Rick Lowe -
Toward Social Sculpture will be on view at the Glassell School of Art, 5101 Montrose Blvd.. The school is open 9 a.m. - 10 p.m. Monday - Thursday and 9 a.m. - 5 p.m. Friday - Sunday.
Not exact matches
Simone Leigh's
sculpture, as well as her recent
social practice — related work, such as The Free People's Medical Clinic (2014) and The Waiting Room (2016), locates experiential activities geared
toward communities of color within museums and art galleries, which are sometimes viewed as elitist by the general public.
Reveling in the suburban panic punctuated by an hysterical self - help culture, compulsion
toward decoration, and docudramatic tragedy, Josh Faught's current work uses elements of textiles, collage,
sculpture, and painting to triangulate between a space that negotiates the history of textiles, a
social / political history, and personal history.
In his forthcoming essay on Mario Merz's Igloo (1971), Matt Jolly explicates the political vicissitudes of the Arte Povera artist's porous, hemispherical structure that hovers somewhere between
sculpture and habitable architecture within the white cube, pointing
toward more strident forms of institutional critique following the
social upheaval of the late 1960s.
«With an eye
toward the Beuysian trope of
social sculpture that aims to shrink the intellectual and entertainment - value distance between art and everyday life and another eye on science, Strachan strives to make works that bridge gaps in the imagination and in effect allow us to see things we don't often see, to make the invisible visible.