In 2007 Doris Salcedo's Shibboleth dramatically cracked open the floor of the Turbine Hall, while Dominique Gonzalez - Foerster's TH.2058 transformed
the Turbine Hall into a futuristic shelter in 2008.
See key works by Charmatz and his collaborators, get involved in a debate about what a dance museum could be and join in as contemporary dancers turn
the Turbine Hall into a dance floor for everyone.
He turned Tate Modern's cavernous
Turbine Hall into an adventure playground packed with giant twisting slides.
Shortly after his long - term collaborator Philippe Parreno converted London's Tate Modern
Turbine Hall into an all - quivering, all - quaking aquatic organism, Huyghe has turned his attention to a former ice - skating rink in the northwest of the city.
1 PHILIPPE PARRENO (TATE MODERN, LONDON; CURATED BY ANDREA LISSONI WITH VASSILIS OIKONOMOPOULOS) Parreno has turned
the Turbine Hall into a mesmerizing machine producing light, sound, cinematic effects, and choreography: Inflated fish float in the air, huge planes reminiscent of Russian Constructivism ascend and descend inscrutably in the semidarkness, and a flickering apparatus seems to send out signals that trigger reactions throughout the entire museum.
Eliasson's Weather Project in 2003 turned the Tate Modern
Turbine Hall into a vast walk - in Turner world, where a blazing sun and heady, twilit space engulfed visitors in romantic illumination.
Not exact matches
Giacometti's unique portraits are brought
into sharp focus, and the
Turbine Hall's new installation is a grower
More recently, Tancons conceived Up Hill Down
Hall (2014), a carnival in the Tate Modern's
Turbine Hall to examine, as she explains, carnival as a «countercultural movement that transformed
into a multicultural festival and a performance art form with mass appeal.»
Philippe Parreno, French film - installationist extraordinaire, has transformed the
Turbine Hall at Tate Modern
into a subaqueous tank.
«Abraham Cruzvillegas set to dig deep
into the national consciousness with his earthy installation in the Tate's
Turbine Hall.»
Selected solo exhibitions of Anish Kapoor include: «Objects», Seoul: Leeum, Samsung Museum of Art (2012); «Anish Kapoor: Flashback», Manchester Art Gallery, Manchester (2011); «Monumenta», Grand Palais, Paris (2011); «Anish Kapoor», Fabbrica del Vapore, Milan (2011); «Anish Kapoor: Delhi / Mumbai», National Gallery of Modern Art (NGMA), New Delhi and Mehboob Studios, Mumbai (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor», Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao (2010); «Anish Kapoor», Middlesbrough Institute of Modern Art, MIMA, Middlesbrough (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor: Shooting
into the Corner», MAK Museum, Vienna (2010); «Drawings», Regen Projects, Los Angeles (2009); «Memory» Guggenheim, New York (2009); «Place / No Place: Anish Kapoor in Architecture», Royal Institute of British Architects, London (2008); «Anish Kapoor», Haus der Kunst, Munich (2007); «Anish Kapoor, Sky Mirror» Rockefeller Centre, New York (2006); «Anish Kapoor Japanese Mirrors», Scai The Bathhouse, Tokyo (2005); «My Red Homeland», KUB, Kunsthaus Bregenz (2003); «Marsyas»,
Turbine Hall, Tate Modern, London (2002 - 03); Tel Aviv Museum of Art, Tel Aviv (1993); Mala Galerija, Moderna Galerija Ljubljana, Museum of Modern Art, Slovenia (1994); «Anish Kapoor, XLIV Biennale di Venezia», British Pavilion, Venice (1990).
Your walk is curtailed by the underside of a ramp that leads
into the open end of Miroslaw Balka's How It Is, the 10th Unilever
Turbine Hall commission.
French artist Philippe Parreno has transformed the
Turbine Hall of Tate Modern in London
into an immersive experience that aims...
Continuing our series of exclusive artworks responding to the Olympics, Olafur Eliasson — famous for bringing the sun
into the Tate
Turbine Hall — gets to work with a torch
If you can't get to London to disappear
into «Doris's crack» in Tate Modern's
Turbine Hall, then Tate Liverpool, this year's venue for the Turner prize in honour of the city's stint as capital of culture in 2008, is providing another chance to fall flat on your face.
Known for his massive installations built from industrial materials that take the menace implicit in Minimalism and throttle it
into overdrive, the Polish Mirosław Bałka is well known on the European museum and biennial circuit — his 2009 work in Tate Modern's
Turbine Hall, which resembled a monumental cattle car (with a ramp leading visitors
into its pitch - black interior), stunned audiences — but he has only shown rarely in New York.
Mr. Serota branched out further
into the regions, and
into a former power station that became Tate Modern; opened its 260 million pounds ($ 337 million) extension, (now named after the billionaire donor Len Blavatnik) that drove total visitors to Tate Modern to a record 6.39 million; and helped popularize contemporary art with giant sculpture commissions inside Tate Modern's
Turbine Hall and with the hotly debated Turner Prize competition.
Mirosław Bałka, Poland's greatest artist, is most famous here for his devastating
Turbine Hall installation at Tate Modern, that vast steel container which drew us
into its seething black depths in our thousands to discover a terrible nothingness within, and then returned us to the light, and to life.
Poured
into the interior of the
Turbine Hall's vast industrial space, the 100 million seeds form a seemingly infinite landscape.
Though the Guggenheim Museum in New York was the site of Turrell's most elaborate installation in 2014, it is the
Turbine Hall at the Tate Modern that has been the real engine through which the art of spectacle has motored through the public consciousness and
into their hearts.
The camera followed the length of the chain, while the performers shouted improvised words or phrases that echoed around the
Turbine Hall.3 The bodies that had formerly been confined within the small gallery space stretched
into the darkness of the adjoining
Turbine Hall.
Last summer, Bill's sound sculpture Harmonic Bridge in the
Turbine Hall of the Tate Modern transformed live sounds of the Millennium Bridge
into evocative art piece.
As we walked down the ramp
into the
Turbine Hall for the first time, the sensation was one of awe, but the former industrial space, presided over by Louise Bourgeois» giant bronze spider was also slightly forbidding.
West will stage a performance in the
Turbine Hall for which a team of skate - boarders will traverse ink - covered film strips, their wheels scraping
into the celluloid and marking their movements in complex and psychedelic patterns.
The
Turbine Hall will transform itself
into an alternative city for the day with a great programme of short films being screened, workshops from beatboxing and poetry to crafting, a pop - up record shop where you can create your own vinyl designs and even a red London bus being built on site.
The largest Bruce Nauman exhibition in Europe since 1998, this survey follows the American artist's understated yet commanding occupation of Tate Modern's
Turbine Hall last year and takes as its focus the artist's ongoing investigations
into the human condition.
TH.2058 by Dominique Gonzalez - Foerster looks 50 years
into the future, as the inhabitants of London take shelter in the
Turbine Hall from a never - ending rain.
Olafur Eliasson is most famous in England for The Weather Project, the 2005 Tate Modern
Turbine Hall installation that transformed the space
into a quasi-dedicated place to interact with art.
Running parallel to the
Turbine Hall is the Boiler House, home to the galleries and various viewing pointings looking into the h
Hall is the Boiler House, home to the galleries and various viewing pointings looking
into the
hallhall.