Sentences with phrase «turbine hall exhibition»

The Tate Modern is always worth a visit, though that its current Turbine Hall exhibition is One Two Three Swing from Superflex made it a necessary visit.

Once again I draw comparison to the Turbine Hall exhibitions.

Not exact matches

Solo exhibitions of her work have been held at Museo Tamayo (2016); Espace Louis Vuitton Munich (2016); Statens Museum for Kunst, Copenhagen, Denmark (2014); The Fabric Workshop and Museum, Philadelphia (2013); Australian Centre for Contemporary Art, Melbourne (2013); the Botín Foundation, Santander (2013); the New Museum, New York (2012); the Turbine Hall, Tate Modern, London (2011) and the Museum Moderner Kunst Stiftung Ludwig, Vienna (2011), among others.

It comprises a major exhibition at the Whitechapel Gallery surveying five decades of his career, a large - scale sculptural commission in Tate Modern's Turbine Hall and a new publication.

Alongside this exhibition, Tate Modern presents a newly commissioned sculpture in its iconic Turbine Hall from 14 October 2014 to 6 April 2015.

To accompany the retrospective, «For the Love of God» (2007)-- a platinum cast of a human skull set with 8,601 flawless pavé - set diamonds — is on exhibition in the Tate Modern's monumental turbine hall.

Commissioned by TBA21 — Academy and presented in Tate Modern's Turbine Hall as part of a survey exhibition dedicated to the artist's work, the multi-layered performance is Jonas» poetic response to the threatened marine cultures, endangered habitats, and rampant exploitation of our seas.

With an exhibition area of 1,800 sq metres, the Tanks are more than half as big as the not - small Turbine Hall, and exceed the display space of entire regional galleries, such as the Turner Contemporary in Margate.

On the occasion of the exhibition, HangarBicocca is showing his most important work, Double Bind, which was made in 2001 for the Turbine Hall at Tate Modern in London and never exhibited to the public afterwards.

Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).

While a Briton occupies the major exhibition spaces, it is a London - born, German - raised artist, Tino Sehgal, who will make Tate Modern's 13th Turbine Hall installation.

In 2000 she was given the honor of staging the inaugural exhibition in the Tate Modern's Turbine Hall, it was here she memorably showed Maman, a colossal steel arachnid.

NSK Folk Art is part of a London wide presentation in cooperation with Tate, who will be hosting a Symposium and which will also include a music performance at Tate Modern's Turbine Hall, an exhibition of archival material at Chelsea Space (Chelsea College of Art) and a seminar at UCL.

Among her recent solo exhibitions are projects for The Turbine Hall, Tate Modern, London (2008); MUSAC Museo de Arte Contemporáneo de Castilla y Léon (2008); Musée d'Art Moderne de la Ville de Paris / ARC, Paris (2007); Kunsthalle Zürich, Zurich (2004); and Centre Georges Pompidou, Paris (2002).

Richard Tuttle's limited edition The End, was produced by Whitechapel Gallery in collaboration with Tate Modern in 2014 to accompany his major Whitechapel Gallery exhibition, surveying five decades of his career and his concurrent 2014 large - scale sculptural commission in Tate Modern's Turbine Hall.

Selected solo exhibitions of Anish Kapoor include: «Objects», Seoul: Leeum, Samsung Museum of Art (2012); «Anish Kapoor: Flashback», Manchester Art Gallery, Manchester (2011); «Monumenta», Grand Palais, Paris (2011); «Anish Kapoor», Fabbrica del Vapore, Milan (2011); «Anish Kapoor: Delhi / Mumbai», National Gallery of Modern Art (NGMA), New Delhi and Mehboob Studios, Mumbai (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor», Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao (2010); «Anish Kapoor», Middlesbrough Institute of Modern Art, MIMA, Middlesbrough (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor: Shooting into the Corner», MAK Museum, Vienna (2010); «Drawings», Regen Projects, Los Angeles (2009); «Memory» Guggenheim, New York (2009); «Place / No Place: Anish Kapoor in Architecture», Royal Institute of British Architects, London (2008); «Anish Kapoor», Haus der Kunst, Munich (2007); «Anish Kapoor, Sky Mirror» Rockefeller Centre, New York (2006); «Anish Kapoor Japanese Mirrors», Scai The Bathhouse, Tokyo (2005); «My Red Homeland», KUB, Kunsthaus Bregenz (2003); «Marsyas», Turbine Hall, Tate Modern, London (2002 - 03); Tel Aviv Museum of Art, Tel Aviv (1993); Mala Galerija, Moderna Galerija Ljubljana, Museum of Modern Art, Slovenia (1994); «Anish Kapoor, XLIV Biennale di Venezia», British Pavilion, Venice (1990).

Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois: Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation in the Turbine Hall, Tate Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and Unconscious, Qatar Museums Authority, QMA Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets, Scottish National Gallery of Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).

He has organised several exhibitions there, including retrospectives of Sigmar Polke, Francis Alys, Richard Hamilton, and Abraham Cruzvillegas's Turbine Hall commission.

At the same time as his cavernous industrial container eats up the light in Tate Modern's Turbine Hall, Modern Art Oxford is staging Topography, an exhibition of his lesser - known video art.

Other curatorial highlights include En Mas»: Carnival and Performance Art of the Caribbean, an Emily Hall Tremaine Exhibition Award - winning traveling curatorial platform (2014 — present); Up Hill Down Hall, a BMW Tate Live commission in Tate Modern's Turbine Hall (2014); and Tide by Side, the opening ceremony of Faena Art's Miami Beach district (2016).

Prior to working at the Whitney, De Salvo served for five years as a Senior Curator at Tate Modern, London, where she curated such exhibitions as Open Systems: Rethinking Art c. 1970 (2005); Marsyas (Anish Kapoor's 2003 work commissioned by Tate Modern for its Turbine Hall); and Century City: Art and Culture in the Modern Metropolis (2001).

The French artist's Turbine Hall commission continues his interest in the exhibition as a living organism

Dean's art has been regularly shown in the UK over the years — she occupied Tate Modern's Turbine Hall in 2011, and that same year had a glorious little exhibition at the Common Guild in Glasgow, among many others.

At Tate Modern, the opening of the Tanks in the summer, the Damien Hirst exhibition which attracted 463,000 visitors, and Tino Sehgal 2012 in the Turbine Hall, all part of the London Festival 2012, the culmination of the Cultural Olympiad, contributed to this success along with other exhibitions such as Edvard Munch

Before joining the Met, she was Chief Curator of Tate Modern, London, responsible for the exhibitions program, Turbine Hall commissions, and contributing to the conceptual framework of Collection displays.

In 2000, following a decade of international exhibitions and awards, the Tate Gallery of Modern Art commissioned Bourgeois for the inaugural installation of the museum's new location at the Turbine Hall of the Bankside Power Station.

Before joining the Met, he was Curator of International Modern Art at Tate Modern in London, where he worked on major exhibitions including: Duchamp, Man Ray, Picabia (2008); Cy Twombly: Cycles and Seasons (2008); Pop Life: Art in a Material World (2009); Tacita Dean: FILM, the twelfth Unilever commission for the Turbine Hall (2011); and Edvard Munch: The Modern Eye (2012).

Significant international exhibitions include The Blind Pavilion, Danish Pavilion, Venice Biennale (2003); The Weather Project, Turbine Hall, Tate Modern, London (2003); Take Your Time: Olafur Eliasson, San Francisco Museum of Modern Art (2007); Olafur Eliasson: Contact, Fondation Louis Vuitton, Paris (2014); and Nothingness Is Not Nothing At All, Long Museum, Shanghai (2016).

She has held solo exhibitions at a number of major international museums and institutions, including the Turbine Hall, Tate Modern and Tate Britain (London), New Museum (New York), Schaulager (Basel), Solomon R. Guggenheim Museum (New York), Fundação de Serralves (Porto), MACBA Museu d'Art Contemporani de Barcelona (Barcelona), Fondazione Nicola Trussardi (Milan), Fondazione Sandretto Re Rebaudengo (Turin) and Witte de With (Rotterdam).

At Tate Modern, don't miss the unveiling of French artist Philippe Parreno's Hyundai Commission in the Turbine Hall, a multimedia artist whose exhibitions — or «choreographed spaces» in his words — erase the line between reality and fiction.

Another reason I decided to highlight Sky's irresponsible advertising is because it contrasts so sharply with a conversation I had with the artist Tino Sehgal on Monday night at the opening of his These Associations exhibition in Tate Modern's cathedral - like turbine hall.

What would Superflex, the Danish art collective, do to fill the gigantic Turbine Hall, the former power station that is now a arena - sized exhibition venue at Tate Modern?

Monstrously imposing when one is on its level, the spider looks almost dainty when viewed from three levels above, through the transparent wall that divides the exhibition spaces from the Turbine Hall.

Many museum - goers first became aware of Höller's work on the occasion of his 2007 exhibition at the Tate Modern in London, where several of the Belgian - born artist's slides were installed in the cavernous Turbine Hall as part of the museum's annual Unilever Series (watch videos of a ride down one of the slides here).

Eliasson is behind many major exhibitions and projects around the world, such as «The Weather Project» at Tate Modern's Turbine Hall in 2003, «Take Your Time: Olafur Eliasson» organized by SFMOMA in 2007, which travelled until 2010 to major venues such the Museum of Modern Art, New York, and «Riverbed» at Louisiana Museum of Modern Art, Denmark in 2014.

Abraham Cruzvilllegas at Tate Modern Turbine Hall The Turbine Hall is an excellent exhibition space but observant visitors of late will have noticed it has lain fallow since Richard Tuttle's large, yet underwhelming, piece was taken down in April.

Solo exhibitions of his work have been held around the world, most recently in Tate Modern's Turbine Hall and dOCUMENTA 13 Art Festival, Kassel, Germany in 2012.

But it seems vaguely disgraceful and unquestionably absurd that such a minor artist has such a big Tate exhibit when Richard Serra, who really could fill the Tate Turbine Hall authoritatively, and has created masterworks of imposing weight and scale in comparable public spaces in America and Europe, is kept waiting in the wings with yet another exhibition at the commercial Gagosian gallery.

Oliafur Eliasson, the Danish - Icelander whose Weather Project made the sun rise in Tate Modern's Turbine Hall in a haze of shimmering vapour, feels just the artist to complement an exhibition of Turner's late paintings.

On the occasion of the exhibition, Hangar Bicocca is showing his most important work, «Double Bind», which was made in 2001 for the Turbine Hall at Tate Modern in London and never exhibited to the public afterwards.

She has had many solo exhibitions, including Witte de With Centre for Contemporary Art, Rotterdam (1997); ICA, Philadelphia, with US tour (1998); Museum für Gegenwartskunst, Basel (2000), MACBA, Barcelona (2001) and has recently been commissioned by Tate Modern to create the next installation in the Turbine Hall.

, Grand Palais, Paris, FR Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, CCS Bard Hessel Museum, Annandale - on - Hudson, US ArtMart 2007, Para / Site, Hong Kong, CN Performance On Demand, EAI Viewing Room At EFA Gallery, EFA Gallery, New York, US The Living Currency (La Monnaie Vivante), STUK, Leuven, BE; traveled to Tate Modern, Turbine Hall Bridge, London, UK RCA Secret (card show fundraiser), Gulbenkian Galleries, Royal College of Art, London, UK Déjà - vu, curated by Hans Peter Feldmann, Frac Nord - Pas de Calais, Dunkerque, FR Soirée der Perspektiven, Museum Ludwig, benefit show and sale, Cologne, DE In the Stream of Life, curated by Mélanie Beouteloup, Christophe Gallois, Bétonsalon, Paris, FR Postcards From The Edge, Visual AIDS, New York, US 40th Anniversary Galerie Anselm Dreher, Galerie Anselm Dreher, Berlin, DE Death Becomes Her, Yvon Lambert Temporary Space, Miami, Florida, US Art In Motion, Y - 3 & EAI, Miami, Florida, US

Recent solo exhibitions include «Raw Materials,» commissioned for Tate Modern's Turbine Hall (2004), and «A Rose Has No Teeth: Bruce Nauman in the 1960s» at the Berkeley Art Museum, Castello di Rivoli, and Menil Collection (2007 - 2008).

Accompanying an exhibition at the Bowdoin College Museum of Art, Brunswick, and published as Tuttle creates a major installation at the Tate Modern's Turbine Hall (Fall 2014), this volume is the first monograph on Tuttle's printmaking.

Following the exhibition of Sehgal's works worldwide over the last 10 years in the most diverse range of museums and exhibition centres (including the already legendary presentations at New York's Guggenheim Museum and in the Turbine Hall at Tate Modern, London), his first major solo exhibition will take place in Berlin this summer.

It will be Ai's first exhibition in a public British gallery since he filled Tate Modern's turbine hall with porcelain sunflower seeds in 2010.

The exhibitions was developed to complement and run simultaneously with the first international showing of Tacita Dean «s acclaimed 2012 Tate Turbine Hall Commission Film, an homage to classic analogue cinema which also dwells on montage, transformation and the physicality of image production.

Daily Mail (London); May 22, 2006; Dimbleby, Kitty; 700 + words... DAMIEN Hirst won the Turner Prize in 1995 with his exhibition... MINUTES WHITE BOXES TURNER Prize winner Rachel Whiteread... the Turbine Hall of Tate Modern in 2005.

Jessica Morgan has curated numerous group and solo exhibitions, including Saloua Raouda Choucair, Gabriel Orozco, John Baldessari: Pure Beauty, The World as a Stage, Martin Kippenberger, Time Zones, Common Wealth, and the Turbine Hall Unilever Commissions, working with artists Tino Sehgal, Carsten Höller and Dominique Gonzalez - Foerster, since she joined Tate.

The largest Bruce Nauman exhibition in Europe since 1998, this survey follows the American artist's understated yet commanding occupation of Tate Modern's Turbine Hall last year and takes as its focus the artist's ongoing investigations into the human condition.