The New York
Times architecture critic Nicolai Ouroussoff notes that many were dubious about Masdar when it was announced, writing that «the project conjured both a walled medieval fortress and an upgraded version of the Magic Kingdom's Tomorrowland.»
The New York
Times architecture critic Nicolai Ouroussoff notes that many were dubious about Masdar when it was announced, writing that «the project conjured both a walled
Mo» MoMA, Mo» Problems — In his defense of the Folk Art Museum, which faces impending demolition by its neighbors and new owners at the Museum of Modern Art, New York
Times architecture critic Michael Kimmelman suggests that some native New Yorkers are beginning to feel a bit miffed by the nonstop growth and creeping corporatism of the city's beloved repository of 20th - century art.
Monument Lab Keynote Conversation: The Futures of Memory Wednesday, November 15 at 6 p.m. Pennsylvania Academy of the Fine Arts A keynote conversation featuring author and professor Michael Eric Dyson, New York
Times architecture critic Michael Kimmelman, and scholar and activist Salamishah Tillet on the overarching themes of Monument Lab and the future of memory in public space.
10/27/17 Editor's Note: New York
Times architecture critic Michael Kimmelman was originally scheduled to dialogue with Terri Sultan but unforeseen changes prevented him from appearing.
The New York
Times architecture critic, author, and acclaimed pianist Michael Kimmelman will deliver the commencement address.
New York
Times architecture critic, author, and acclaimed pianist Michael Kimmelman will deliver the commencement address.
Critics say that, as is, that's simply putting a Band Aid on a larger wound: Just last week, New York
Times architecture critic Michael Kimmelman, in a larger critique of the problems at the much - maligned terminal, called that plan «a project born of political expediency,» noting that Cuomo has «brushed off more sweeping proposals that might tackle once and for all the whole panoply of problems that plague Penn Station.»
The proposed changes sparked a preservation debate joined by Tom Wolfe (The New York Times; October 12, 2003 and October 13, 2003), Chuck Close, Frank Stella, Robert A. M. Stern, Columbia art history department chairman Barry Bergdoll, New York
Times architecture critics Herbert Muschamp and Nicolai Ouroussoff, urbanist scholar Witold Rybczynski, among others.
Not exact matches
Roberta Smith, co-chief art
critic of The New York
Times, praised Mr. Sala's «roiling explorations, mostly in video, of sound,
time, color,
architecture and the politics of modern life.»
Lower Manhattan has come so close to normalcy that the
architecture critic for The New York
Times slammed One World Trade Center for not matching the neighborhood's diversity.
Critics who once gushed over the New Museum's
architecture are dubious, and The
Times dared to ask whether the Brooklyn Museum had sacrificed art to outreach.
Edwin Heathcote is
architecture and design
critic, Financial
Times, and editor - in - chief, Reading Design; based in London
«Äù Vija Celmins «Äô drawings show at the Hammer Museum in Los Angeles (# 3 out of 10), garnered similar hyperbole, as did Puryear «Äôs current retrospective at MoMA (# 5;
TIME «Äôs art and
architecture critic / blogger Richard Lacayo proclaims Puryear «Äúone of the greatest living American artists «Äù).
The starting point of this publication is the conceptual encounter between English Pop artist Richard Hamilton (1922 — 2011) and Swiss historian and
architecture critic Sigfried Giedion (1888 — 1968), famous for his landmark 1941 book, Space,
Time &
Architecture.
The Nasher Sculpture Center and Dallas
Architecture Forum have announced that the chief
architecture critic of The New York
Times, Michael Kimmelman, will be keynote speaker for the 2013 Dallas Design Symposium.
The extraordinary British architect and designer Thomas Heatherwick has been hailed as a genius, lauded by The New Yorker
architecture critic Paul Goldberger for the uniquely inventive nature of his work, and praised by esteemed designer Sir Terence Conran as the — Leonardo da Vinci of our
times.
With a previous Ph.D. in Architectural Theory, History and Criticism from Princeton University, Abrams had worked for more than 20 years as an
architecture and design
critic and editor, organizing numerous conferences and salons, and writing for publications including frieze, I.D. Magazine, Blueprint, and The New York
Times.
In a review of a 1989 show at the center, Paul Goldberger, then the chief
architecture critic for The New York
Times, wrote that the Drawing Center «deserves to rank not with the SoHo galleries that are its neighbors, but with the major museums of which it is now virtually a peer.»
Los Angeles - based
architecture critic Esther McCoy, who spent
time in Cuernavaca and befriended the influential yet under recognized designer Clara Porset, will be next.
«The term «sustainable city» is becoming cliché,» said Edwin Heathcote,
architecture critic for the Financial
Times.