Turkish horror Baskin, which Ryland calls a
midnight movie «through and through» in his review, is accompanied by I Am Not a Serial Killer (Peter's review here), The Love Witch (above); an ultra vibrant trip into sexy exploitation cinema, Train to Busan, the Cannes hit that's just opened to record seats in South Korea, and a film Pierce called in his review «a tense and inventive mix of genre thrills and social anxiety.»