Sentences with phrase «times arts section»

While some things in marketing have changed (the addition of social media, book trailers, buying Google Ad words, creating online communities), some things have stayed the same (full - page announcement ad on the back of the Times arts section, easelbacks, bookmarks, Reading Group Guides, regional bookseller holiday catalogs).

The New York Times Arts section reports some hard news about the new Poe Park visitors» center being shuttered and vandalized for lack of funding to staff the raven - shaped building.

Not exact matches

The state - of - the - art playground is suitable for use by up 50 children at a time with two sections that will be designed for grades 1 - 3 and grades 4 - 6 respectively.

Incorporate «you» statements into the «what are you looking for sections,» like You're sophisticated and cultured and spend your time enjoying the arts and the finer things in life.

Incorporate «you» statements right into the «what are you looking for» sections, using phrases like, «You're intelligent, as well as, cultured, spending your free time appreciating the arts as well as the finer points in life.»

Time Magazine's «100 Most Influential People» List The full list has been revealed with these 27 people in the «arts» section: Marina Abramovic, Amy Adams, Diane Paulus, Matthew McConaughey, John Green, Beyoncé, Sheika al - Mayassa bint Hamad bin Khalifa al - Thani, Donna Tartt, Jordan Peele, Seth Meyers, Benedict Cumberbatch, Robin Wright, Binyavanga Wainaina, Miley Cyrus, Robert Redford, Jenji Kohan, Yao Chen, Arundhati Roy, Megan Ellison, Carrie Underwood, Kerry Washington, and Keegan Michael Key.

Interestingly, the squad this time around isn't part of some anti-occult group or anything of that nature, but rather they are all members of the Monuments, Fine Arts, and Archives Section (MFAA, or «Monuments Men») and are simply trying to recover priceless pieces of artwork in the Bavarian countryside.

Earlier in his career, he was chief film critic for the Los Angeles Daily News, a regular contributor to the New York Times» Arts & Leisure section, and a film columnist for the Los Angeles Times.

As usual, a section is reserved for displaying the complete Twilight Time Blu - ray catalog through July 2014, with release dates, cover art, and availability supplied three titles per screen.

For example, a science teacher may choose to focus on one particular section of a lab report each time; an English language arts teacher may choose to focus on one particular stage of writing, shifting from one stage to another throughout the course of the year.

Béra is eager to go back to teaching full - time, so much so that she taught a section of French at the Harvard Faculty of Arts and Sciences during her final semester.

Some students might focus on the arts, while others decide to spend time in the instrument section.

Kid's Club with outdoor play area and children's pool section in main pool; dedicated entertainers, organised programme of arts and crafts, games, DVDs and quiet time, mini disco and themed nights and fun games.

Sword Art Online - Hollow Fragment - GGO Pack is out, at the time of posting this, I do not see it listed under and PS vita - add on section of the blog post

I enjoyed Velocity Ultra in the Vita, but adding platforming sections could make it even better; i hope the art style in the levels is more varied this time around.

The only thing EGM2 lacked at the time was a reviews section, so readers still needed regular EGM if they wanted to know what editor - in - chief Ed Semrad's ghost writers and the mysterious Sushi - X thought of Contra Hard Corps or Art of Fighting 2.

I often spent more time than needed on each section, poring over the art design to see all the little touches added in.

New curated sections, pioneering performance art, Black activism: key themes from next week's fair selected by the Financial Times

FEATURING «ILLUSTRATED BOOKS, art - themed fiction, artist biography, nonfiction about the art world, original photography and original artwork,» the New York Times published its first - ever art - themed Sunday Book Review section today (June 28, 2015).

In recent times she was one of three curators coordinating Imperfect Idler or When Things Disappear, the national section of the inaugural International Biennial of Contemporary Art of Cartagena de Indiasa, presented in Colombia from February to April of 2014.

On Friday, October 16, 2009, Sotheby's London will present its October Contemporary Art Auction, which will include for the first time a section of Arab and Iranian Art.

, An Adventure in Conceptual Art (2013, Generali Foundation, Vienna, Austria); Gestures of the mind (La Verrière, Brussels); A Universal Exhibition, documentary section (Louvain - la - Neuve biennale, Belgium, 2013), Curated Session # 1: The Dora Garcia Files (Perez Art Museum, Miami, 2014), There was a time in the Past where the Future was Present (Museum of Art and History, Saint - Denis / Paris, 2014), Ma'aminim, The Believers (Tranzitdisplay, Prague, 2015).

For the first time, Frieze New York will feature Live, a section for performances, installations and interactive projects, curated by Adrienne Edwards (Performa, New York / Walker Art Center, Minneapolis).

Parafin, London who have been exhibiting at Art Brussels for 3 years, enjoyed strong sales for their first time in the Discovery section quoting «Discovery section opens up a new collector base for a gallery like ours».

He has been featured numerous times in the Art of Nursing section in AJN.

(1) Art patterned after Manhattan interiors in the Times «Style» section.

Jon Cotner, who teaches in the Writing Program at Pratt, was featured in an article in Weekend Arts section of the New York Times for an interactive art walk he led on Fire Island called...

1995 Kaslow, Amy, Hirshhorn Museum Presents Whimsical German Sculptor, Christian Science Monitor Shaw - Eagle, Joanna, Affection and Delight Enliven Latest Exhibition at Hirshhorn, The Washington Times Lewis, Jo Ann, Whittle Wonders, The Washington Post Kent, Sarah, Stephan Balkenhol: Stephen Friedman Gallery, Time Out, No. 1321, 13 - 20 December Hall, James, Shades of the Prison House, The Guardian, 12 December Searle, Adrian, Try to Figure it Out, The Independent, 12 December Mullins, Charlotte, Stephan Balkenhol, Galleries, December Karmel, Pepe, Stephan Balkenhol exhibition review, Barbara Gladstone Gallery, New York, New York Times, Weekend Section, C23, 23 June Glueck, Grace, Mutant Materials (but No Rogue Genes); Notes, Letters and Typographic Wackiness, New York Observer, 19 June Richie, Matthew, Still Life: Exhibition review, Flash Art 28, Barbara Gladstone Gallery, New York, No. 181 March - April, p. 65

Recent museum exhibitions include: The 1980s: Early Works by Jian - Jun Zhang (1978 - 1988), Yuz Museum, Shanghai (2015); The 12th National Art Exhibition: Section of Experimental Art, Today Art Museum, Beijing (2014); Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art, New York (2013 - 14); Portrait of the Times: 30 Years of Chinese Contemporary Art, Power Station of Art, Shanghai (2013); Shanshui, Kunstmuseum Luzern, Switzerland (2011); Chinese Window: Contemporary Art from the Sigg Collection, Kunstmuseum Bern, Switzerland (2010 - 11); Shanghai Art of the City, Asian Art Museum, San Francisco, CA (2010); and The Great Celestial Abstraction, National Art Museum of China, Beijing (2010) and traveled to Museo d'Arte Contemporanea Roma, Italy (2011 - 12).

Other recent museum exhibitions include: The 1980s: Early Works by Jian - Jun Zhang (1978 - 1988), Yuz Museum, Shanghai (2015); The 12th National Art Exhibition: Section of Experimental Art, Today Art Museum, Beijing (2014); Portrait of the Times: 30 Years of Chinese Contemporary Art, Power Station of Art, Shanghai (2013); Shanshui, Kunstmuseum Luzern, Switzerland (2011); Chinese Window, Kunstmuseum Bern, Switzerland (2010 - 11).

Divided into three sections, the writings reveal Riley's relationship to different topics over time, including the term «abstract», the influence of Georges Seurat and Paul Cézanne, the role of color and painting throughout art history, the importance of perception, and much more.

Todd, Ruthven, «Reviews and Previews», Art News (New York), February, volume 48, no. 10, p. 48 Preston, Stuart, «The Arps and Others: Abstraction to Realism in New Attractions», New York Times, 5 February, section 2, p. 10 «Glasco Puzzles», Art Digest (New York), 15 February, volume 24, p. 17 Devree, Howard, «By Contemporaries: Museum Shows Its Recent Acquisitions — Gorky, Lebrun, deMartini, Dozier», New York Times, 2 April, p. 8

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

His name may be familiar on the East End from his having been the art reviewer a few years ago for the now defunct Long Island section of The New York Times.

Devree, Howard, «Picked by Critics: Selected American Paintings Since 1900 — Watercolor Annual — Abstraction», New York Times, 24 February, section 2, p. 9 Art Digest (New York), 1 March, volume 26, p. 19 McBride, Henry, «By Henry McBride: Glasco changes, too», Art News (New York), April, volume 51, no. 2, p. 47 Fitzsimmons, J, «Whitney Annual: many talents, few commitments», Art Digest (New York), April, volume 26, pp.6 - 7 McBride, Henry, «No exit at the Whitney: New American watercolors, drawings and sculpture make a controversial cross-section», Art News (New York), April, volume 51, no. 2, pp. 36 - 37 & 64 Hess, Thomas B, «The Modern Museum's fifteen: Where U.S. extremes meet», Art News (New York), April, volume 51, no. 2, pp.16 - 19 & 65 - 66 Devree, Howard, «Modern Museum has Varied Show: «Fifteen Americans» Paintings and Sculpture, Will Open to the Public Tomorrow», New York Times, 9 April, p. 25 Devree, Howard, «Diverse Americans: Fifteen in Museum of Modern Art Show — New Work by Nordfeldt and Laurent», New York Times, 13 April, section 2, p. 9 More, Hermon, Annual Exhibition of Contemporary American Sculpture, Watercolors, Drawings, catalogue, Whitney Museum of American Art, New York Miller, Dorthy C, 15 Americans, catalogue, Museum of Modern Art, New York

Guest, Barbara, «Reviews and Previews», Art News (New York), April, volume 53, no. 2, p. 54 Devree, Howard, «About Art and Artists: Moderate Abstractions Make a Lively Exhibition at the City Center Gallery», New York Times, 8 April, p. 25 Newbill, Al, «Fortnight in Review: A Contrasting Trio», Art Digest (New York), 15 April, volume 28, no. 14, p. 20 «Coast - to - Coast: Guggenheim to Show and Buy «Younger» Painters», Art Digest (New York), 1 October, volume 28, no. 1, p. 14 McBride, Henry, «Americans looking east, looking west», Art News (New York), May, volume 53, no. 3, pp.32 - 33 & pp.54 - 56 Devree, Howard, «About Art and Artists: Display of Work by «Younger Americans» Brought Together by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & 70 - 73

Preston, Stuart, «Diversity of Today: From Weird to Religious in Current Shows», New York Times, 29 March, section 2, p. 8 Cambell, Larry, «Reviews and Previews», Art News (New York), April, volume 52, no. 2, p. 52 Art Digest (New York), 1 April, volume 27, p. 19 Fitzsimmons, James, «Art», Art & Architecture (Los Angeles), May, volume 70, no. 5, pp.9 - 10 McBride, Henry, «Sculpture Time at the Whitney: and for some drawings and watercolors, too», Art News (New York), May, volume 52, no. 3, pp.42 - 43 & 69 International Watercolor Exhibition: 17th Biennial, catalogue, Brooklyn Museum, New York More, Hermon, Annual Exhibition of Contemporary American Sculpture, Watercolors, Drawings, catalogue, Whitney Museum of American Art, New York Goyen, William, Joseph Glasco: Exhibition of Paintings, Sculpture, Drawings, catalogue, Catherine Viviano Gallery, New York

Hadley Holliday: One with the Sun, New Paintings at Carl Solway Gallery, by Karen Chambers, Aeqai, February 2013 XYZ The Geometric Impulse in Abstract Art, exhibition catalog, Torrance Art Museum, 2012... might be good, Issue # 199, Technicolor from Coast to Coast, by Emily Ng Art on Paper 2012, exhibition catalog, Weatherspoon Art Museum, 2012 Hadley Holliday Sets New Sights at Taylor de Cordoba, Huffington Post, March 2012 Hadley Holliday Wows with Striking Abstractions, by Angelica Martin, Societe Perrier, March 2012 Get Lost in a Patterned Wonderland, by Lilian Min, Refinery 29, February 2012 Rainbow Connection, by Sierra Feldner - Shaw, Style Section LA, March 2010 Hadley Holliday: Paintings at Solway Jones, by George Melrod, Art Ltd., November 2009 Artist of a Totally Different Stripe, by Holly Myers, Los Angeles Times, September 18, 2009, p. D23 West Coast Painters, Korea Times, June 23, 2009 Gravity and Transformation at Kristi Engle Gallery, ArtWeek, Sept 2008 Notes from the Overpass, by Adam Schwartz, Open Studio Magazine, April 2008 Supersonic: One Wind Tunnel, Eight Schools, 120 Artists, exhibition catalog, Art Center College of Design, Pasadena, CA, 2004

Asia Society Museum's forthcoming Sarah Sze: Infinite Line, the first exhibition to focus specifically both on the artist's work on paper and on her process, was singled out for advance mention in the New York Times «Arts Beat» section this past Friday.

Previously, he had written frequently for the New York Times's Arts and Leisure section.

Preston, Stuart, «Chiefly Abstract: New One - Man Exhibitions Exploit Variety», New York Times, 8 April, section 2, p. 9 Art Digest (New York), 15 April volume 25, p. 17 McBride, Henry, «by Henry McBride: Joseph Glasco's Color», Art News (New York), May, volume 50, no. 3, p. 46 Preston, Stuart, «Diversity in Groups: Three of the New Shows Stress Art's Variety», New York Times, 4 November, section 2, p. 9 Porter, Fairfield, «Reviews and Previews», Art News (New York), December, volume 50, no. 8, p. 49 Newcomb, Redford and Allen S. Weller, Exhibition of Contemporary American Painting, catalogue, College of Fine and Applied Arts, University of Illinois, Urbana Rich, Daniel Catton, Annual American Exhibition, catalogue, Art Institute of Chicago

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

I am referring here to a section of London's contemporary arts community comprising largely, but not exclusively, white middle - or upper - middle - class artists; a section unburdened by histories of oppression, suffused with privilege and the necessary leisure time available for seekership.

Toby Kamps (The Menil Collection, Houston) will curate the expanded Spotlight section for the first time; Cecilia Alemani (High Line Art, New York / Italian Pavilion 2017 Venice Biennale) will commission Frieze Projects; and Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago) and Fabian Schöneich (Portikus, Frankfurt) will advise the Frame section.

His sound art echoes in the mind, The Boston Globe, p. D1, D6 Pulp Nonfiction, Soho - Style, http://www.lowermanhattan.info Johnson, Ken, Alumni Return, Juxtaposing Past and Present, The New York Times, 28 November Baker, Kenneth, Capp Street Benefit Show, San Francisco Chronicle, 16 August Johnson, Ken, Gathering a Flock of Quirky Grown - Ups, New York Times, 17 July Camper, Fred, On Exhibit: first glimpses of Art Chicago 2003, Chicago Reader, 9 May, Section 1, p. 35 Boyce, Roger, Neither Here Nor There: Mirror Mirror at MASS MoCA, Art NewEngland, February - March, pp. 16 - 17, 74 Harris, Susan, Jim Hodges at CRG, Art in America, January, p. 107 2002 Jowitt, Deborah, Slow doart echoes in the mind, The Boston Globe, p. D1, D6 Pulp Nonfiction, Soho - Style, http://www.lowermanhattan.info Johnson, Ken, Alumni Return, Juxtaposing Past and Present, The New York Times, 28 November Baker, Kenneth, Capp Street Benefit Show, San Francisco Chronicle, 16 August Johnson, Ken, Gathering a Flock of Quirky Grown - Ups, New York Times, 17 July Camper, Fred, On Exhibit: first glimpses of Art Chicago 2003, Chicago Reader, 9 May, Section 1, p. 35 Boyce, Roger, Neither Here Nor There: Mirror Mirror at MASS MoCA, Art NewEngland, February - March, pp. 16 - 17, 74 Harris, Susan, Jim Hodges at CRG, Art in America, January, p. 107 2002 Jowitt, Deborah, Slow doArt Chicago 2003, Chicago Reader, 9 May, Section 1, p. 35 Boyce, Roger, Neither Here Nor There: Mirror Mirror at MASS MoCA, Art NewEngland, February - March, pp. 16 - 17, 74 Harris, Susan, Jim Hodges at CRG, Art in America, January, p. 107 2002 Jowitt, Deborah, Slow doArt NewEngland, February - March, pp. 16 - 17, 74 Harris, Susan, Jim Hodges at CRG, Art in America, January, p. 107 2002 Jowitt, Deborah, Slow doArt in America, January, p. 107 2002 Jowitt, Deborah, Slow down!

The painting and sculpture section spans in time from the Renaissance to present day and is further sub-divided in chronological sections: Late Gothic painting; Dutch and Flemish painting, including works by Rembrandt, Rubens, van Dyck and Jan Brueghel the Elder; Italian Baroque and Venetian 18th century, including works by Domenichino, Canaletto, Guardi and Bellotto; Swiss painting, including Hodler, Segantini, Vallotton, Giovanni and Augusto Giacometti; Impressionism and Post-Impressionism, with masterpieces by Géricault, Manet, Monet, Cézanne, van Gogh and Bonnard; Nordic Expressionism, including a large selection of works by Edvard Munch and Oskar Kokoschka; Modern art, with works by Mondrian, Klee, Chagall, the Surrealists, Léger, Matisse and Picasso; the Giacometti section comprehends the most important museum selection of works by the Swiss artist Alberto Giacometti; the Art since 1945 collection includes works by Tinguely, Twombly, Beuys, Kiefer and Baseliart, with works by Mondrian, Klee, Chagall, the Surrealists, Léger, Matisse and Picasso; the Giacometti section comprehends the most important museum selection of works by the Swiss artist Alberto Giacometti; the Art since 1945 collection includes works by Tinguely, Twombly, Beuys, Kiefer and BaseliArt since 1945 collection includes works by Tinguely, Twombly, Beuys, Kiefer and Baselitz.

The presence of glass as a significant component is the principal basis for this selection that will provide an unusual cross section of the Collection and, at the same time, shed particular light on some of the main issues in contemporary art.

This article from the New York Times critic Roberta Smith ran August 3, 2007 on the front page of the Arts section.

The new sections offered this year include an iteration of Live, a feature of Frieze London for «time - based» art and special installations, titled Assembly.

Toby Kamps (The Menil Collection, Houston) will curate the expanded Spotlight section for the first time, alongside Cecilia Alemani (High Line Art, New York / Italian Pavilion 2017 Venice Biennale) organizing Frieze Projects, and Jacob Proctor (Neubauer Collegium for Culture and Society at the University of Chicago) and Fabian Schöneich (Portikus, Frankfurt) returning as curatorial advisors for the Frame section.