Sentences with phrase «times editor and publisher»

I first read the news, ironically, at The BLT, the blog of Legal Times, where writer David Ingram reported on the statement made by David Brown, the Legal Times editor and publisher who will become editor of the combined publication.

Rockland County Times editor and publisher Dylan Skriloff applauded the WNBC I - Team.

Not exact matches

Wintour told the Times that the Artistic Director job would be «almost like being a one - person consulting firm» as she would advise editors and publishers about the direction of their magazines.

Former Tribune business editor Jim Kirk serves as editor and publisher of The Sun - Times now after successful stints at Bloomberg News in Washington, the CNC and Crain's Chicago Business.

I'm Jordan Roy - Byrne, CMT, MFTA the editor and publisher of TheDailyGold.com and TheDailyGold Premium, our premium publication which emphasizes market timing and stock selection for precious metals investors.

Among the initiatives is the creation this year of seven international news bureaus in «entertainment» markets — Hong Kong, Seoul, Mexico City, Moscow, Rio de Janiero, Lagos and Mumbai — headed up by Davan Maharaj, publisher and editor - in - chief of the LA Times.

Several reporters, editors, and publishers from the Washington Post and the New York Times are members, but so far the academy has skipped the Post's David Ignatius, an astute commentator, and the Times» Carlotta Gall, the stalwart presence in the paper's Afghanistan bureau for lo, these many years.

Bassett was joined at CCEM by a panel led by Errol Louis, Director of Urban Reporting for the Journalism School and political anchor at NY1 News, and featuring City Limits Publisher Jarrett Murphy and Haitian Times Editor - in - Chief Vania Andre.

In an attempt to calm rising newsroom tensions at The Los Angeles Times, the paper is expected to name Jim Kirk, a veteran journalist and former editor and publisher of The Chicago Sun - Times, as its next editor in chief today, according to company officials.

Since Alan's death in 1999 this publisher and former literary editor of The Times has edited two volumes of his diaries and, now, written his biography.

Today's panelists are WAMC's Alan Chartock, Publisher Emeritus of The Daily Freeman, Ira Fusfeld, and Associate Editor of The Times Union, Mike Spain.

Michele Flournoy, Senior Advisor, Boston Consulting Group; Former Under Secretary of Defense for Policy, US Department of Defense Banning Garrett, Director, Strategic Foresight Initiative, The Brent Scowcroft Center for International Security, Atlantic Council Stephen J. Hadley, Principal, RiceHadleyGates LLC Chuck Hagel, Chairman, Atlantic Council Mikael Hagstrom, Executive Vice President, Europe, Middle East, Africa, and Asia Pacific, SAS Annette Heuser, Executive Director, Bertelsmann Foundation Robert Hormats, Under Secretary of State for Economic Growth, Energy, and Environment, US Department of State David Ignatius, Associate Editor, Washington Post James L. Jones, former National Security Advisor to President Barack Obama Robert Kagan, Senior Fellow, Foreign Policy, Center on the United States and Europe, Brookings Institution Hisham Kassem, Founding Publisher, Al - Masry Al - youm Newspaper Frederick Kempe, President & CEO, Atlantic Council Christopher A. Kojm, Chairman, US National Intelligence Council Marne Levine, Vice President of Global Public Policy, Facebook George Lund, Chairman, Torch Hill Investment Group H.E. Ashok Kumar Mirpuri, Ambassador to the United States, Republic of Singapore Moises Naim, Senior Associate, International Economics Program, Carnegie Endowment for International Peace; Chief International Columnist, El Pais Barry Pavel, Director, The Brent Scowcroft Center for International Security, Atlantic Council Paul Saffo, Managing Director of Foresight, Discern Analytics; Senior Fellow, Strategic Foresight Initiative, The Brent Scowcroft Center for International Security, Atlantic Council Brent Scowcroft, former National Security Advisor to Presidents Gerald Ford and George H.W. Bush James Steinberg, Dean, Maxwell School of Citizenship and Public Affairs, Syracuse University Philip Stephens, Associate Editor, Financial Times Christopher Williams, President, Christopher A. Williams, LLC

Relevant to authorship are several issues: the initiation of the project («my idea»), innovative contributions («let's do it this way»), time in the lab («I did all of the work»), time spent writing («I wrote most of the article»), the tedium of the work, connections with the publisher («I know the journal editor»), seniority in the department, and specific needs, such as those in this case.

I'm so excited to announce that I'm finally re-releasing the cookbook and this time I have the help of an incredible editor and publisher!

Tune in tonight... genConnect expert Dr. Pat Allen is back on «The Millionaire Matchmaker» this time working alongside Patti Stanger to assist book publisher and editor Judith Regan find her fairy - tale lover.

The Post is a film that feels in constant motion, where the camera is often hurtling forward to catch up to the drama, which here takes the form of heated negotiations between Post publisher Katharine Graham and her editor Ben Bradlee around the ethics and efficacy of continuing to publish the Papers after the Times had raised the ire of the Nixon administration.

On June 13, 1971, Washington Post editor Ben Bradlee (Tom Hanks) and publisher Katharine Graham (Meryl Streep) are caught off guard when the New York Times starts publishing portions of the top - secret document, which Ellsberg had leaked to Times reporter Neil Sheehan (Justin Swain).

The New York Times initially published excerpts of the report against the government's wishes, but The Post focuses on the dilemma faced by Washington Post owner / publisher Kay Graham (Meryl Streep) and editor Ben Bradlee (Tom Hanks) over whether or not to follow the Times» lead, especially after the attorney general orders the newspaper to stop publishing its series.

The Post is a fawning account of Washington Post publisher Katharine «Kay» Graham (Meryl Streep) and editor Ben Bradlee (Tom Hanks) crying «Me, too» when the New York Times scoops them with the precedent - setting publication of the Pentagon Papers in 1971.

The Post: A thrilling drama about the unlikely partnership between The Washington Post's Katharine Graham (Meryl Streep), the first female publisher of a major American newspaper, and editor Ben Bradlee (Tom Hanks), as they race to catch up with The New York Times to print «The Pentagon Papers.»

«The Post» centers on the 1971 legal battle by the Washington Post and New York Times over the publication of the Pentagon Papers and stars Meryl Streep as WaPo publisher Katharine Graham and Tom Hanks as editor Ben Bradlee.

«Despite our sharing numerous indisputable facts with the reporter, several editors, and the publisher over many months, the [L.A.] Times moved forward with a biased and inaccurate series,» Disney added in a follow - up to its original statement.

This was not lost on Liz Hannah and Josh Singer as they recently discussed their script for The Post, which details publisher Katharine Graham's decision, with editor Ben Bradlee, to publish the Pentagon Papers in June 1971 after a federal judge had already impeded the efforts of The New York Times.

Bradley Whitford, Bruce Greenwood (as Robert McNamara), Alison Brie (Kay's daughter), Carrie Coon (reporter / editor Meg Greenfield), Sarah Paulson (as Bradlee's wife), Jesse Plemons (attorney Roger Clark), and Michael Stuhlbarg (as NY Times publisher Abe Rosenthal) all bring realism to their roles.

Although today EPE — the publisher of Education Week — is recognized as the premier source of news, information, and analysis on American precollegiate education, it grew out of a bold experiment by 15 editors of leading university alumni magazines to speak with one voice to their readers as higher education sought to respond to the deep national concerns of that time.

The cover artist, the publisher, the editor, and the famous and not - so - famous writers all volunteered time and work for the sake of helping other writers find their dream.

Now, with some understanding how things operate, it's easier talk to publishers, editors and successful authors in a time when the industry is changing so much.

Depending on what your publisher has planned for your book (which an editor often shares with you and your agent 6 months to a year before your book launches), and depending on your budget, a freelance publicist (who usually works on fewer books at any time than an in - house publicist) can supplement or enhance what your in - house publicist will be doing.

The book (which was a success of the author, publisher, editors etc) has been read millions of times, but the author, the publisher, the booksellers the distributors, translators, editors and everyone involved have to share the money of that single copy that you paid for.

I had an agent and wonderful editors, but the truth is that no one cares about your career as much as you, and if you're not selling at the top of your game, a publisher isn't going to expend a lot of time, effort, and money helping an author raise that game.

When I was an acquiring editor at a small publisher that did not take reprints time and again I'd get an author saying, «But my self - published book never sold, won't you take it?»

As far as publishing goes, the main thing, I think, self - publishers need to understand after all the other jazz about writing well and using the services of a professional editor, is that being a self - publisher means they've gone into business as publishers — even if just one time for their own book.

As a small publisher and editor, I spend the majority of my time helping upcoming, talented writers get published with ZERO compensation.

They may know the publisher and editor of the New York Times Book Review, but how many authors can get a New York Times book review other than the authors who are already successful?

He's been an author for 15 years, and in that time he's had two agents, four publishers, seven editors and 13 books.

The editor didn't change a word and though it typically takes most publishers a year to release a title, mine was out within about nine months (still a long time!).

A New York literary agent can spend more time with editors and publishers at major New York publishing houses (the people who buy most books).

Valiant Entertainment is the newest incarnation of a legendary comics publisher that was founded in 1989 by former Marvel editor - in - chief Jim Shooter, drew in fans with strong, character - driven stories, and then fell on hard times and ceased publication in the early 2000s.

I've heard first hand from an editor at international publisher, Hay House, who said that emerging authors really do need to show a strong presence and that they are willing to put in the time and effort into marketing.

It's that one time of the year when you get a chance to meet publishers and editors face - to - face, and to catch up with clients and colleagues.»

So, for me, having the option to use my time to write the best story I can and to let my editor and publisher coordinate and help with everything else that is required to produce a quality book is extremely appealing.

As for the gatekeeper, the acquisition editors and the agents, that model imploded a long time ago when the publishers basically outsourced the slush pile to the agents, thus turning them into freelance employees of the publisher and away from being the advocate for writers and their work.

In the time since your literary agent sold your novel or non-fiction book proposal to a book publisher and you signed your book contract, you and your editor have likely had some back - and - forth about the content.

Not only must a good editor read the manuscript several times, one must also recommend changes should they be required, The work is not only viewed from a publisher's perspective but from the reader's - and that is the key to selling your book.

Ruth is a million - copy New York Times bestselling author, Romantic Times award winner, former Big 5 editor, publisher, and news junkie.

This should go without saying, but I've seen this happen too many times: editors and publishers ask contributors to review an anthology or boxed set that includes their work.

Whether you're indie publishing or going after an agent or publisher for the first time (or the umpteenth time), a skillful and supportive editor can be a real godsend for your tender, creative psyche, and for your results!

Since I have been through the process (fire) of publishing a book, I want to reach out to writers working on a manuscript, and encourage them to push through the writers block, accept the enormous amount of time it will take you to work with an editor to make your manuscript the best it can be, and the gigantic amount of time it will take you to research, submit and wait to hear, if you ever do, from the publishers, small presses, and literary agents who received your submission.

From a long - time editor of a weekly Japanese magazine to a brand new shoujo and josei publisher, a few industry members took time to explain how fans can support the industry and help it continue to grow.

Editor reads the book, goes and pitches it to Publisher and Sales Force, gets to buy it after some time.