Sentences with phrase «time audio stories»

Tale Time audio stories are a fun way to bring more storytelling into the classroom.

Not exact matches

[24:40] Most entrepreneurs attempt too many businesses in the beginning [24:50] Find your flagship, that you will commit everything to [25:20] Business is also about your own psychology [25:30] Master one thing at a time [26:30] Massive focus and big risks [27:00] The 3 beliefs you must have when starting a business [28:00] Learning how to maximize [28:20] The business you're in and the business you're becoming [28:50] The 80 % of what I do [30:00] The business you are in and the business you are becoming [30:20] Intertwining your personal and professional brands [31:30] The importance of intent [33:20] Tony's take on social media [34:00] Why Tony prefers audio over text [36:40] The value of Facebook Live [37:20] Tony's social media director weighs in on Instagram Stories [38:00] Success without fulfillment is the ultimate failure [39:00] Learning how to master the mind [39:40] What's a magnificent life for you?

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If the story's worth a significant investment in time, it can become a video or audio interview or even a full - on documentary presentation (though maybe only be a few minutes long) or a data - driven multimedia extravaganza.

Here's some audio the Times has on the race, along with the story.

«Some of the stories were not quite what they seemed, but at the same time you have audio recordings — they're not helpful,» McArdle said.

Blu - ray extras include audio commentary by Kaufman; a making - of featurette; interviews with Adams, co-star Art Hindle, Richter and composer Denny Zeitlin; and a 1955 episode of TV's Science Fiction Theatre, «Time Is Just a Place,» adapted from a Finney short story.

Running time: 95 minutes Distributor: 20th Century Fox Home Entertainment DVD Extras: «Nimrod and Stinky's Antarctic Adventure,» «Ladies and Gentoomen» and «Ready for Their Close - up» featurettes, deleted scenes with optional commentary by director Mark Waters, editor Bruce Green and visual effects Supervisor Richard Hollander, gag reel, audio commentary with director Mark Waters, editor Bruce Green and visual effects supervisor Richard Hollander, original story sampler, theatrical trailer and a sneak peek.

In a medium that relies on a concerto of audio and visual, Krasinski is able to completely engage us and cause us to lean deeper into the story, in a movie that at times, is devoid of any sound whatsoever.

We're afraid, not because we're wrapped up in the story or the danger that the characters are in, but because Wan and company keep turning the crank on the metaphorical jack - in - the - box, as we hear the eerie music amid the dark environments and we brace ourselves for the sudden appearance of a horrific looking apparition that appears out of nowhere, accompanied by the sound of someone pounding on a piano that sounds to be about 10 times louder than the rest of the audio.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

If you can get past the director's accent, there are a few stories of particular note, but you're better off spending your time with the commentary audio off, discovering the nuances of multiple viewings on your own.

or had very bad voice directing... i would rather have someone cut up audio files from the cartoon and overlap it LOL then listen to them... the film looked great and moved well with the story... it was only rushed due to film time limitations... but the kids just sounded horrid... but that is my opinion im sure lots of ppl enjoyed the film...

Many of our titles are even accompanied by audio CDs for lively story times.

During the Practice step, the student reads the story without audio support three to ten times until able to read at a predetermined goal rate.

«The ability to seamlessly switch back and forth between reading text on any Kindle and listening to the same title in audio on your smartphone — and always pick up where you left off — means that the story can continue during those times of the day when you can not look at a screen.

«The ability to seamlessly switch back and forth between reading text on any Kindle and listening to the same title in audio on your smartphone — and always pick up where you left off — means that the story can continue during those times of the day when you can not look at a screen,» said Audible Founder and CEO Donald Katz in a statement.»

Not audio narration and not limited to music, these soundtracks were designed to move at the reader's pace and fit the action of the story at that time.

This is the first time that Wattpad has crossed over from stories published on their website to audio content available everywhere.

The ability to seamlessly switch back and forth between reading text on any Kindle and listening to the same title in audio on your smartphone [or on your Kindle Fire tablet]-- and always pick up where you left off — means that the story can continue during those times of the day when you can not look at a screen.»

«As well as refining and improving the Pottermore experience while it is in Beta, we are busy preparing the Pottermore Shop, which will allow people to buy the Harry Potter stories as eBooks for the first time, as well as download the digital audio books.

The senior VP of digital and audio publishing at Hachette Book Group told Publishers Weekly recently that author David Baldacci's Kindle Single 15 - page short story No Time Left, priced at $.99 was «tremendously successful» for them and characterized the publisher as «extremely satisfied with the results.»

Apparently all the new original stories published on Tor.com as HTML and audio will be made available as ebooks at the same time.

Ideally there would be a way to generate revenue every time someone reads your story no matter the format (be it digital book, a website, an audio read), but how to achieve that?

Large chunks of game time go by with nary a mention of the plot, and a good bit of the storytelling is left to collectable audio files and extras, which aren't as well executed as they were in past games, games that didn't have a strong story tying things together.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

Each suit is also embedded with audio that will transmit recorded narratives — personal stories of migration that at the same time reflect a larger story of transplantation.

• Eye of Obsidian adds a brand new chapter in the ReCore story • T8 - NK Corebot • 2 New Overworlds • 10 New Dungeons • Dynamic sandstorms in Shifting Sands • 3 new weapon modes for Joule's Energy Rifle • When dying reload times for combat encounters went from 30 - 60 seconds to < 5 seconds • Restarting traversals and arenas are now instantaneous • Added P - Cores for additional game play rewards • P - Core requirements fixed to a single value for the entire E-Tower • The Map displays everything that needs to be collected (audio logs, chests, prismatic cores) • The Map shows all visual parts of dungeon maps • Objective Markers improved • Fast Travel points now allow the player to complete Stash Transfers, Swap Cores and set Companion Party Configuration without having to go back to the Sandcrawler • The player can now warp anywhere there is a Fast Travel node via the Map • Intra-Level (e.g. within The Cradle) fast travel warping is now instantaneous • Added new Fast Travel nodes (Granite Steps, Lonely Basin, The Cradle) • New AoK gear for all Corebots • Armor stats now make each set vastly different from one another • Blueprint Inventory now sorts by Armor Type, Color and LVL requirement • Improved the Combo Meter • Enhanced visuals (increased resolution and HDR) • 20 New Achievements • Increased level cap from 30 to 40 • 4 new bosses and Tank challenges • Dialogue from Corebots and Violet is no longer in the Corebot language and is now readable