Sentences with phrase «times music critic»

The New York Times music critic Jon Pareles placed Metals, her fourth studio album, at the top of his Best of 2011 list for its «subtly sophisticated... songs of heartache, solitude and eventual solace.»

Drawing on previously unpublished interviews with Cash as well as previously unseen materials from the singer's inner circle, former L.A. Times music critic Robert Hilburn gives us the definitive biography of the Man in Black in Johnny Cash: The Life.

LA Times music critic Todd Martens has posted a useful series of short interviews with the men behind some of the year's most distinctive film scores.

The statement is especially disappointing because in a recent interview with Times music critic Mikael Wood, the multi-talented Timberlake was playful and spontaneous.

Moderator Douglas Wolk from Techland.com, a long time music critic, is concerned that the comics industry will fall into the self - destructive pattern that the music industry pursued, spending enormous sums of money to try to get the digital genie back in the bottle, without doing much of anything to slow file - trading down and instead alienating many of its most ardent fans.

Not exact matches

Nonetheless, music, as literary and cultural critic George Steiner insists, «is brimful of meanings which will not translate into logical structures or verbal expression... Music is at once cerebral in the highest degree — I repeat that the energies and form - relations in the playing of a quartet, in the interactions of voice and instrument are among the most complex events known to man — and it is at the same time somatic, carnal and a searching out of resonances in our bodies at levels deeper than will or consciousness.&rmusic, as literary and cultural critic George Steiner insists, «is brimful of meanings which will not translate into logical structures or verbal expression... Music is at once cerebral in the highest degree — I repeat that the energies and form - relations in the playing of a quartet, in the interactions of voice and instrument are among the most complex events known to man — and it is at the same time somatic, carnal and a searching out of resonances in our bodies at levels deeper than will or consciousness.&rMusic is at once cerebral in the highest degree — I repeat that the energies and form - relations in the playing of a quartet, in the interactions of voice and instrument are among the most complex events known to man — and it is at the same time somatic, carnal and a searching out of resonances in our bodies at levels deeper than will or consciousness.»

2006 Time Out New York Best Documentary The Radio Times Best Documentary 2007 Rose d'Or Festival, Best of 2007 and Best Arts Documentary (Switzerland) Los Angeles Film, Festival Best International Feature (USA) 2008 Atlanta Film Festival, Audience Award (USA) Bergen International Film Festival, Audience Award (Norway) Warsaw International Film Festival Best Documentary (Poland) Paris Cinema International Film Festival, Jury Prize and Audience Award (France) Nashville Independent Film Festival Impact of Music Award (USA) Sydney Film Festival, Audience Award for Best Documentary (Australia) Los Angeles Film Festival, Humanitas Award for Best Documentary (USA) Ghent Film Festival, Audience Award (Belgium) The International Documentary Awards, Alan Ett Best Music Award (USA) The Festival D'Automne, Audience Award (France) Les Rencontres Cinématographiques de Dijon, Audience Award (France) 2009 Christopher Awards, Christopher Award for Film (USA) The Keswick Film Festival, Audience Award (England) DVD Critics, Best Non-Fiction Title (USA) AG Kino - Gilde German Art House Cinemas, Best Documentary (Germany)

A native of Catalan who relocated to Los Angeles at 18, Collet - Serra had a precocious rise through the commercial and music video directing ranks that caught the attention of producer Joel Silver, leading to his first feature gig on 2005's House of Wax, which this dewy young critic at the time described as «an adroitly shot inventory of perversities, bustling with inventive murder and anchored by Brian Edmonds's great, creepy sets.»

Very Good (3 stars) Unrated In Spanish with subtitles Running time: 97 minutes Distributor: Music Box Films DVD Extras: Commentary by co-stars Alfredo Castro and Antonia Zegers; interviews with Antonia Zegers and director Pablo Larrain; Berlinale press conference excerpt; and a collector's booklet featuring cast and crews interviews and an essay by film critic Jessica Kiang.

Music critic Will Hermes says each track on the record is elevated by Smith's voice into something magnificent, that feels vintage, and at the same time, brand new.

March 30, 2015 • NPR music critic Will Hermes reviews an album that contains the best storytelling he's heard in a long time.

«The Greatest Showman» No one has reportedly seen Hugh Jackman's P.T. Barnum musical yet, and while songs from the film (and signed sheet music) were sent to Broadcast Film Critics Association members, the movie has not arrived yet and may not in time for the nomination deadline.

Arguing against critics of the EBacc which have claimed careers in the arts have become «the preserve of the privileged», Gibb maintained the government would continue to fund over 500 full - time places through the Music and Dance Scheme.

At a time of #metoo fearlessness, a collection of female critics interrogate their own fandom for music's most celebrated sexists

The New York Times» literary critic Charles Poore, in a 1952 review of Music for Mohini, wrote about Bhattacharya's protagonist Mohini: «We'll all be lucky if we meet a more appealing heroine this year.»

2007 Brooks, Amra, «Our Favorite Shows and Artifacts» LA Weekly, December 26, 2007 Brooks, Amra, Must See Art, LA Weekly, December 12, 2007 Bedford, Christopher, Critic's Picks, Artforum.com, 2007 Banai, Nuit «Introducing», Modern Painters December 2007 Huberman, Anthony, «I Heart Information», Afterall, Autumn / Winter 2007 Nickas, Bob, «Steven Parrino», Artforum, September 2007 Smith, Roberta, «In These Shows, the Material is the Message», The New York Times, August 10, 2007 Coburn, Tyler, «'' Build it High: Laying Bricks», Art Review, July and August 2007 Persman, Joanna, «In the Borderland Between Abstraction and Figuration», Svenska Dagbladet, June 2, 2007 Landes, Jennifer, «A Show With Chutzpah», The East Hampton Star, May 2007 Beasley, Mark, «Music is a Better Noise», Frieze, April 2007 Klein, Jennie, «Bunch Alliance and Dissolve», Art Papers, March / April 2007 Saltz, Jerry, «Non-Specific Objects» Modern Painters, March 2007 «Viva», Modern Painters, March 2007

Pratt alumna Alison Knowles (B.F.A. Illustration» 56); and art influencers Karen Brooks Hopkins, president of the Brooklyn Academy of Music; and Holland Cotter, co-chief art critic and a senior writer at The New York Times; will also be honored.

Organized by Josh Kun, music critic, MacArthur fellow, American Book Award winner, and USC professor, and presented as part of Pacific Standard Time: LA / LA.

In addition to Fairey, four other individuals will be honored, including artists Alison Knowles (B.F.A. Illustration» 56) and James Turrell; and art influencers Karen Brooks Hopkins, president of the Brooklyn Academy of Music; and Holland Cotter, co-chief art critic and a senior writer at The New York Times.

With the new Bing Concert Hall opening on the Stanford campus in a couple of months, Connie Wolf, the new director of Stanford's Cantor Arts Center, thought it would be cool to present a music - filled work of art: Christian Marclay's «Video Quartet,» a four - screen work that splices and juxtaposes sonic moments of all kinds from hundreds of movies - people tap dancing and singing arias, explosions and door knocks, Kirk Douglas in «Young Man With a Horn» and Jimi Hendrix in concert - in a 14 - minute video that floored New York Times critic Roberta Smith when she saw it in 2003.

ARTISTS: Tony Conrad, Jutta Koether, and John Miller (sometimes featuring Greg Parma Smith) SOUND: Distorted, at times minimal instrumental music fusing Conrad's violin with Koether's Euro - inflected synths and Miller's looping guitar WHAT THEY DO: A real thinking man's art supergroup, XXX Macarena unites three artistic visionaries who each come from a different corner of the art world — Conrad is a legend in avant - garde video and sound art (he made the landmark, epilepsy - inducing film The Flicker in 1966), Koether is a hypercerebral painter, and Miller is a multitalented artist and critic who teaches at Columbia.

Even his Cape Farewell expedition, for which he did relatively little publicity at the time, caused one music critic to refer to him as the «Indie Sting».

About Blog He is a former television critic of The Times, and since 2010 he has been music and opera critic of The Independent.