Sentences with phrase «times art reviewer»

Canaday, the New York Times art reviewer, was one of the few influential critics of abstract expressionism.

Not exact matches

2008: Her Royal Spyness Dilys Award nominee Arty Award winner (best cover art) Romantic Times Reviewer's Choice nominee, best historical mystery Agatha Award nominee, best mystery Macavity Award nominee, best historical mystery Audie Award Finalist, best mystery audiobook (Katherine Kellgren, Narrator)

During that time the books are supposed to be manually checked to make sure they meet the publisher's guidelines, In reality this amounts to little more than a check of the cover art, blurb and maybe a quick skim of the manuscript, any one of which should make it clear to the reviewer that a book contains adult content.

I decided to read this novel because a) Father of the Bride is one of my all - time favorite movies, b) our reviewer compared Martin to Henry James, Edith Wharton and F. Scott Fitzgerald in her review (yes, really), and c) I like art.

We have a state - of - the art reviewer's area where you will be able to login and view a list of over two thousand books in 140 + genres awaiting review at any given time.

The dazzling, at times even overwhelming «From Lens to Eye to Hand: Photorealism 1969 to Today» exhibition currently on view at the Parrish Art Museum in Water Mill, NY has all the earmarks, for this reviewer, of a reality TV competition.

In contrast to other prominent midcentury art critics — like the New York Times's John Canaday, who warned him against fraternizing with artists for fear of impairing his critical distance — Sandler purposefully immersed himself in his subjects» milieu, first in his days as a young reviewer for Artnews and later as an art historian.

A former arts reviewer for NPR's Fresh Air and Morning Edition, she has written for Art in America, The New York Times Book Review, and numerous museum publications.

His name may be familiar on the East End from his having been the art reviewer a few years ago for the now defunct Long Island section of The New York Times.

[4] In 2006, at the time of solo exhibitions of his work in Edinburgh and New York, art reviewer Janet McKenzie wrote of «his remarkable commitment and development as a mature painter, abstract, yet inspired by natural phenomena.»

A former arts reviewer for NPR's «Fresh Air» and «Morning Edition,» her writing has appeared in Art in America, The New York Times Book Review, and numerous museum publications.

Helen is a former art reviewer and feature writer for the Long Island section of The New York Times, and visual arts commentator for the NPR affiliate WLIU 88.3 FM.

TEACHING EXPERIENCE 2014 - PRESENT Lead Faculty, Paris Course Elective, OTIS College of Art and Design, Los Angeles, CA 2013 - PRESENT Part Time Faculty, OTIS College of Art and Design, Los Angeles, CA 2010 Visiting Artist, OTIS College of Art and Design, Los Angeles, CA 2007 Visiting Artist / Graduate Student Reviewer, Cranbrook Academy of Art, Bloomfield Hills, MI 2006 Visiting Artist in Residence — Painting Department, Cranbrook Academy of Art, Bloomfield Hills, MI 2004 - 05 Adjunct Professor of Digital Imaging and Design, Gilbert / Chandler Community College, Gilbert, AZ 2001 - 02 Head Teaching Assistant to Beverly Fishman, Cranbrook Academy of Art Painting Department 1999 Adjunct Instructor of Digital Imagery, Mesa Community College, Mesa, AZ

He is also an abstract painter, a regular reviewer of art for the Wall Street Journal and a novelist to boot («Time for Robo,» «The Art Critic»art for the Wall Street Journal and a novelist to boot («Time for Robo,» «The Art Critic»Art Critic»).

In making her gallery rounds, she struck up an acquaintance with Howard Devree, the art news editor of The Times, who in 1955 offered her a job as a reviewer.

Ms. Ashton was closely involved in the small world of artists who were discovering a new pictorial language in the years after World War II, both as a friend of Philip Guston, Mark Rothko and others and as a reviewer for numerous publications, including Art International, The Art Bulletin and The New York Times.

PROFESSIONAL HISTORY: Staff reviewer, Artforum Magazine; art critic, Boston Phoenix; free - lance contributor to Atlantic Monthly, New York Times Book Review, Art in America, Smithsonian Magazine, the Art Newspaper; adjunct faculty at Boston College, Rhode Island School of Design, Brown University, Stanford Universiart critic, Boston Phoenix; free - lance contributor to Atlantic Monthly, New York Times Book Review, Art in America, Smithsonian Magazine, the Art Newspaper; adjunct faculty at Boston College, Rhode Island School of Design, Brown University, Stanford UniversiArt in America, Smithsonian Magazine, the Art Newspaper; adjunct faculty at Boston College, Rhode Island School of Design, Brown University, Stanford UniversiArt Newspaper; adjunct faculty at Boston College, Rhode Island School of Design, Brown University, Stanford University.

It is, according to New York Time's reviewer Roberta Smith, a biennial beefed up on steroids but, by looking beyond the spectacle to the smaller details, one can discern both subtle and complex exhortations to the subjects that matter in contemporary art's most prominent arena.

Writing in the New York Times, reviewer Siobhan Burke praised the show as «inventive and thoughtfully assembled» in the way it broke down disciplinary distinctions between performance and visual art.

Keep in mind how I pointed out right here at GelbspanFiles on September 20, 2013 that Al Gore's former long - time spokesperson, someone having no more than a Bachelor of Arts, History degree *, is found in a 1997 IPCC special report in its Annex H «Authors, Contributors, and Expert Reviewers» USA section, where she is listed in association with Greenpeace.

Every time one submits a paper to a journal, if you don't objectively describe the state of the art (even if you disagree) the reviewers will be happy to point this out for you, and do.