Sentences with phrase «times editor mark»

Not exact matches

The week will also feature speakers such as Walter Isaacson, the former managing editor of Time magazine who's now the Aspen Institute's CEO; Jim Coulter, founding partner of TPG Capital (formerly Texas Pacific Group); General Wesley Clark, and tech entrepreneur extraordinaire Mark Cuban, owner of the Dallas Mavericks.

The investigation began last March, when Gabriel Dance, a deputy investigations editor at The Times, ran into an old friend, Mark Hansen, at a conference.

Speakers include Ross Douthat of the New York Times and First Things senior editor Mark Bauerlein.

Story and Photos by Mark R. Vogel Editor's Note: Janie and Fernando have been long - time supporters of the Fiery Foods & BBQ Centra; and our other chile - related enterprises, and loyal advertisers.

At Conservation Biology, which switched to double - blind reviews in 2014, reviewers who make a guess get it right about half of the time, says the journal's editor, Mark Burgman of Imperial College London.

That year marked the Times's 80th anniversary, so the editors thought it made sense to ask intellectual luminaries of the time to gaze into a future an equal period away, which, if you do the math right and don't engage in any major Gregorian - style calendar recalibrations, gives you 2011.

To mark the 175th anniversary of photojournalism, the editors of TIME magazine (which is owned by Health's parent company, Time Inc.) worked with an international team of curators, historians, and photographers to carefully select the photos published in 100 Photographs: The Most Influential Images of All Time ($ 25; amazon.cTIME magazine (which is owned by Health's parent company, Time Inc.) worked with an international team of curators, historians, and photographers to carefully select the photos published in 100 Photographs: The Most Influential Images of All Time ($ 25; amazon.cTime Inc.) worked with an international team of curators, historians, and photographers to carefully select the photos published in 100 Photographs: The Most Influential Images of All Time ($ 25; amazon.cTime ($ 25; amazon.com).

Dr. Mark Hyman, New York Times bestselling author and editor - in - chief of the peer - reviewed medical journal Alternative Therapies in Health & Medicine, owns a Sunlighten sauna and says, «Sunlighten saunas improve circulation, help with weight loss, balance blood sugar and improve detoxification.»

Running time: 105 Minutes Studio: Universal Studios Home Entertainment 2 - Disc Special Edition Blu - ray / DVD Combo Pack Extras: Digital copy; 2 alternate endings; deleted scenes; alternate scenes; gag reel; Plotting Tower Heist; feature commentary with director Brett Ratner, editor Mark Helfrich and co-writers Ted Griffin and Jeff Nathanson; Tower Heist Video Diary; U-Control; pocket BLU App; and more.

Running time: 95 minutes Distributor: 20th Century Fox Home Entertainment DVD Extras: «Nimrod and Stinky's Antarctic Adventure,» «Ladies and Gentoomen» and «Ready for Their Close - up» featurettes, deleted scenes with optional commentary by director Mark Waters, editor Bruce Green and visual effects Supervisor Richard Hollander, gag reel, audio commentary with director Mark Waters, editor Bruce Green and visual effects supervisor Richard Hollander, original story sampler, theatrical trailer and a sneak peek.

On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Robby and his team that consists of reporters Michael Rezendes (Mark Ruffalo, «Foxcatcher»), Sacha Pfeiffer (Rachel McAdams, «Southpaw») and Matt Carroll (Brian d'Arcy James, «Time Out of Mind»), overseen by deputy managing editor Ben Bradlee Jr. (John Slattery, «Ant - Man») set about the nitty - gritty work of tracking down the offending clerics.

Mark Gillies drives one and works out the answer / Elegance Is... An Armstrong Siddeley — The editor samples a 1936 Redfern drophead and finds it as charming as it is good - looking / An All - Time Classic — James Allington's cutaway this month is of an Aston Martin DB2 / 4 a model which inspires affectionate memories in at least one owner - driver / Our Cars — Mathis Latest on The Automobile project.

ROAD TEST EDITOR JONATHAN WONG: There might not be a more appealing new sports car today that starts below the $ 75K mark than the Porsche Cayman S. Having spent extensive time behind the wheel of one...

On day one, Mark Houlahan, Mustang Monthly's tech editor, pulled the front fascia to install the Roush upper and lower grilles, splitter, and foglight kit — all of which can be installed at the same time with the front fascia removed.

While we're on the subject, the editor in me can't help but point out a few other tips about exclamation marks, which don't necessarily have to do with tweeting: Please use one at a time.

Sometimes the editor found good stuff that needed fixing, sometimes the editor was just marking time until she could put in for the next check for her writer.

Mark Hachman Mark joined ExtremeTech in 2001 as the news editor, after rival CMP / United Media decided at the time that online news did not make sense in the new millennium.

Mark Sarvas of The Elegant Variation declared that the future of book reviewing is on the web, and indeed, several book sections / book editors / former book editors maintain book blogs including Jerome Weeks (formerly of The Dallas Morning News), Frank Wilson (formerly of The Philadelphia Inquirer), The Boston Globe, The Chicago Sun - Times, The Los Angeles Times, The New York Times, The New Yorker, The South Florida Sun - Sentinel and The Washington Post itself.

STM (@socialtrav) is free to attend for WTM visitors and is organised by travel writer Mark Frary (@markfrary) and The Sunday Times Online Travel Editor Steve Keenan (@stevenkeenan).

This is the Uurnlimited version, which is an extended edition with a bunch of new features (co-op, additional endings, boss fights, and level editor) and will mark the first time the world of Uurnog will be available to Switch and Steam users!

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

But by the 1940s and»50s, abstract expressionism emphasized pure form and feeling; art was, as Adolph Gottlieb and Mark Rothko put it in a letter to the art editor of The Times: «an adventure into an unknown world.

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

Come una falena alla fiamma is an ambitious project, signed by three outstanding international curators, for the first time called to work together and interact with Turin and its important artistic heritage: Tom Eccles, director of the Center for Curatorial Studies at the Bard College of New York, Mark Rappolt, chief editor of the British magazine Art Review, and the artist Liam Gillick.

REBECCA COONEY Features Photo Editor, Newsday SEAN CORCORAN Curator of Photographs, Museum of the City of New York IVAR DAMERON Photo Editor, The Wall Street Journal SHAMINDER DULAI Director of Photography, Newsweek JAMES ESTRIN Co-Editor of New York Times Lens Blog NOELLE FLORES THEARD Program Associate, Magnum Foundation GENEVIEVE FUSSELL Senior Photo Editor, The New Yorker ADREES LATIF Editor in Charge, U.S. Pictures, Reuters BRENT LEWIS Senior Editor, ESPN KAREN MARKS Gallery Director, Howard Greenberg Gallery SABINE MEYERS Photography Director, National Audubon Society PAUL MOAKLEY Deputy Director of Photography and Visual Enterprise, TIME Magazine GRAHAM MORRISON Managing Editor for Visual Media, Bloomberg CHRISTINE NESBITT Senior Photography Editor, UNICEF AZU NWAGBOGU Director, African Artists» Foundation and LagosPhoto Festival KIRA POLLACK Director of Photography and Visual Enterprise, TIME Magazine SIOBHAN RIORDAN Exhibition Associate, Documentary Photography Project, Open Society Foundations GLENN RUGA Executive Editor, ZEKE Magazine BRENDAN WATTENBERG Managing Editor, Aperture Magazine JAMIE WELLFORD Senior Photo Editor, National Geographic DAMON WINTER Staff Photographer, The New York Times

The lecture and panel discussion series will include a full program of daily presentations; Michael Kimmelman, Chief Architecture Critic and Former Chief Art Critic for The New York Times, «The View from Over There, Over Here»; Jun Kaneko, «In Between»; William Warmus, Former Curator of Modern Glass at Corning Museum of Glass will moderate roundtable discussion, «The Studio Glass Experiment — The First 50 Years 1962 - 2012»; a thought provoking panel moderated by Bruce Helander, Editor - in - Chief of The Art Economist; Willis «Buzz» Hartshorn of International Center of Photography, «The ICP Legacy and New Directions in Photography»; Ullysees Dietz, Curator of Decorative Arts at the Newark Museum, «Ceramics as Art, Not a New Idea»; and Mark Leach, Executive Director of the SECCA, Southeastern Center of Contemporary Art will present «The New SECCA: Directions in Contemporary Art».

To my satisfaction, the Times published my letter to the editor on this (responding to the «Eco-tecture» issue of the Magazine); to my dismay, they retained my criticism of one particularly egregious sentence (Mark Svenvold's «By installing a solar - hydrogen system, almost any house, it seems, could go seriously green — and without a whiff of the sacrifice or changes in lifestyle that sometimes come from the more puritanical quarters of the environmental movement») while removing my broader complaint about their coverage (which regularly implies that even a «whiff» of sacrifice is indeed puritanical, by definition).

Rotten though the American legal system is, and despite the fact that most of these organizations do not agree with Steyn's views on climate change (nor necessarily with Mann's either), amicus curiae briefs supporting Mark's position have been filed by the American Civil Liberties Union, the Reporters» Committee for Press Freedom, the American Society of Newspaper Editors, the Associations of American Publishers and of Alternative News Media (e.g. Village Voice), NBC Universal, Bloomberg, Time, USA Today, the Washington Post, and many other publications and groups.

Mark Gurman, an editor at the website, 9 to 5 Mac, tweeted that Kuo is more respected for predicting Apple's product plans than timing when Apple products will actually be released.

That's $ 50 off, which marks the first time these Editors» Choice headphones are on sale.