Sentences with phrase «times dance critic»

Not exact matches

Arguing against critics of the EBacc which have claimed careers in the arts have become «the preserve of the privileged», Gibb maintained the government would continue to fund over 500 full - time places through the Music and Dance Scheme.

Most of those games were panned by reviewers: «Critics are complaining about a lack of solid launch titles for the new control system; only «Dance Central» seems to have anything to recommend it,» said a Metacritic roundup of launch titles at the time.

Writing in the New York Times, the dance critic Siobhan Burke described the performance piece as a «sublime reimagining — with [Solange's] own choreography and reconstructed musical arrangements — of A Seat at the Table.»

2012Dallas Paul, A Rogue's Gallery of Gorgeousness: Charles Atlas and Anthony's Turning, FilmMaker Magazine, 16th November 2012 Atlas, Charles «Filming Cunningham Dance: In Conversation with Nancy F. Becker, 1983» Dance, Documents of Contemporary Art, Andre Lepecki, 2012 Verlaek, Jolien, «I got a book and learned video» Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atlas.

Javier de Frutos is a director, choreographer, and designer whose accolades include: the Olivier award for best theatre choreography, for Cabaret; an Evening Standard award for The Most Incredible Thing, in collaboration with the Pet Shop Boys; Critics» Circle awards for Milagros, with RNZB, and for Elsa Canasta, with Rambert Dance and the Scottish Ballet; a South Bank show award for Grass; and a Time Out award for Sour Milk, with Candoco Dance.

With the new Bing Concert Hall opening on the Stanford campus in a couple of months, Connie Wolf, the new director of Stanford's Cantor Arts Center, thought it would be cool to present a music - filled work of art: Christian Marclay's «Video Quartet,» a four - screen work that splices and juxtaposes sonic moments of all kinds from hundreds of movies - people tap dancing and singing arias, explosions and door knocks, Kirk Douglas in «Young Man With a Horn» and Jimi Hendrix in concert - in a 14 - minute video that floored New York Times critic Roberta Smith when she saw it in 2003.

A generous hint of his direction could be seen in the 2012 Biennial (then hailed by New York Times critic Roberta Smith as «one of the best Whitney Biennials in recent memory»), which included such unforgettable moments as Werner Herzog's presentation of drawings by Hercules Segers intermixed with filmed performances by the Dutch avant - garde cellist and composer Ernst Reijseger; Dawn Kasper's performative residency in a ramshackle studio of her own creation on the museum's third floor; and the transformation of the entire fourth floor into a long stage for dance, most memorably Michelson's highly concentrated, multipart «Devotion Study # 1 — The American Dancer.»

Much as you would like for your critics to dance to your samba, I have more fruitful uses for my time.