Sentences with phrase «turbine hall project»

It is made with the same masking technique first developed by Dean for her Tate Modern Turbine Hall project FILM (2011).

But she added: «It feels to me that Philippe Parreno has built and seen through and created something which would have been inconceivable when we first thought about the Turbine Hall project in 2000.»

Not exact matches

One of the most successful major public art projects in recent (ish) memory as Olafur Eliasson's The Weather Project, when in 2003 the Tate Modern's vast Turbine Hall was bathed in sunlight and a sublime fine mist that felt entirely otherworldly.

From vast outdoor public sculptures such as the Angel of the North and Mark Wallinger's soon to be realised White Horse to the many projects designed to enliven Tate Modern's vast, bare Turbine Hall, the scale of art just keeps getting bigger.

A look at this week's art news, including Doreen Garner's tattoo project, «Invisible Man Tattoo,» Diana Al - Hadid's upcoming public installation in Madison Square Park, and Tania Bruguera's 2018 commission for Tate Modern's Turbine Hall.

Special sections document public projects which have punctuated Whiteread's career, such as Watertower 1998 in New York and Embankment 2005 for Tate Modern's Turbine Hall.

Now, starting April 13, art pilgrims will find the institution vastly changed as the result of a 10 - year, $ 500 million renovation project — one that both modernized the museum, including the creation of a 24,000 - square - foot, Turbine Hall - sized public space (a current must - have for art capitals), and brought it back to its original grandeur by stripping away ill - considered additions and ornaments incurred over the years.

JG is a sequel in technique to FILM, Tacita Dean's 2011 project for Tate Modern's Turbine Hall.

«Something like the Turbine Hall in Tate Modern — that's really just a kind of ongoing Artangel project.

When Olafur Eliasson projected a yellow disc onto the far wall of Tate Modern's Turbine Hall in 2003, hundreds came to bask in the light of the artificial sun.

The Tate Modern Turbine Hall's latest project was unveiled and turned out to be a garden deck with weeds growing in pots — a work whose ecological message is banal and visually null.

Among her recent solo exhibitions are projects for The Turbine Hall, Tate Modern, London (2008); MUSAC Museo de Arte Contemporáneo de Castilla y Léon (2008); Musée d'Art Moderne de la Ville de Paris / ARC, Paris (2007); Kunsthalle Zürich, Zurich (2004); and Centre Georges Pompidou, Paris (2002).

Selected solo exhibitions of Anish Kapoor include: «Objects», Seoul: Leeum, Samsung Museum of Art (2012); «Anish Kapoor: Flashback», Manchester Art Gallery, Manchester (2011); «Monumenta», Grand Palais, Paris (2011); «Anish Kapoor», Fabbrica del Vapore, Milan (2011); «Anish Kapoor: Delhi / Mumbai», National Gallery of Modern Art (NGMA), New Delhi and Mehboob Studios, Mumbai (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor», Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao (2010); «Anish Kapoor», Middlesbrough Institute of Modern Art, MIMA, Middlesbrough (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor: Shooting into the Corner», MAK Museum, Vienna (2010); «Drawings», Regen Projects, Los Angeles (2009); «Memory» Guggenheim, New York (2009); «Place / No Place: Anish Kapoor in Architecture», Royal Institute of British Architects, London (2008); «Anish Kapoor», Haus der Kunst, Munich (2007); «Anish Kapoor, Sky Mirror» Rockefeller Centre, New York (2006); «Anish Kapoor Japanese Mirrors», Scai The Bathhouse, Tokyo (2005); «My Red Homeland», KUB, Kunsthaus Bregenz (2003); «Marsyas», Turbine Hall, Tate Modern, London (2002 - 03); Tel Aviv Museum of Art, Tel Aviv (1993); Mala Galerija, Moderna Galerija Ljubljana, Museum of Modern Art, Slovenia (1994); «Anish Kapoor, XLIV Biennale di Venezia», British Pavilion, Venice (1990).

At the other end of Tate Britain, the contemporary artist Olafur Eliasson, who created The Weather Project — the wildly popular Turbine Hall commission at Tate Modern in 2003 — has been given a room where he is showing new works inspired by Turner.

They have flocked to its gigantic Turbine Hall to watch a glowing «sunrise» from hundreds of tungsten lights in Olafur Eliasson's «The Weather Project,» sifted Ai Weiwei's hand - painted sunflower seeds through their fingers and heard actors telling intimate stories in Tino Sehgal's «These Associations,» among many highlights.

Tacita Dean conceived a piece that consists of an eleven - minute silent 35 mm film projected onto a monolithic wall erected at the end of a darkened Turbine Hall.

Olafur Eliasson The weather project 2003 Monofrequency lights, projection foil, haze machine, mirror foil, aluminum, and scaffolding dimensions variable Installation view The weather project, Turbine Hall, Tate Modern, London 2003

In 2003, Eliasson represented Denmark at the 50th Venice Biennale with The blind pavilion and, later that year, he opened the celebrated work The weather project at Tate Modern's Turbine Hall.

Emil, a longtime board member of the San Francisco Museum of Modern Art, told Sarah Cascone of Artnet that C Project will organize art events comparable to those presented at the Park Avenue Armory in New York and Turbine Hall in London.

In 2003, Eliasson became internationally known for The Weather Project, a gigantic artificial sun and mirrored ceiling installed inside the Turbine Hall at Tate Modern.

Olafur Eliasson has become a significant international artist; in 2003 he represented Denmark at the Venice Biennale, and he is especially known for the work The Weather Project in the Turbine Hall in Tate Modern.

Olafur Eliasson is perhaps most well known here in the UK for his Turbine Hall installation The Weather Project which in 2003 saw a giant glowing sun and mirrored ceiling fill the Tate Modern Turbine Hall with brilliant yellow light.

This fourth and final curator highlights one particular project as the deciding factor for selecting the innovative group: Echo (2006), at Tate Modern's Turbine Hall, which Clark describes as: «A performance piece in which the human form was represented through a 3 - D data cloud, rendered directly behind the dancers.»

As in Eliasson's previous immersive installation, The Weather Project at the Tate Modern Turbine Hall (2003), Reality projector takes time to fully comprehend.

You'd have to be blind not to notice that, from a distance, Tacita Dean's commission for Tate Modern's sepulchral Turbine Hall looks like nothing so much as a vast stained - glass window — and for this reason I fervently hoped it was going to have the same effect on me as Olafur Eliasson's numinous The Weather Project (Eliasson's commission, the fourth in the Unilever series, filled this space in 2003 - 4 — and oh, how I worshipped it).

Significant international exhibitions include The Blind Pavilion, Danish Pavilion, Venice Biennale (2003); The Weather Project, Turbine Hall, Tate Modern, London (2003); Take Your Time: Olafur Eliasson, San Francisco Museum of Modern Art (2007); Olafur Eliasson: Contact, Fondation Louis Vuitton, Paris (2014); and Nothingness Is Not Nothing At All, Long Museum, Shanghai (2016).

Tate Britain presents acclaimed Danish artist Olafur Eliasson — creator of the impressive Turbine Hall commission «The weather project» 2003, where many a viewer basked in the almighty glory of a replica sun — with a new series of works in the Tate's Clore Gallery.

Despite the huge success of his Tate Turbine Hall Weather Project, Olympics organisers have rejected an application by Scandinavian artist Olafur Eliasson

Eliasson's Weather Project in 2003 turned the Tate Modern Turbine Hall into a vast walk - in Turner world, where a blazing sun and heady, twilit space engulfed visitors in romantic illumination.

West has been commissioned to produce special projects at The Aspen Art Museum (2010) and for the turbine hall at TATE Modern (2009) and she was Artist in Residence at the MIT List Visual Arts Center this year.

Projects featured include House (1993) a monumental cast of a nineteenth - century terrace house in the East End of London for which she won Britain's Turner Prize, the Water Tower (1998) which graced the skyline of downtown New York, Vienna's Holocaust Memorial (2000), Monument (2001) created for the empty plinth in Trafalgar Square, and Embankment (2005 - 2006) installed in the Tate Modern's vast Turbine Hall.

And in its dramatic Turbine Hall, the sense is that anything could be given house room if it deserved it — from Louise Bourgeois's towers (I Do, I Undo, I Redo, 2000; her tremendous steel spider had to wait outside) to Olafur Eliasson's The Weather Project in 2003 or Rachel Whiteread's Embankment (2005)-- heaped white boxes, like sugar lumps for giants.

Previous Turbine Hall artists include Olafur Eliasson, who, in 2003, installed his Weather Project, which invited visitors to lie on their backs and bask in a scented mist and the rays of an artificial sun.

Fulton presented Slowalk (In support of Ai Weiwei) at Tate Modern as a collective action created specifically in response to the iconic architecture of the Turbine Hall and in the context of the recent disappearance of Chinese artist Ai Weiwei, whose work Sunflower Seeds is currently on display in the east end of the Turbine Hall as the eleventh project in the series of Unilever Commissions.

Eliasson is a master of large space and big - scale installation, harnessing all of the elements in his work: his installation «The Weather Project» made use of humidifiers filled with sugar and water and large lamps in the turbine hall of the Tate, and what he brings to the Barbican is sure to be invoke his ideas behind a multi-sensory pProject» made use of humidifiers filled with sugar and water and large lamps in the turbine hall of the Tate, and what he brings to the Barbican is sure to be invoke his ideas behind a multi-sensory projectproject.

Eliasson is behind many major exhibitions and projects around the world, such as «The Weather Project» at Tate Modern's Turbine Hall in 2003, «Take Your Time: Olafur Eliasson» organized by SFMOMA in 2007, which travelled until 2010 to major venues such the Museum of Modern Art, New York, and «Riverbed» at Louisiana Museum of Modern Art, Denmark in 2014.

The museum - going public, meanwhile, developed a taste for the novel and the monumental through Tate Modern's Turbine Hall commissions, such as the sodium - coloured sun and Turner-esque fog of Olafur Eliasson's The Weather Project (2003).

Many of the works produced for the Tate's Turbine Hall commission, The Unilever Series, have considered and contributed to this setting, not least Olafur Eliasson's famous The Weather Project.

News that Tacita Dean's Film, an 11 - minute silent work projected onto a white monolith in Tate Modern's Turbine Hall, broke down at the weekend is therefore no big surprise — and no big deal.

Oliafur Eliasson, the Danish - Icelander whose Weather Project made the sun rise in Tate Modern's Turbine Hall in a haze of shimmering vapour, feels just the artist to complement an exhibition of Turner's late paintings.

By making the floor the principal focus of her project, Salcedo dramatically shifts our perception of the Turbine Hall's architecture, subtly subverting its claims to monumentality and grandeur.

In The Weather Project, the fourth in the annual Unilever Series of commissions for the Turbine Hall, Olafur Eliasson takes this ubiquitous subject as the basis for exploring ideas about experience, mediation and representation.

Olafur Eliasson The Weather Project, 2003 Monofrequency lights, projection foil, haze machines, mirror foil, aluminium, and scaffolding 26.7 m x 22.3 m x 155.4 m Installation in Turbine Hall, Tate Modern, London Photo: Studio Olafur Eliasson Courtesy the artist: neugerriemschneider, Berlin: and Tanya Bonakdar, New York

The Unilever Series: Olafur Eliasson the Weather Project 16 October 2003 - 21 March 2004 Turbine Hall, Tate Modern understanding the...

In this installation, The Weather Project, representations of the sun and sky dominate the expanse of the Turbine Hall.

Olafur represented Denmark at the 50th Venice Biennale in 2003 and later that year installed The Weather Project in the Turbine Hall of Tate Modern, London.

Olafur Eliasson is most famous in England for The Weather Project, the 2005 Tate Modern Turbine Hall installation that transformed the space into a quasi-dedicated place to interact with art.

Recent curatorial highlights include En Mas»: Carnival and Performance Art of the Caribbean, an Emily Hall Tremaine Exhibition Award - winning traveling curatorial project (2014 - present); Up Hill Down Hall, a BMW Tate Live commission for Tate Modern's Turbine Hall (2014); Tide by Side, the opening ceremony of Faena Art's Miami Beach district (2016) and etcetera: a civic ritual for Printemps de Septembre in Toulouse (2017).

One of her most celebrated projects was I Do, I Undo, I Redo, an installation comprising three nine - metre - high steel towers which she was commissioned to create for the Turbine Hall at Tate Modern to mark the opening of that museum in 2000.

Olafur Eliasson, creator of the acclaimed Turbine Hall commission The weather project 2003, has made a new series of paintings responding to the work of J.M.W. Turner (1775 — 1851).