Sentences with phrase «twentieth century art for»

Previously, Nancy served as the Executive Director of the Santa Barbara Contemporary Arts Forum and Curator of Twentieth Century Art for the Santa Barbara Museum of Art.

Not exact matches

The first three decades of the twentieth century, a time characterized by the arrival of the culture of modernity, was a period of great change not only for women but also in the realms of economics, politics, the arts, science, and social and religious thought.

A top - notch actress who managed to remain a complete unknown as far as the general moviegoing public was concerned (spending over a decade starring in numerous art - house flicks for ex-husband Nicolas Roeg probably had a lot to do with that), Theresa Russell enjoyed a soupçon of mainstream success when she co-starred in Twentieth Century Fox's production of Black Widow, an ever - so - modest box office hit ($ 25 million) back at the start of» 87.

Today, as explained on the site, ArtThink provides «in - depth investigation of twentieth - and twenty - first - century art and artists by using SFMOMA's award - winning interactive programs, Making Sense of Modern Art and Voices and Images of California Art, as the basis for stuart and artists by using SFMOMA's award - winning interactive programs, Making Sense of Modern Art and Voices and Images of California Art, as the basis for stuArt and Voices and Images of California Art, as the basis for stuArt, as the basis for study.

Long celebrated for his vivid evocations of nineteenth - and twentieth - century American life (particularly New York life), Doctorow has received the National Book Award, two National Book Critics Circle Awards, the PEN / Faulkner Award, the Edith Wharton Citation for Fiction, the William Dean Howell Medal of the American Academy of Arts and Letters, and the presidentially conferred National Humanities Medal.

Just four inches square, each title combines text and art for a delightful peek at such topics as Elvis and American Art of the Twentieth Centuart for a delightful peek at such topics as Elvis and American Art of the Twentieth CentuArt of the Twentieth Century.

Divided into seven chronological chapters, from early twentieth century avant - garde movements such as the Harlem Renaissance to current debates around «Post-Black» art, this exhibition opens up an alternative transatlantic reading of Modernism and its impact on contemporary culture for a new generation.

It is the one «American» Piero that gives a clear taste of an aspect of his art that made him a particularly exciting figure for painters and writers in the early twentieth century — when he crowds together a number of figures in a tight space, making them feel full - bodied yet flat, like overlapping cards you hold in your hand in a game.

As curator of the El Paso Museum of Art in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous other publications for the El Paso Museum of Art.

Likening her to twentieth - century predecessors, such as Henri Rousseau and Florine Stettheimer, who found renewal «in the bright colours and crude shapes of an art that seems artless,» Jones sees in Wylie's work «a way forward for painting in this century.»

Fast - forward to the twentieth century and this year's installation at New York's Center for Italian Modern Art.

Performa Founded in 2004 by art historian and curator RoseLee Goldberg, Performa is the leading organization dedicated to exploring the critical role of live performance in the history of twentieth - century art and encouraging new directions in performance for the twenty - first century.

Describing abstraction as a «revolution of twentieth century art», Hoyland began making early enquiries into how rational thought and visual perception could be used as the sole basis for pictorial composition.

He was responsible for the development and co-curatorship of special twentieth century auctions such as Looking Forward to the Past, 2015, a sale that included Pablo Picasso's Les Femmes d'Alger (Version 0), 1955, which sold for $ 179.4 million and set a record as the highest price ever achieved for any work of art at auction.

1958 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh (December 5, 1958 — February 8, 1959) A propos du baroque: Jean Degottex, Marcelle Ferron, Sam Francis, Simon Hantaï, Shirley Jaffe, Marcelle Loubchansky, Joan Mitchell, Judit Reigl, Jean - Paul Riopelle, Galerie Kléber, Paris (November — December) Some Contemporary Works of Art, Cleveland Museum of Art, Ohio (November 11 - December 31) American Symbolic Realists: Fifteen American Artists, Palazzo Collicola, Festival dei Due Mondi, Spoleto, Italy (June 8 — 29) 18th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago (May 8 — June 8) The Museum and Its Friends: Twentieth - Century American Art from Collections of the Friends of the Whitney Museum, Whitney Museum of American Art, New York (April 30 — June 15) American Artists of Younger Reputation, New York Art Foundation, Rome (opened April 14) The Evocative Eye, Signa Gallery, East Hampton, New York (July 5 - 24) The International Art of a New Era: Informel and Gutai, Osaka Festival, Osaka, Japan (September 2 — 7) Action Painting, Dallas Museum of Contemporary Arts (March 5 — April 13) Abstract Impressionism, The Art Galleries, Portland Building, University of Nottingham, England (February 19 — March 19).

Picasso, Braque, Matisse, Léger, Gris, the Duchamp brothers, De Chirico, Modigliani, and Klee to name a few artists whose works set the stage for modern art in the twentieth century.

For example, the Tate Gallery's online art glossary states that collage «was first used as an artists» technique in the twentieth century.».

As artists developed their creative visions in the postwar period, printed formats, with their inherent properties of reproduction, seriality, and multiplicity, were crucial vehicles for articulating and disseminating their practices, yielding an especially rich moment in the history of twentieth - century art.

Meets Jim Dine and introduces him to monotype techniques; writes catalogue essay for The Painterly Print: Monotypes from the Seventeenth to the Twentieth Century, Metropolitan Museum of Art, New York (travels to the Museum of Fine Arts, Boston, 1981); the monotype Window Sequence (Fire)(fig) is included in that exhibition; solo exhibition: Pace Editions, New York; group exhibitions: Aspects of the» 70's: Directions in Realism, Danforth Museum, Framingham, Massachusetts; Three Decades, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts; Realist Works on Paper, Virginia Museum of Fine Arts, Richmond.

«The Whitney Museum's revelatory survey of the work that earned O'Keeffe such derision, the evocative, more - or-less abstract art she made starting in 1915 — phenomenally early for an American artist — should reopen eyes to an undeniable fact: O'Keeffe produced some of the most original and ambitious art in the twentieth century.»

«This occasion is particularly momentous in light of the fact that Denver's collection of Still's work — one of the last great treasures of twentieth - century American art, donated directly from the estates of Clyfford and Patricia Still — was hidden from public and scholarly view for 60 years,» notes Dean Sobel, director.

The programme you've announced for this year has an emphasis on the twentieth century; a show covering a century of British figurative painters centred on Francis Bacon and Lucien Freud; a show on the art after the First World War, followed by a show of the Victorian pre-Raphaelite painter Edward Burne - Jones...

World Print Fair San Francisco Museum of Modern Art San Francisco, CA The Modern Art of the Print, The Torf Collection Museum of Fine Arts Boston, MA Twentieth Century American Drawings travelling exhibition Whitney Museum for International Exhibitions Foundation European Museums

Intelligently and carefully edited by Thomas Weski and Heinz Liesbrock, this superb volume makes an argument for photography as the definitive art form of the twentieth century by presenting whole series of works by the medium's pioneers, instead of isolated individual photographs.

In Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America, Copeland focuses on the work of Renée Green, Glenn Ligon, Lorna Simpson, and Fred Wilson, and considers how slavery shaped American art in the last decades of the twentieth century in order to argue for a reorientation of modern and contemporary art history where the subject of race is concernArt, Slavery, and the Site of Blackness in Multicultural America, Copeland focuses on the work of Renée Green, Glenn Ligon, Lorna Simpson, and Fred Wilson, and considers how slavery shaped American art in the last decades of the twentieth century in order to argue for a reorientation of modern and contemporary art history where the subject of race is concernart in the last decades of the twentieth century in order to argue for a reorientation of modern and contemporary art history where the subject of race is concernart history where the subject of race is concerned.

The art and craft of the woodcut was a source of inspiration for a small, influential group of European and American artists whose work helped shape the modern book in the decades immediately preceding and following the turn of the twentieth century.

Academic drawing, representation, and other forms of traditional «craftsmanship» seemed inadequate for an advanced art, which artists in the twentieth century wanted to root in the realm of feelings, sensations, and human experience (which opened the doors to abstraction).

1998 African - American Art: 20th Century Masterworks, V, Michael Rosenfeld Gallery, New York, NY; Newcomb Art Gallery, Tulane University, New Orleans, LA Fifty Years of American Drawings, Danese Gallery, New York, NY Twentieth Century American Drawings: From the Arkansas Arts Center Foundation Collection, Arkansas Arts Center, Arkansas, AK; Sunrise Museum, Charleston, WV; Philharmonic Center for the Arts, Naples, FL; Fort Wayne Museum of Art, Fort Wayne, IN; Knoxville Museum of Art, Knoxville, TN; Boise Art Museum, Boise, ID Art by African - Americans, New Jersey State Museum, Trenton, NJ

2000 Bob Thompson and Jan Muller, Lori Bookstein Fine Art, New York, NY African - American Art: 20th Century Masterworks, VII, Michael Rosenfeld Gallery, New York, NY; Appleton Museum of Art, Florida State University and Central Florida Community College, Ocala, FL Michael Rosenfeld Gallery: The First Decade, Michael Rosenfeld Gallery, New York, NY The Figure, Another Side of Modernism, Newhouse Center for Contemporary Art at Snug Harbor Cultural Center, Staten Island, NY Twentieth - Century American Art: The Ebsworth Collection, National Gallery of Art, Washington DC; Seattle Art Museum, Seattle, WA Search for the Unicorn, Lori Bookstein Fine Art, New York, NY

Documents the research conducted by the College Art Association of America for their publication The Index of Twentieth - Century Artists, through correspondence, exhibition catalogues, press releases, and news clippings.

New areas of activity for the museum include a more intense focus on its role as an archive and resource for advanced study of twentieth - century art, and to this end the library will become a repository of archives and other materials ancillary to the actual art works in the collection.

1998 Twentieth Century American Drawings from the Arkansas Arts Center Foundation Collection, Arkansas Arts Center, Little Rock, AR; Sunrise Museums, Charleston, WV; Philharmonic Center for the Arts, Naples, FL; Fort Wayne Museum of Art, Fort Wayne, IN; Knoxville Museum of Art, Knoxville, TN; Boise Museum of Art, Boise, ID; Mobile Museum of Art, AL; Art Museum of Southeast Texas, Beaumont, TX; Art Museum of South Texas, Corpus Christi, TX: Joslyn Art Museum, Omaha, NE; Kalamazoo Institute of Arts, Kalamazoo, MI The Forty - fifth Biennial: The Corcoran Collects, 1907 — 1998, The Corcoran Gallery of Art, Washington, DC

Another pair, Katy Rothkopf, Senior Curator of the BMA's Department of European Painting and Sculpture, and Janet Bishop, Curator of Painting and Sculpture from the San Francisco Museum of Modern Art, have gathered more than ninety of the artists» major paintings and drawings to create what Jay Fisher, the BMA's Deputy Director for Curatorial Affairs, describes as «an unprecedented visual narrative that reaches across the twentieth century.»

Best known for large - scale interiors, landscapes, and portraits featuring powerful black figures, Marshall explores narratives of African American history from slave ships to the present and draws upon his deep knowledge of art history from the Renaissance to twentieth - century abstraction, as well as other sources such as the comic book and the muralist tradition.

She is a PhD candidate in Art History at Virginia Commonwealth University, specializing in Twentieth Century and African art, and held the Thalhimer Research Assistantship for the 2015 - 2016 academic yeArt History at Virginia Commonwealth University, specializing in Twentieth Century and African art, and held the Thalhimer Research Assistantship for the 2015 - 2016 academic yeart, and held the Thalhimer Research Assistantship for the 2015 - 2016 academic year.

1981 Museum of Contemporary Art: «Twentieth Century NorthAmerican Painters» Sao Paulo, Brazil La Jolla Museum of Contemporary Art: «Artists Quilts: Quilts by Ten Contemporary Artists with Ludy Strauss» California Also: Los Angeles Municipal Art Gallery, San Jose, California, and University Art Gallery, University of Texas, Arlington, Texas (catalogue) Art Center College of Design: «DECADE: Los Angeles Painting in the «70's» Pasadena, California Fox Graphics Gallery: «Selected Prints Published by Landfall Press» Boston Washington Project for the Arts: «Neon Fronts: Luminous Art for the Urban Landscape», Washington D.C. James Corcoran Gallery: «Summer Group Show» Los Angeles, California Thomas Babeor Gallery: «A California Summer» La Jolla, CA Tower Gallery, Inc.: «California Artists: Sculpture and Paintings» Southampton, New York Judith Christian Gallery: «Forty Famous Californians» New York Montgomery Art Gallery, Pomona College: «Professor's Choice» Claremont, California Sheldon Gallery, University of Nebraska: «The Kansas City Show» Lincoln, Nebraska Art Gallery, California State University, Northridge: «Abstraction in Los Angeles, 1950 - 1980: Selections from the Murray & Ruth Gribin Collection»

Twentieth - Century Art: Selections for the Tenth Anniversary of the East Building, National Gallery of Art, Washington, D.C., December 13, 1988 — December 31, 1990.

Rasuchenberg, Stella, Spero — introducing New York Masters, a new video series for which art historian and curator Robert Storr discusses New York's art history, and the some of the city's influential twentieth century artists represented at Frieze New York 2017.

Lucas Knipscher uses African fabrics as the backdrop for playing cards, Ana Cardoso subjects cotton and art history to serious punishment, Wilder Alison gives tapestry as art the look of emoticons, and Mae Fatto (also the show's curator) runs riot right through the twentieth century.

Whitney verbal description and touch tours provide an opportunity for visitors who are blind or have low vision and their companions to experience the richness and diversity of twentieth and twenty - first century American art through vivid description and tactile opportunities.

The Rivendell Collection of Late Twentieth Century Art is on permanent loan to the Center for Curatorial Studies.

1998 Modern American Realism: The Sara Roby Foundation Collection from the National Museum of American Art, Cornell Fine Arts Museum, Rollins College, Winter Park, FL; Madison Art Center, Madison, WI; Columbus Museum, Columbus, GA; Heckscher Museum of Art, Huntington, NY; Everson Museum of Art, Syracuse, NY The «60's in the Seventies, Ubu Gallery, New York, NY Peep Show, Exhibition of Erotic Fact and Fantasy, Luise Ross Gallery, New York, NY Twentieth Century American Drawings, Arkansas Arts Center, Little Rock, AK; Sunrise Museums, Charleston, WV; Philharmonic Center for the Arts, Naples, FL; Fort Wayne Museum of Art, Fort Wayne, IN; Knoxville Museum of Art, Knoxville, TN; Boise Art Museum, Boise, ID

1998 Twentieth Century American Drawings, Arkansas Arts Center, Little Rock, AK; Sunrise Museums, Charleston, WV; Philharmonic Center for the Arts, Naples, FL; Fort Wayne Museum of Art, Fort Wayne, IN; Knoxville Museum of Art, Knoxville, TN; Boise Art Museum, Boise, ID

Over the following decades, Judd wrote a number of essays on Russian artists, including «Kandinsky and his Citadel,» a review of the exhibition, Vasily Kandinsky, 1866 — 1944: A Retrospective Exhibition, at the Solomon R.Guggenheim Museum in 1963; a review of Kazimir Malevich, an exhibition in 1963 also at the Guggenheim Museum; and in 1981, a long essay «Russian Art in Regard to Myself,» on the importance of Russian art of the early twentieth century for Art JournArt in Regard to Myself,» on the importance of Russian art of the early twentieth century for Art Journart of the early twentieth century for Art JournArt Journal.

She received a doctorate from Yale University in 2009 for her research on twentieth century British art and architecture and is the author of lengthy critical essays on the work of many modern and contemporary artists, including Rasheed Araeen, Kader Attia, Rina Banerjee, Frank Bowling, Lara Favaretto, Leslie Hewitt, Asger Jorn, Wangechi Mutu, Ed Ruscha and Yinka Shonibare.

This fall, the University of California, Berkeley Art Museum and Pacific Film Archive (BAMPFA) presents the first comprehensive retrospective of work by Harvey Quaytman, an under - recognized figure in twentieth - century American painting noted for his monumental shaped canvasses, material investigations, and interest in color as a pure medium.

Last week, the New York Studio School hosted members of the Center for Italian Modern Art (CIMA) for an interesting talk on one of the greatest Italian painters of the twentieth century: Giorgio Morandi — the subject of the current exhibition at CIMA, on until June 25th.

Our modern notion of collaging, or papier - collé (French for glued or stuck paper), was ignited in the early twentieth century by artists such as Pablo Picasso (1881 — 1973) and Georges Braque (1882 — 1963), who incorporated various text, photographs, found objects, and paper into works of art, resulting in an entirely new medium.

2014 Venus Drawn Out: 20th Century Drawings by Great Women Artists, The Armory Show Modern, New York, NY Beyond the Spectrum: Abstraction in African American Art, 1950 - 1975, Michael Rosenfeld Gallery LLC, New York, NY RISING UP / UPRISING: Twentieth Century African American Art, Michael Rosenfeld Gallery LLC, New York, NY The Harmon & Harriet Kelley Collection of African American Art: Works on Paper, Pennsylvania Academy of Fine Arts, Philadelphia, PA African American Art: Harlem Renaissance, Civil Rights Era and Beyond, Crocker Art Museum, Sacramento, CA Conversations: African and African American Artworks in Dialogue from the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby Jr., Smithsonian National Museum of African Art, Washington, DC Prospect.3: Notes for Now, New Orleans Museum of Art, New Orleans, LA

A highly respected art conservator practicing in Roxbury, Connecticut, Yost's experience restoring fine oil paintings from the eighteenth to twentieth centuries has allowed him to translate the techniques of the masters into contemplative landscapes for modern viewers.