art - world parlance means benefit time!

The Foundation launched the Artist - in - Residence program in 2013 as an extension of its grants programs, offering artists the essential benefits of time and space to experiment, create new work, and build their networks of fellow artists and arts professionals.

It is still debated today whether the magazine's coverage of the visual arts during this time was a benefit or a detriment to the artist community in New York City.

His sound art echoes in the mind, The Boston Globe, p. D1, D6 Pulp Nonfiction, Soho - Style, http://www.lowermanhattan.info Johnson, Ken, Alumni Return, Juxtaposing Past and Present, The New York Times, 28 November Baker, Kenneth, Capp Street Benefit Show, San Francisco Chronicle, 16 August Johnson, Ken, Gathering a Flock of Quirky Grown - Ups, New York Times, 17 July Camper, Fred, On Exhibit: first glimpses of Art Chicago 2003, Chicago Reader, 9 May, Section 1, p. 35 Boyce, Roger, Neither Here Nor There: Mirror Mirror at MASS MoCA, Art NewEngland, February - March, pp. 16 - 17, 74 Harris, Susan, Jim Hodges at CRG, Art in America, January, p. 107 2002 Jowitt, Deborah, Slow doart echoes in the mind, The Boston Globe, p. D1, D6 Pulp Nonfiction, Soho - Style, http://www.lowermanhattan.info Johnson, Ken, Alumni Return, Juxtaposing Past and Present, The New York Times, 28 November Baker, Kenneth, Capp Street Benefit Show, San Francisco Chronicle, 16 August Johnson, Ken, Gathering a Flock of Quirky Grown - Ups, New York Times, 17 July Camper, Fred, On Exhibit: first glimpses of Art Chicago 2003, Chicago Reader, 9 May, Section 1, p. 35 Boyce, Roger, Neither Here Nor There: Mirror Mirror at MASS MoCA, Art NewEngland, February - March, pp. 16 - 17, 74 Harris, Susan, Jim Hodges at CRG, Art in America, January, p. 107 2002 Jowitt, Deborah, Slow doArt Chicago 2003, Chicago Reader, 9 May, Section 1, p. 35 Boyce, Roger, Neither Here Nor There: Mirror Mirror at MASS MoCA, Art NewEngland, February - March, pp. 16 - 17, 74 Harris, Susan, Jim Hodges at CRG, Art in America, January, p. 107 2002 Jowitt, Deborah, Slow doArt NewEngland, February - March, pp. 16 - 17, 74 Harris, Susan, Jim Hodges at CRG, Art in America, January, p. 107 2002 Jowitt, Deborah, Slow doArt in America, January, p. 107 2002 Jowitt, Deborah, Slow down!

1998 Visual AIDS benefit, hosted by Yossi Milo & Chet Holcomb, Studio 24, NY Hunt Slonem Benefit, New York, NY Visual AIDS Performance Benefit, The Lure, NY Artist Talk: Michael Ransom, The Folk Art Museum, NY Web Action Tours, organized by Creative Tbenefit, hosted by Yossi Milo & Chet Holcomb, Studio 24, NY Hunt Slonem Benefit, New York, NY Visual AIDS Performance Benefit, The Lure, NY Artist Talk: Michael Ransom, The Folk Art Museum, NY Web Action Tours, organized by Creative TBenefit, New York, NY Visual AIDS Performance Benefit, The Lure, NY Artist Talk: Michael Ransom, The Folk Art Museum, NY Web Action Tours, organized by Creative TBenefit, The Lure, NY Artist Talk: Michael Ransom, The Folk Art Museum, NY Web Action Tours, organized by Creative Time, NY

One of the added benefits of this well - timed mid-career survey of Laura Owens» paintings comes from it having been organized by the Whitney Museum of American Art.

GLENN LONEY»S JANUARY, 2015 RAMBLES At The Asia Society: TAKAHIRO IWASKAI: In Focus, BUDDHIST ART OF MYANMAR, At The Brooklyn Museum of Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemeART OF MYANMAR, At The Brooklyn Museum of Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemeArt: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemeArt, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemeArt: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemeArt of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemeArt of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlement.

The exhibition examines the social, political and formal functions of art at a time when individualisation, capitalism, neoliberalism, and privatisation — which benefit few, whilst disadvantaging and alienating many others — hegemonise our society.

But as much as I disliked art school, I can see how I benefited from my time there — even if it was mostly as a contrarian in training.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Natual Porto Art Show, City of Porto, Casa da Música, PT Dieu Donné Annual Benefit, Dieu Donné Gallery, New York, US Just Love Me, Mudam Luxembourg, Luxembourg, LU TANK Art Attack Launch: Artists Support Women for Women International, DKNY, London, UK The Crude and the Rare, 41 Cooper Gallery, The Cooper Union, New York, US Contemporary Magic: A Tarot Deck Art Project, The National Arts Club, New York, US Platform 2010 / Projected Image, Artsonje Center, Seoul, KR NY Art Book Fair, Electronic Arts Intermix, MOMA P.S. 1, Long Island City, New York, US Broken Off, screening Estoril Film Festival, various cinemas in Estoril, PT 12 films and videos by Lawrence Weiner, screening Time / Store, e-flux, New York, US Der erste Impuls Skizzen Zeichnungen 1958 - 2010, Brigitte March International Contemporary Art, Stuttgart, DE Yes Or Yes, Yes Or Yes 2, curated by Lisa Holzer and Chiara Minchio, Nice and Fit, Berlin, DE Deutsche Angst, audio Painting and Sculpture, Lehmann Maupin, New York, US Je crois aux miracles, Collection Lambert en Avignon, Avignon, FR The Winter Show, i8 Gallery, Reykjavik, IS Display: Objects, Buildings and Space, Palácio Quintela, Lisbon, PT Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles, California, US Contemplating the Void: Interventions in the Guggenheim Museum, Solomon R. Guggenheim Museum, New York, US

The Faces of Evil 1939 - 2009, Ars Cameralis Culture Institution, Katowice, PL Blue Moon Over, screening 200 Artworks - 25 Years, Artists» Editions for Parkett, 21st Century Museum of Contemporary Art, Kanazawa, JP T - Tris, B.P.S. 22 Space for Contemporary Creation, Charleroi, BE Exposition Fleuves, Cneai =, Chatou, FR Fri Porto, Den Frie Centre of Contemporary Art, Copenhagen, DK This Way Up, Eastside Projects, Birmingham, UK Time / Bank, e-flux, Frieze Art Fair, London, UK Drawing Gifts 6th Annual Benefit Auction, The Drawing Center, New York, US Phasezéro / 96 propositions spatiales, Galerie Serge Aboukrat, Paris, FR Time Festival, City of Ghent, BE Sol Lewitt Keith Sonnier Lawrence Weiner, Leo Castelli Gallery, New York, US Embrace!

2008 DAC Leap Year Benefit Auction, Dumbo Arts Center, New York, US Based on Paper - The Marzona Collection, MIMA Middlesbrough Institute of Modern Art, Middlesbrough, UK Colour Chart: Reinventing Color, 1950 to Today, MoMA, New York, US Art Dubai, Dubai International Financial Center, Dubai, UA; Tranzitdisplay, Prague, CZ A Room of One's Own, Castello Di Rivoli, Rivoli (Torino), IT Once Upon a Time, Yvon Lambert and Markus Schöb & Hans Widmer, Paris, FR Artist Space 2008 Spring Benefit, Irving Sandler Benefit Exhibition, Artist Space, New York, US Bomb 27th Anniversary Gala and Silent Auction, The Bowery Hotel, New York, US Lo And Behold, Patrick De Brock Gallery, Knokke, BE Voyage à Rome, Collection Lambert, Rome, IT Strip - Bilder in Folge / Images in Line, Kunstmuseum, Stuttgart, DE Vinil: Gravações e Capas de Discos de Artista, curated by Guy Schraenen, Museu Serralves Museu de Arte Contemporânea, Porto, PT Who's Afraid of Jasper Johns?

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

At a time of significant art cuts it is essential that the Contemporary Art Society continues its work for the benefit of audiences everywheart cuts it is essential that the Contemporary Art Society continues its work for the benefit of audiences everywheArt Society continues its work for the benefit of audiences everywhere.