None has a more corroded soul than The New York
Times drama critic (Lindsay Duncan, mean as a snake), who informs Thomson at a bar one evening that, come opening night, she will be destroying his efforts.
Not exact matches
It's a lively volume with contributions by Terry Teachout (
drama critic for the Wall Street Journal), Carol Iannone (editor of Academic Questions), and Asia himself (a distinguished composer and professor of composition at U of A), among others, and they all get to the heart of the problem of high culture at the present
time in America.
But
drama critic Ben Brantley had this to say in the New York
Times:
The
timing of his sentencing today is interesting, of course, as Albany is currently embroiled in
drama surrounding a breakaway Democratic conference that some
critics have likened to the four Amigos.
Too much of the
time, though, director Rod Lurie (a former film
critic whose directorial credits include political
dramas such as «The Contender») establishes a pace that dutifully trudges from scene to scene rather than taking
time to reveal anything unexpected.
Plus, there's the searing, Hungarian concentration camp
drama «Son of Saul,» a movie that took the Grand Prix prize at Cannes and will likely win a host of
critics prizes leading up to the
time when Oscar ballots go out.
Finally, our
critics continue their Oscar season coverage by discussing Lincoln, Steven Spielberg's historical
drama about the final months of Abraham Lincoln's life and his efforts during this
time to outlaw slavery through passage of the Thirteenth Amendment.
The teaser trailer certainly makes the film look like an embarrassment of riches, with the entire cast seemingly having the
time (and hairstyles) of their lives, and if anyone can walk the fine line between serious
drama and screwball comedy, and deliver something that audiences and
critics alike will love, it's Russell.
In selecting a director of photography for his haunting, elegiacal war
drama, Malick chose two -
time Academy Award - winning director of photography John Toll, ASC (Legends of the Fall, Braveheart), whose work on The Thin Red Line recently earned him both the New York Film
Critics» and National Society of Film
Critics» awards for Best Cinematography.
The 10 - episode, one - hour original
drama series, premiered last November to praise from
critics at The New York
Times, The Wall Street Journal, Deadline and Entertainment Weekly.
Several
critics» best movies of 2017 lists also flesh out this dark, seedy twist to the
drama — «perverse» is used no less than three
times!
Abdellatif Kechiche's steamy lesbian
drama gave Cannes audiences the vapors, but its path to the Palme was complicated by reports that the director had heinously mistreated his crew, and accusations from
critics like The New York
Times» Manohla Dargis that the movie «registers as more about Mr. Kechiche's desires than anything else.»
Joan has an eclectic background and has worked as a director of theatre,
drama critic, newspaper editor, college professor (at Barry University and the University of Miami), and attorney (with Hunton & Williams in Richmond, Virginia, and Squire, Sanders & Dempsey in Miami, Florida) on her way to becoming a full -
time writer.
The New York
Times art
critic Holland Cotter wrote that «The
drama is in the subtle chemistry of complementary colors, which makes the geometry glow as if light were leaking out from behind it.»
New York
Times art
critic Holland Carter wrote that «The
drama is in the subtle chemistry of complementary colors, which makes the geometry glow as if light were leaking out from behind it.»