Sentences with phrase &laquo;touch of sin&raquo;

A Touch of Sin (Jia Zhangke)

Tsai Ming - liang's Stray Dogs Hong Sangsoo's Our Sunhi Ben Russell and Ben Rivers's A Spell to Ward Off the Darkness Mark Peranson and Raya Martin's La última película Jia Zhangke's A Touch of Sin Miguel Gomes's Redemption João Pedro Rodrigues's The King's Body Johnnie To's Blind Detective I'll update this post in a couple of days when Part Two goes live.

Tags: A Field in England, A Touch of Sin, Blu Tuesday, Grudge Match, new Blu - rays, Paranormal Activity: The Marked Ones, The Hobbit: The Desolation of Smaug

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A Touch of Sin (China) Blue is the Warmest Color (France) Gloria (Chile) The Great Beauty (Italy) The Hunt (Denmark)

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The strongest category in my opinion goes to the Best International Film category that is comprised of; A Touch Of Sin, Blue Is The Warmest Color, Gloria, The Great Beauty, and The Hunt, all of which are amazing films.

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My 16 favorites, in alphabetical order: «American Hustle» (David O. Russell), «Before Midnight» (Richard Linklater), «Behind the Candelabra» (Steven Soderbergh), «Captain Phillips» (Paul Greengrass), «The Counselor» (Ridley Scott), «The Grandmaster» (Wong Kar - wai), «The Great Beauty» (Paolo Sorrentino), «Her» (Spike Jonze), «Inside Llewyn Davis» (Joel and Ethan Coen), «MANAKAMANA» (Stephanie Spray and Pacho Velez), «Redemption» (Miguel Gomes), «Rush» (Ron Howard), «Spring Breakers» (Harmony Korine), «The Square» (Jehane Noujaim), «A Touch of Sin» (Jia Zhang - ke), «12 Years a Slave» (Steve McQueen).

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«A Touch of Sin» Jia Zhangke's angry, meticulous collection of violent vignettes paints a somber picture of modern China as a place of inequality, greed and indifference.

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A Touch of Sin by Hope Madden A handful of befuddled but beautifully realized characters fall through the tears in... read more →

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If I had to pick the world's best active filmmaker under 50, I might choose the guy who made A Touch of Sin.

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Even if it's unlikely that Martin Scorsese — a big Jia fan — actually lifted the coda for The Wolf of Wall Street from A Touch of Sin's final scene, the two sequences are similar enough that they suggest an epic double bill: two morbid millennial visions with moments so hopeless that you're not sure whether to laugh or gag.

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Chinese - Indian action comedy written and directed by and starring Baoqiang Wang (A Touch of Sin) in his directorial debut.

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Zhangke Jia)-- North American Premiere The new film from Mainland master Jia Zhang - ke (A Touch of Sin) jumps from the recent past to the speculative near - future as it examines how China's economic boom has affected the bonds of family, tradition, and love.

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In some ways, then, A Touch of Sin feels like the film many may have expected to follow something like The World.

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From the opening moments of Jia Zhang - ke's A Touch of Sin, something strange is afoot — and not just the unexpected flourish of violence which punctuates the first scene.

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If Jia Zhang - ke's A Touch of Sin and Claire Denis's Bastards represented the best of the films with violence and crime on their minds, Nicolas Winding Refn's overwrought and pretentious Only God Forgives represented the nadir.

A TOUCH OF SIN By Tony Rayns The New China's loss of social cohesion leads to violence in the four authentically grim tales that comprise Jia Zhang - ke's new film

BEST INTERNATIONAL FILM A Touch of Sin [IMDb] Blue is the Warmest Color [IMDb] Gloria [IMDb] The Great Beauty [IMDb] The Hunt [IMDb]

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He will win in 2004 for The World and 2013 for A Touch of Sin.

Jia Zhang - ke's A TOUCH OF SIN 6.

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The Palme D'Or: Blue is the Warmest Colour (a.k.a. La Vie d'Adele — Chapitre 1 & 2) by Abdellatif Kechiche (France) The Grand Prix: Inside Llewyn Davis by Ethan and Joel Coen (U.S.) The Jury Prize: Like Father, Like Son (a.k.a. Soshite Chichi Ni Naru) by Kore - Eda Hirokazu (Japan) Best Director: Amat Escalante (Mexico) for Heli Best Screenplay: A Touch of Sin (a.k.a. Tian Zhu Ding) by Jia Zhangke (China) Best Actor: Bruce Dern in Nebraska Best Actress: Bérénice Bejo in The Past (a.k.a. Le Passé) The Camera D'Or (for first feature): Ilo Ilo by Anthony Chen (Singapore)

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Here's the full list of 142 films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!

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A Touch of Sin by Hope Madden A handful of befuddled but beautifully realized characters fall through the tears in the cultural fabric of a too - rapidly modernizing China in Zhangke... read more →

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PICTURE Inside Llewyn Davis (runner up: American Hustle) DIRECTOR Joel and Ethan Coen Inside Llewyn Davis (runner up: Alfonso Cuaron) ACTRESS Cate Blanchett, Blue Jasmine (runner up: Adéle Exarchopoulus) ACTOR Oscar Isaac, Inside Llewyn Davis (runner up: Chiwetel Ejiofor) SUPPORTING ACTRESS Jennifer Lawrence, American Hustle (runner up: Lupita Nyong «o) SUPPORTING ACTOR James Franco, Spring Breakers (runner up: Jared Leto) FOREIGN FILM Blue is the Warmest Color (runner up: A Touch of Sin) NON-FICTION [tie] The Act of Killing & At Berkeley) EXPERIMENTAL FILM Leviathan

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A Touch of Sin is the latest from China's Jia Zhang - ke, who is considered one of the finest filmmakers working today.

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Though I would have preferred to have been more updated on the directorial catalogue of Jia Zhang - ke before watching his latest, A Touch of Sin still works as an accessible and angry treatise on violence in modern China.

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Our reaction: «The final chapter stumbles but this is two - thirds of a masterpiece from A Touch of Sin director Jia Zhang - ke, and is powered by a remarkable performance from the great Zhao Tao.»

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Kino Lorber has released A Touch of Sin on Blu - ray, which I believe is the first of Jia's movies to be available in the high - def format here in the U.S. (all of his films are worth looking into).

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Some may find the commentary as too on - the - nose, but A Touch of Sin works as it masterfully mixes simple genre elements with intoxicating vengeance.

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On the surface A Touch of Sin seems very different from Jia's larger - scale films Platform or The World, or his more intimate films Unknown Pleasures and Still Life.

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BEST FOREIGN - LANGUAGE FILM «A Touch of Sin» (Films We Like) Runners - up «Blue Is the Warmest Color» (Mongrel Media) «The Hunt» (Mongrel Media)

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A Castle in Italy Dir: Valeria Bruni - Tedeschi Inside Llewyn Davis Dir: Ethan and Joel Coen Michael Kohlhaas Dir: Arnaud Despallieres Jimmy P Dir: Arnaud Desplechin The Past Dir: Asghar Farhadi Heli Dir: Amat Escalante The Immigrant Dir: James Gray Grigris Dir: Mahamat - Saleh Haroun A Touch of Sin Dir: Jia Zhangke Like Father, Like Son Dir: Hirokazu Kore - eda

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In Chinese filmmaker Jia Zhangke's 2013 A Touch of Sin, we see four stories based on specific incidents.

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«A Touch of Sin,» «Blue is the Warmest Color,» «Gloria,» «The Great Beauty» and «The Hunt» earned nominations for top international film.

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Mountains May Depart (Shan He Gu Ren) Jia Zhang - ke, China / France / Japan, North American Premiere The new film from master filmmaker Jia Zhang - ke (A Touch of Sin) jumps from the recent past to the speculative near - future as it examines how China's economic boom has affected the bonds of family, tradition, and love.

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Alexander Payne's Nebraska, Joel and Ethan Coen's Inside Llewyn Davis, and Jia Zhang - ke's A Touch of Sin were three Competition highlights.

Critics Consensus: Its screenplay isn't as graceful as the choreography of its action sequences, but A Touch of Sin offers enough stylishly satisfying violence to muscle past its rough spots.

The wuxia killings elevate A Touch of Sin into the territory of great revenge pictures, even as its ideology proves less than discernible.

Critic Consensus: Its screenplay isn't as graceful as the choreography of its action sequences, but A Touch of Sin offers enough stylishly satisfying violence to muscle past its rough spots.

Jia Zhangke's brilliantly observed A Touch of Sin paints a bleak and violent picture of a contemporary China in which corruption is endemic.

«A Touch of Sin».

Set in four provinces, A Touch of Sin is humanist critique of the country's turn to capitalism.

Although [director Jia Zhangke] makes a great deal in interviews of how the four stories are drawn from reported cases in recent years across the nation... A Touch of Sin plays contrary to a torn - from - the - headlines dramatization.

I can't see him going for A Touch of Sin.

AT: Jia Zhang - ke's A Touch of Sin, Arnaud Desplechin's Jimmy P., Alain Guiraudie's Stranger by the Lake, and, today, Hany Abu - Assad's Omar — and Claude Lanzmann's The Last of the Unjust.