Sentences with phrase «tohoscope anamorphic lenses»

One stylized montage, unexpectedly set to a surging symphonic work by Beethoven, uses anamorphic lens effects to distort and flatten out the sun - drenched streetscape behind its subject's head.

Much of the attention for the movie has centered on its preposterously low shooting budget and camera, an iPhone 5s with a $ 7.99 high - def app, a Steadicam rig, and the odd anamorphic lens.

Shot entirely on an iPhone (though you wouldn't necessarily guess that by looking at it, as director Sean Baker outfitted his phone with an anamorphic lens adapter), this gleefully hyperactive Sundance favorite observes the odyssey of two transgender sex workers — played by actual transgender actors, refreshingly — who are angrily looking for a cheating pimp.

The movie's Mac Store whites gleam in high - definition, while the royal blue of Barry's suit — seemingly matched to the shade of anamorphic lens flares, which are prevalent — is bright and dimensional.

With cinematographer Jakob Ihre, Trier decided to use anamorphic lenses instead of the more naturalistic spherical lenses of his earlier films.

THE BLU - RAY DISC by Bill Chambers Shot in «scope on 35 mm, Priest arrives (unrated) on Blu - ray from Sony in an ultra-fine-grain 2.40:1, 1080p transfer, the tack sharpness of which demonstrates just how much anamorphic lenses have improved in recent years.

Fine detail is tempered by the use of Panavision anamorphic lenses, enhancing the cinematic quality of a notably grain - free — and thankfully noise - free — image.

Paul designed the new look for Pinhead and was production designer on the shoot and Le Han pulled in all of his film resources and directed the teaser on the new Alex 4:3 camera with anamorphic lenses.

«The Hateful Eight»: The race is partly a large - format wilderness shootout because three - time Oscar winner Robert Richardson literally stumbled upon Ultra Panavision 70 anamorphic lenses that hadn't been used in 50 years.

«Contempt,» a satirical drama starring Brigitte Bardot and Jack Palance, was released in 1963 and is regarded as one of the finest films ever made in CinemaScope, an anamorphic lens used from 1953 to 1967.

Shot on iPhones affixed with anamorphic lenses, Tangerine follows a breathless day in the lives of two transgender prostitutes as they race around downtown Los Angeles in order to get to the bottom of a bizarre love triangle.

Panavision reconfigured and applied new coatings for focus pulling, made a 2,000 - foot magazine to accommodate his penchant for long takes and provided anamorphic lenses for 70 mm projectors.

We used these anamorphic lenses, they're quite old and they have these aberrations.

and the COPIOUS amounts of unmotivated anamorphic lens flairs...

With anamorphic lenses, everything is overwhelming, so powerful, because there's so much space around the character.

We just had three anamorphic lenses and we mostly shot with the one that is equivalent to the 40 in 35 mm.

Best - case scenario: Shot using anamorphic lenses that haven't been used since the»60s and with an original score by Ennio Morricone, The Hateful Eight could see Tarantino surpass his usual exploitation influences and make an old - fashioned Western epic worthy of Sergio Leone.

In order to quickly transition to widescreen production, the studio hired Japanese directors and cinematographers, and used Japanese anamorphic lenses to enhance production values by embracing colour and widescreen.

Bordwell points out that the Japanese influence is only one factor in the style of the films, so although they were often shot with the same Tohoscope anamorphic lenses that Akira Kurosawa was using in Japan, Shawscope films don't look exactly the same as their Japanese counterparts.

The 2.35:1, 1080p image contains a lot of soft focus, but this is due to both the diffusion the filmmakers favour and the anamorphic lenses that were available to them at the time.

John Gibbs and Douglas Pye's chapter is also interested in widescreen stylistics as they examine the contrasting styles of Otto Preminger's CinemaScope film River of No Return (1954) and Sam Peckinpah's Junior Bonner (1972), shot in Todd - AO 35 (a Panavision - like format based on Japanese anamorphic lenses).

Practically a Star Wars prequel in its use of digitally - generated environments, and shot in a mix of Super35 — sometimes with anamorphic lenses, for the focal distortions — and HD (the ARRI Alexa was reserved for low - light and greenscreen - heavy shots) by Argo DP Rodrigo Prieto, The Wolf of Wall Street nonetheless boasts a cohesive, credible, and cinematic Blu - ray presentation with glassy detail and supple dynamic range.

This is a true «scope title, thus a certain softness is to be expected, while the use of anamorphic lenses is a likelier culprit for the limited grain than DVNR.

Much has been made of the fact that Baker shot his film on three iPhone 5s, using a clip on anamorphic lens — an impressive feat considering how gorgeous the final product is.

Annihilation was photographed digitally in the Sony X-OCN, Sony F65 RAW, and Redcode RAW codecs (at 4K and 6K resolutions) using Sony CineAtla and Red Weapon Dragon cameras with Panavision anamorphic lenses.

The image is sharp enough that you can clearly see where it goes soft towards the outer edges of the anamorphic lenses, as well as make out some rack - focus effects that were lost in the video murk on DVD.

That said, it's a bizarre choice for Tarantino to set his story so minimally and confined when he's decided to shoot the film on 70 mm with Panavision anamorphic lenses and a wide aspect ratio that's normally suited to grand, outdoor filmmaking.

The Dark Crystal was shot on 35 mm photochemical film using Panavision cameras and anamorphic lenses.

Due to the use of an anamorphic lens, the projection is strikingly horizontal, thereby emphasizing the reference to historical landscape painting.

Anamorphic lenses capture such a wide field of view, they have to squeeze the image down so that it can fit on a standard - sized sensor (or film strip).

Moment won't have the first anamorphic lens adapter to market — Moondog Labs had one years ago, which was used to shoot Tangerine on an iPhone 5S — but this is the first time Moment has offered one.

Many projector manufacturers offer 2.35:1 (anamorphic) viewing options that provide expensive add - on anamorphic lenses with motorized «lens sleds» that truck the anamorphic lenses into position for 2.35:1 (Cinemascope) viewing, then pull the lenses out of...

Not exact matches

So decided to go off my memories of those films instead and as much as I love them, instead of deliberately quoting them I'd try to go by my childhood impressions of what I'd loved about them, the anamorphic framing, the lens flares, the dolly shots on faces, the way they mixed awe and moments of danger or heartbreak.

Baker's crew shot the entire 2015 film using three iPhone 5S devices, with additional photography from an anamorphic clip - on lens, an app, and Steadicam Smoothee Mounts.

THE DVD Fox releases Dying Young on DVD in a vanilla 1.85:1 anamorphic widescreen presentation long on Schumacher's over-saturated colours and short on subtlety, which is, of course, not the transfer's fault; its softness — that impression that the lens has been smeared with Vaseline, «Glamor Shots» - style — is something you can't really win by being faithful to.

«My philosophy with shooting digital is to break down the image in some fashion or other, and older generation anamorphics like our Panavision C - and E-series lenses [courtesy of Panavision Woodland Hills] really help with that.

Suffice it to say the transfer is intermittently noisy and generally looks like it's been subjected to a light cocktail of grain - filtering and edge - enhancement, though the anamorphic cinematography is naturally soft, with lens aberrations at times throwing the upper third of the image out of focus entirely.

Beasts, which stars Idris Elba and newcomer Abraham Attah, was shot in Ghana in 35 days on Panavised ARRI Alexa cameras with anamorphic C - series lenses — older lenses that gave the film its 1970s patina.

For his 2012 movie «Starlet,» Mr. Baker used a Sony digital camera with anamorphic wide - screen lenses that created a»70s - style, sun - bleached California look.

Like Moment's prior lenses, the anamorphic is designed to go on top of the existing camera lens on your iPhone, Pixel, or Galaxy, altering the field of view it's able to see.

The product launch is headlined by a single new lens: a $ 149 anamorphic, which allows filmmakers to capture extra-wide images with long, streaking lens flares, providing a look frequently used in blockbuster movies.