Sentences with phrase «twentieth century art from»

«Twentieth Century Art from The Metropolitan Museum of Art: Selected Recent Acquisitions», The Queens Museum, Flushing, New York

Not exact matches

Part of Maritain's appeal as a philosopher of art stems from his intimate contact with the creative atmosphere of early - twentieth - century France.

At the turn of the twentieth century, Benjamin F. Pearson, Edison's General Superintendent, came back from an excursion to Germany with a state - of - the art camera lens and the intention of making pictures of every Edison facility.

Park City will also play host to the premiere of the bizarrely enticing Manifesto, in which Cate Blanchett does «reenactments» in «an homage to the twentieth century's most impassioned artistic statements and innovators, from Futurists and Dadaists to Pop Art, Fluxus, Lars von Trier and Jim Jarmusch.»

PHILADELPHIA, PA - MARCH 10: «Rocky» Director John G. Avildsen Receives City Of Philadelphia Special Citation in celebration of the 90th Anniversary of Metro - Goldwyn - Mayer Studios and the release of THE ROCKY HEAVYWEIGHT COLLECTION on 4k Blu - ray from Twentieth Century Fox Home Entertainment, at Philadelphia Museum of Art on March 10, 2014 in Philadelphia, Pennsylvania.

After earning a B.F.A. in Film from NYU's Tisch School of the Arts, he worked in the film industry before moving to the U.K., where he completed a doctorate in Twentieth - Century English Literature at the University of Oxford.

In a gracefully detailed interpretative narrative that stretches from ancient Greek and Roman mosaics to twentieth - century paintings, art historian Ebert - Schifferer presents the long and fascinating history of the still life, a highly symbolic genre.

Original poems, commissioned from well - known writers such as Naomi Shihab Nye and X. J. Kennedy, celebrate some of the finest twentieth - century American art.

French artist Caroline Achaintre's visually striking, witty ceramic sculptures and hand - tufted wall hangings bring together a whole host of references such as catwalk fashion, carnival, and death - metal iconography, as well as Primitivism and Expressionism — early twentieth - century Western art movements that borrowed heavily from non-Western and prehistoric imagery to find new ways of representing the modern world.

Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).

I first encountered Stettheimer's paintings at the Metropolitan Museum of Art, about four years ago, while meandering through a survey of twentieth - century American painting cobbled together from the museum's holdings.

Divided into seven chronological chapters, from early twentieth century avant - garde movements such as the Harlem Renaissance to current debates around «Post-Black» art, this exhibition opens up an alternative transatlantic reading of Modernism and its impact on contemporary culture for a new generation.

He has built important collections of African, Asian, and African - American art, among others, and has authored and curated many catalogues and exhibitions on subjects ranging from ancient ceramics to twentieth - century Mayan textiles.

The focus is an exhibition of twentieth and twenty - first century furniture, objets d'art and lighting along with panels, lectures and more with figures from the worlds of design, architecture, fashion and art.

From 9 June — 30 August 2015, the Pushkin State Museum of Fine Arts will present Alexander Calder: Retrospective, an unprecedented exhibition dedicated to the influential American artist whose career spanned much of the twentieth century.

1990 Line & Action, Tavelli Gallery, Aspen, Colorado (December 21, 1990 — January 25, 1991) Group Exhibition, Manny Silverman Gallery, Los Angeles (December 3, 1990 — January 26, 1991) Road to Victory, Museum of Modern Art, New York (December 1990 — March 1991) Contemporary Works from the Collection, Museum of Modern Art, New York (November 1990) Abstract Expressionists: Studio 35 Downtown — Willem De Kooning, Hans Hoffman, Franz Kline, Lee Krasner, Joan Mitchell, Robert Motherwell, Jackson Pollock, Stux Modern, New York (October 3 — November 1) Color in Art: American Expressionism from the Mid — Twentieth Century to the Present, Samuel P. Harn Museum of Art, University of Florida at Gainesville (September 22 — December 2) Künstlerinnen des 20.

A sumptuously illustrated history of the Eternal City — the capital of Italy and world art — as captured by painters from the Antiquity through the twentieth century.

From Mexico City to LA: A Visual History of Graphic Art traces the history of printmaking in Mexico throughout the twentieth century and explores the conversation between Mexican printmaking and contemporary graphic art in Latin America and Southern CalifornArt traces the history of printmaking in Mexico throughout the twentieth century and explores the conversation between Mexican printmaking and contemporary graphic art in Latin America and Southern Californart in Latin America and Southern California.

Curated by Ann Temkin and drawn entirely from the Museum's vast holdings, Abstract Expressionist New York underscores the achievements of a generation that catapulted New York City to the center of the international art world during the 1950s, and left as its legacy some of the twentieth century's greatest masterpieces including work by Jack Tworkov.

1958 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh (December 5, 1958 — February 8, 1959) A propos du baroque: Jean Degottex, Marcelle Ferron, Sam Francis, Simon Hantaï, Shirley Jaffe, Marcelle Loubchansky, Joan Mitchell, Judit Reigl, Jean - Paul Riopelle, Galerie Kléber, Paris (November — December) Some Contemporary Works of Art, Cleveland Museum of Art, Ohio (November 11 - December 31) American Symbolic Realists: Fifteen American Artists, Palazzo Collicola, Festival dei Due Mondi, Spoleto, Italy (June 8 — 29) 18th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago (May 8 — June 8) The Museum and Its Friends: Twentieth - Century American Art from Collections of the Friends of the Whitney Museum, Whitney Museum of American Art, New York (April 30 — June 15) American Artists of Younger Reputation, New York Art Foundation, Rome (opened April 14) The Evocative Eye, Signa Gallery, East Hampton, New York (July 5 - 24) The International Art of a New Era: Informel and Gutai, Osaka Festival, Osaka, Japan (September 2 — 7) Action Painting, Dallas Museum of Contemporary Arts (March 5 — April 13) Abstract Impressionism, The Art Galleries, Portland Building, University of Nottingham, England (February 19 — March 19).

As notions of what constitutes «Art» have changed over the centuries, so too, has the late twentieth - century view of «Design», with the advent of critical design; celebrated designers from Ron Arad and Daniel Weil to partnership Dunne & Raby, and Konstantin Grcic challenge the concept of function, use, form, and value.

The exhibition features almost sixty drawings by many of the artists who have shaped the course of nineteenth - and twentieth - century art, from Eugène Delacroix, Edouard Manet, Mary Cassatt, and Gustav Klimt to Pablo Picasso, Henri Matisse, Robert Motherwell, Richard Diebenkorn, Andy Warhol, Sam Francis, and David Hockney.

Meets Jim Dine and introduces him to monotype techniques; writes catalogue essay for The Painterly Print: Monotypes from the Seventeenth to the Twentieth Century, Metropolitan Museum of Art, New York (travels to the Museum of Fine Arts, Boston, 1981); the monotype Window Sequence (Fire)(fig) is included in that exhibition; solo exhibition: Pace Editions, New York; group exhibitions: Aspects of the» 70's: Directions in Realism, Danforth Museum, Framingham, Massachusetts; Three Decades, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts; Realist Works on Paper, Virginia Museum of Fine Arts, Richmond.

«This occasion is particularly momentous in light of the fact that Denver's collection of Still's work — one of the last great treasures of twentieth - century American art, donated directly from the estates of Clyfford and Patricia Still — was hidden from public and scholarly view for 60 years,» notes Dean Sobel, director.

So, it's absolutely right that British artists are represented in the narrative that Tate Modern offers of twentieth century art, and it would be impossible to tell a story of six centuries of British art at Tate Britain without representing the contributions of foreign - born artists, which to begin with are largely artists from Flanders and the Dutch republic.

Object - based art, which grew into a major twentieth - century trend and continues today, took its cue from the ready - made, and Re-Object explores the continuation and transformation of both lines in contemporary artistic practice, via large - format photographs and analytical essays on the artists.

Darkness and Light: Twentieth - Century Works from Texas Collections, Blaffer Gallery, The Art Museum of Hous - ton, Houston

The Landscape in Twentieth - Century American Art: Selections from the Metropolitan Museum of Art, Rizzoli, New York, 1991, p. 165.

1998 African - American Art: 20th Century Masterworks, V, Michael Rosenfeld Gallery, New York, NY; Newcomb Art Gallery, Tulane University, New Orleans, LA Fifty Years of American Drawings, Danese Gallery, New York, NY Twentieth Century American Drawings: From the Arkansas Arts Center Foundation Collection, Arkansas Arts Center, Arkansas, AK; Sunrise Museum, Charleston, WV; Philharmonic Center for the Arts, Naples, FL; Fort Wayne Museum of Art, Fort Wayne, IN; Knoxville Museum of Art, Knoxville, TN; Boise Art Museum, Boise, ID Art by African - Americans, New Jersey State Museum, Trenton, NJ

Debating Modernism I explores the emergence and subsequent development of an Arab art aesthetic through drawings and paintings from the early twentieth century.

Though strongest in its holdings of American art, the Palmer has built an impressive collection of European prints, drawings, and paintings from the sixteenth to twentieth centuries.

1998 Twentieth Century American Drawings from the Arkansas Arts Center Foundation Collection, Arkansas Arts Center, Little Rock, AR; Sunrise Museums, Charleston, WV; Philharmonic Center for the Arts, Naples, FL; Fort Wayne Museum of Art, Fort Wayne, IN; Knoxville Museum of Art, Knoxville, TN; Boise Museum of Art, Boise, ID; Mobile Museum of Art, AL; Art Museum of Southeast Texas, Beaumont, TX; Art Museum of South Texas, Corpus Christi, TX: Joslyn Art Museum, Omaha, NE; Kalamazoo Institute of Arts, Kalamazoo, MI The Forty - fifth Biennial: The Corcoran Collects, 1907 — 1998, The Corcoran Gallery of Art, Washington, DC

Another pair, Katy Rothkopf, Senior Curator of the BMA's Department of European Painting and Sculpture, and Janet Bishop, Curator of Painting and Sculpture from the San Francisco Museum of Modern Art, have gathered more than ninety of the artists» major paintings and drawings to create what Jay Fisher, the BMA's Deputy Director for Curatorial Affairs, describes as «an unprecedented visual narrative that reaches across the twentieth century.»

Imperfect Chronology — Debating Modernism I explores the emergence and subsequent development of an Arab art aesthetic through drawings and paintings from the early twentieth century to 1967, an important historical period in the region.

So we jumped at the chance to co-sponsor, with the Denver Art Museum, the exhibition Modern Masters: Twentieth Century Icons from the Albright - Knox Art Gallery, which featured the greatest artists from the twentieth century, including (among many others) Pablo Picasso, Frida Kahlo, Jackson Pollock, Mark Rothko, Willem de Kooning, and ClyffoTwentieth Century Icons from the Albright - Knox Art Gallery, which featured the greatest artists from the twentieth century, including (among many others) Pablo Picasso, Frida Kahlo, Jackson Pollock, Mark Rothko, Willem de Kooning, and ClyffordCentury Icons from the Albright - Knox Art Gallery, which featured the greatest artists from the twentieth century, including (among many others) Pablo Picasso, Frida Kahlo, Jackson Pollock, Mark Rothko, Willem de Kooning, and Clyffotwentieth century, including (among many others) Pablo Picasso, Frida Kahlo, Jackson Pollock, Mark Rothko, Willem de Kooning, and Clyffordcentury, including (among many others) Pablo Picasso, Frida Kahlo, Jackson Pollock, Mark Rothko, Willem de Kooning, and Clyfford Still.

Best known for large - scale interiors, landscapes, and portraits featuring powerful black figures, Marshall explores narratives of African American history from slave ships to the present and draws upon his deep knowledge of art history from the Renaissance to twentieth - century abstraction, as well as other sources such as the comic book and the muralist tradition.

1981 Museum of Contemporary Art: «Twentieth Century NorthAmerican Painters» Sao Paulo, Brazil La Jolla Museum of Contemporary Art: «Artists Quilts: Quilts by Ten Contemporary Artists with Ludy Strauss» California Also: Los Angeles Municipal Art Gallery, San Jose, California, and University Art Gallery, University of Texas, Arlington, Texas (catalogue) Art Center College of Design: «DECADE: Los Angeles Painting in the «70's» Pasadena, California Fox Graphics Gallery: «Selected Prints Published by Landfall Press» Boston Washington Project for the Arts: «Neon Fronts: Luminous Art for the Urban Landscape», Washington D.C. James Corcoran Gallery: «Summer Group Show» Los Angeles, California Thomas Babeor Gallery: «A California Summer» La Jolla, CA Tower Gallery, Inc.: «California Artists: Sculpture and Paintings» Southampton, New York Judith Christian Gallery: «Forty Famous Californians» New York Montgomery Art Gallery, Pomona College: «Professor's Choice» Claremont, California Sheldon Gallery, University of Nebraska: «The Kansas City Show» Lincoln, Nebraska Art Gallery, California State University, Northridge: «Abstraction in Los Angeles, 1950 - 1980: Selections from the Murray & Ruth Gribin Collection»

This presentation of masterworks and experimental pieces from SFMOMA's collection of painting and sculpture explores themes that have shaped the history of modern art from the early twentieth century to our own time.

Compared to the art that wore its emotions on its sleeve from the Renaissance to the twentieth century — of Boticelli, Hugo van der Goes, van Gogh, or Arshile Gorky — Schiele's suffering comes out of nowhere, while his anger is fixed determinedly in past art.

Martin received her Ph.D. in twentieth - century British art from Yale University in 2009 and has authored numerous essays on the work of modern and contemporary artists, including Rasheed Araeen, Kader Attia, Rina Banerjee, Leslie Hewitt, Ed Ruscha, and Yinka Shonibare.

This work is joined by a selection of landscape and portrait paintings by Klimt, and a display of Austrian decorative arts from the early twentieth century.

In 1970, n.b.k. founded one of Germany's first «artotheks,» from which art enthusiasts can borrow from over 4,000 works of international art from the twentieth and twenty - first century free of charge.

The Neuberger Museum of Art was founded with an extensive gift of twentieth - century American artwork from the collection of financier Roy R. Neuberger.

Yet another view is that the real political feat of modern art was to have been political enough in the first four decades of the twentieth century to have broken in the first four decades of the twentieth century to have broken in the first four decades of the twentieth century to have broken free from the unstated but implicit obligation to be political in the service of the state.

A graduate of the École Spéciale d'Architecture in Paris, she was the editorial director of the Paris - based contemporary African art magazine Revue Noire from 1994 to 2001, and editor of numerous books on contemporary visual arts and photography in Africa including An Anthology of African Art: The Twentieth Century, Photographers from Kinshasa and Anthology of African and Indian Ocean Photography: a century of African photographeart magazine Revue Noire from 1994 to 2001, and editor of numerous books on contemporary visual arts and photography in Africa including An Anthology of African Art: The Twentieth Century, Photographers from Kinshasa and Anthology of African and Indian Ocean Photography: a century of African photographeArt: The Twentieth Century, Photographers from Kinshasa and Anthology of African and Indian Ocean Photography: a century of African photogrCentury, Photographers from Kinshasa and Anthology of African and Indian Ocean Photography: a century of African photogrcentury of African photographers.

Residents and Visitors: Twentieth - Century Photographs of Louisiana is the eighth collaborative exhibition drawn from the collections of the New Orleans Museum of Art (NOMA) and The Historic New Orleans Collection (THNOC), and the first to be based solely on institutional photographic holdings.

Caitlin Swindell received a master's degree in art history from the University of North Carolina at Chapel Hill (2016) where she focused in modern and contemporary American art and twentieth century African - American art.

Contemporary Chinese Photography and the Cultural Revolution, Staatliche Mussen zu Berlin, Berlin, Germany (2017); The Exhibition Go Annual Contemporary Art in China, Beijing Minsheng Art Museum (2016); Silk Road International, Art Museum of Nanjing University of Arts, Nanjing, China (2016); New Capital: Huang Yu Collection Exhibition, Museum of Contemporary Art, Chengdu, China (2016); Guns and Roses, Kunstraum, Potsdam c / o Waschhaus, Germany (2016); Links — Locality and Nomadism, The Galaxy Museum of Contemporary Art, Chongqing, China (2015 - 2016); Beyond the Earth — The First Xi'an Contemporary Photography Exhibition, Xi'an Art Museum, Xi'an, Shaanxi Province, China (2015); Chinese Photography: Twentieth Century and Beyond, Three Shadows Photography Art Centre, Beijing, China (2015); Unfamiliar Asia: The Second Beijing Photo Biennial, CAFA Art Museum, Beijing, China (2015); China 8: Contemporary Art from China on the Rhine and Ruhr, Folkwang Museum, Essen, Germany (2015); 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography Art Centre, Beijing China (2015); and Pull Left — Not Always Right,» Urban Arts Space, Ohio State University, Columbus, OH (2014), Hillstrom Museum of Art, Saint Peter, MN (2014); and Unboundedness, China Cultural Center, Berlin, Germany (2013 - 2014).

The early part of the collection features French and Russian art from the beginning of the twentieth century, cubist paintings and superb holdings of expressionist and modern British art.

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections