Performances and documentation address controlled, chronological actions in Tehching Hsieh's
Time Clock Piece and Anna Lundh's The Year is a Python that swallowed an Elephant.
Hsieh's One Year Performance 1978 - 1979 (often referred to as Cage Piece) was shown at the Museum of Modern Art in Performance 1: Tehching Hsieh in 2009; One Year Performance 1980 - 1981 (often referred to as
Time Clock Piece) was included in The Third Mind: Artists Contemplate Asia, 1860 - 1989, at the Guggenheim Museum, 2009, the Liverpool Biennial in the United Kingdom and the Gwangju Biennial in South Korea, both in 2010, and in the São Paulo Biennial, 2012.
Not exact matches
A
clock, for example, has an integrity as a
time piece, a
piece of furniture, and a wooden object, among others.
If he can't tell
time, tape a
piece of paper over the minutes of a
clock, and use a marker to draw in the agreed - upon wake - up
time.
The
clock is ticking and now you can count down with your new
time piece!
Multiplayer is also a key aspect of the game and despite a single player campaign full of gorgeous graphics and set
pieces clocking in over at 14 - 16 hours, the developers have spent a lot of
time and effort in improving the multiplayer as well.
Each replay unveils a new, valuable
piece of information, at which point the movie rewinds the
clock once more but changes location... and replays the events at the new location one more
time before finally moving forward.
Further Interior Enhancements Are Presented With The Black Carpets Protected With The Alfred Dunhill Embossed Over Mats, The Charcoal Leather Dash That Wraps Around This Snug Cabin, The Light Grey Tailors Suede Roof Lining, The Black Charcoal Leather Trimmed Door Cards, The Leather Bound Centre Arm Rest Which Houses The Cigar Humidor, The Alfred Dunhill Millennium Centre
Time Piece, The Alfred Dunhill White
Clock Set And Beautifully Finalised With The Brushed Aluminium Internal Inlays.
Indie Next # 1 Pick: THE LINE BECOMES A RIVER: Dispatches From the Border by Francisco Cantú THE GREAT ALONE by Kristin Hannah HOW TO STOP
TIME by Matt Haig AN AMERICAN MARRIAGE by Tayari Jones I AM, I AM, I AM: Seventeen Brushes with Death by Maggie O'Farrell EVERYTHING HERE IS BEAUTIFUL by Mira T. Lee ONLY KILLERS AND THIEVES by Paul Howarth RED
CLOCKS by Leni Zumas NEED TO KNOW by Karen Cleveland ETERNAL LIFE by Dara Horn HEART BERRIES: A Memoir, by Terese Marie Mailhot FRESHWATER by Akwaeke Emezi MOTHERS OF SPARTA: A Memoir in
Pieces by Dawn Davies IN EVERY MOMENT WE ARE STILL ALIVE by Tom Malmquist THE UNMADE WORLD by Steve Yarbrough THE MITFORD MURDERS by Jessica Fellowes THE LARGESSE OF THE SEA MAIDEN: Stories by Denis Johnson FORCE OF NATURE by Jane Harper THIS WILL BE MY UNDOING: Living at the Intersection of Black, Female, and Feminist in (White) America, by Morgan Jerkins WHITE HOUSES by Amy Bloom
That story, «The Right Sort,» is now the first entry in a chilling novel in stories that's an intriguing companion
piece to Mitchell's 2014 novel, The Bone
Clocks, an intricate saga of a war between two groups of
time travelers.
Stranded, Hat Kid must collect her missing «
time pieces» that have been scattered throughout the world before she is able to refuel her ship, but she will be racing against the
clock as Mustache Girl and her goons are collecting them as well.
Actually, I take that back: the console keeps tabs on your playtime per game so for my two Switch standouts of the year, the tally currently sits at 50 hours a
piece and climbing... The Legend of Zelda: Breath of the Wild is a no - brainer; with its beautifully sprawling open world, memorable characters new and old, and the irresistible lure of epic adventure — one which invites you to detour from saving Hyrule and
clock in massive amounts of
time just exploring uncharted wilderness — not only is Breath of the Wild everything you could ever ask for in a Zelda title, it's everything you could ever ask for in a video game.
Eichhorn's
piece — and Steiner's curtailing of Koenig & Clinon's hours — recall Asher's proposal for the 2010 Whitney Biennial, to keep the museum open around the
clock for a week (the Whitney agreed to three days, citing «budgetary and human resources limitations»), in reverse: rather than expand hours to promote inclusiveness, to welcome new people in to the institution, these works freed
time for (mostly) modestly paid workers while slowing down an art calendar that overflows with action.
The theatrical element was not limited to live performance but was often an integral part of his nonperformance works, including the integration of sound in an Elemental Sculpture that incorporates a hidden sound; the passage of
time in a Combine that includes a working
clock; or the incorpation of motion in a technology
piece that churns mud.
Several of Burden's other performance
pieces were considered somewhat controversial at the
time: another «danger
piece» was Doomed (1975), in which Burden lay motionless in a gallery at the Museum of Contemporary Art, Chicago under a 5 ft × 8 ft (1.5 m × 2.4 m) slanted sheet of glass near a running wall
clock.
Featuring visual and audio overlays, the
pieces in the exhibition bring the library to life in new ways, from dynamic bookmarks to
time travel
clocks.
Hong Kong artist Morgan Wong, brought to the fair by A + Contemporary, will be creating his
piece, «An Inch of
Time; An Inch of Gold» on - site, where he continues his long - term investigation on the irrepressibility of time by pouring concrete into clock faces — an inevitably failing attempt at stopping t
Time; An Inch of Gold» on - site, where he continues his long - term investigation on the irrepressibility of
time by pouring concrete into clock faces — an inevitably failing attempt at stopping t
time by pouring concrete into
clock faces — an inevitably failing attempt at stopping
timetime.
The first segment of Zhu's exhibition shows, for the first
time, ten of the artist's restored Apartment Art installations from the mid-1990s, including his well - known
pieces The Ward,
Clock, Temporary House, and Landscape Legal Case.
The cinematic
piece is a 24 - hour video montage that «is synchronized with local
time so that minutes and hours depicted in «The
Clock» also pass simultaneously in the viewer's real
time,» as described in the exhibition press release.
Richard Artschwager
Time Piece 1989 oil on wood, formica, aluminum, and
clock mechanism 25 1/2 x 23 1/2 x 5 1/4 inches 64.8 x 59.7 x 13.3 cm edition of 30 RA3743
The result is «The
Clock», a 24 - hour video
piece charting the passage of a day, in real
time.
For this
piece, he scoured 3,000 films for moments that feature a
clock or a character referring to the
time.
A Real
Time Piece (1995), was a live video link that showed his studio, empty but for an industrial flip -
clock on the wall that amplified the passing of each minute.
They began, not by trying to make existing
time pieces last for longer and longer periods of
time, but, rather, by identifying the basic design principles that such a
clock would need to satisfy; things like longevity, maintainability, transparency and scalability.
Will you see a
clock the next
time you look at your wrist, or will you see the dead plastic talisman of a society shattered into
pieces by information overload?
This striking
clock features three
clock faces, two within the main larger face and this allows for three different
time zones to be viewed from a single
piece.
More than just tell the
time, a
clock can function as a striking
piece of wall art or decoration.
Large - scale
clocks serve as both wall art and as functional
pieces that remind kids there's a way to tell
time that doesn't involve looking at a screen.