Sentences with phrase «twentieth century art history»

Known for working in a figurative style when others were beginning to experiment with abstraction, Neel has been hailed as an important figure in Twentieth Century art history.

From the graceful silence sought after by the Zero artists to the visual effects attaching by the Kinetic artists, and the innovative techniques of Pino Pinelli and Mimmo Rotella, Rethinking Space unites the various strands of Italian art of the 1950s and 1960s and beyond to provide a complete overview of one of the most fruitful times in twentieth century art history.

Twentieth century art history gave us plenty to talk about when it comes to architecture and how it informs the world and its individuals (or vice versa).

Recent scholarship has placed these artists within the mainstream continuum of twentieth century art history, and their works add depth and richness to the landscape of American art history: BRUCE CONNER WALLACE BERMAN JOE GOODE ED RUSCHA TONY BERLANT LITA ALBUQUERQUE RICHARD PETTIBONE

Not exact matches

When we talk about the key shifts of the twentieth century — those involving politics, trade, consumption, art — we leave out what is surely the most astonishing physical change in all of human history, one that has happened mostly during the last century: the doubling of the human life span in much....

In a gracefully detailed interpretative narrative that stretches from ancient Greek and Roman mosaics to twentieth - century paintings, art historian Ebert - Schifferer presents the long and fascinating history of the still life, a highly symbolic genre.

There are books on shelves, in file containers along the stairway, piled in laundry baskets — and they reflect the range of his interests: Painting in the Twentieth Century, Rebels against Slavery, The End of Blackness, Invisible Man, Theories of Modern Art, African Art, Against Race, A Rumor of Revolt, A Different Mirror: A History of Multicultural America, The Salt Eaters, Of Grammatology, Black Empire, A Commentary on Heidegger's «Being and Time», The Future of the Race.

A sumptuously illustrated history of the Eternal City — the capital of Italy and world art — as captured by painters from the Antiquity through the twentieth century.

Performa Founded in 2004 by art historian and curator RoseLee Goldberg, Performa is the leading organization dedicated to exploring the critical role of live performance in the history of twentieth - century art and encouraging new directions in performance for the twenty - first century.

From Mexico City to LA: A Visual History of Graphic Art traces the history of printmaking in Mexico throughout the twentieth century and explores the conversation between Mexican printmaking and contemporary graphic art in Latin America and Southern CaliHistory of Graphic Art traces the history of printmaking in Mexico throughout the twentieth century and explores the conversation between Mexican printmaking and contemporary graphic art in Latin America and Southern CalifornArt traces the history of printmaking in Mexico throughout the twentieth century and explores the conversation between Mexican printmaking and contemporary graphic art in Latin America and Southern Calihistory of printmaking in Mexico throughout the twentieth century and explores the conversation between Mexican printmaking and contemporary graphic art in Latin America and Southern Californart in Latin America and Southern California.

As artists developed their creative visions in the postwar period, printed formats, with their inherent properties of reproduction, seriality, and multiplicity, were crucial vehicles for articulating and disseminating their practices, yielding an especially rich moment in the history of twentieth - century art.

Honorees are works of significant impact that address twentieth - century American Modernism and its relationship with arts, culture, or history.

I am a PhD candidate studying the history of twentieth - century American art at the University of Delaware.

Including major installations and rarely seen works on paper and archival materials, the exhibition is a long - overdue exploration of Le Parc's central role in twentieth - century art history.

«The Work Between Us»: Black British Artists and Exhibition Histories Bluecoat, School Lane Liverpool L1 3BX #WorkBetweenUs #ahrcBAM #blackartistsandmodernism 20 Jan 2016 09:00 to 18:00 How do artists of African and Asian descent in Britain feature in the story of twentieth - century art?

This exhibition illustrates the profound impact of Africa's art and rich history on twentieth - century African American artists.

In Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America, Copeland focuses on the work of Renée Green, Glenn Ligon, Lorna Simpson, and Fred Wilson, and considers how slavery shaped American art in the last decades of the twentieth century in order to argue for a reorientation of modern and contemporary art history where the subject of race is concernArt, Slavery, and the Site of Blackness in Multicultural America, Copeland focuses on the work of Renée Green, Glenn Ligon, Lorna Simpson, and Fred Wilson, and considers how slavery shaped American art in the last decades of the twentieth century in order to argue for a reorientation of modern and contemporary art history where the subject of race is concernart in the last decades of the twentieth century in order to argue for a reorientation of modern and contemporary art history where the subject of race is concernart history where the subject of race is concerned.

Thompson's brilliant reworking or European art history stands very much alone in twentieth - century art and reflects the vitality, spirit, and tragedy of his life.

Best known for large - scale interiors, landscapes, and portraits featuring powerful black figures, Marshall explores narratives of African American history from slave ships to the present and draws upon his deep knowledge of art history from the Renaissance to twentieth - century abstraction, as well as other sources such as the comic book and the muralist tradition.

She is a PhD candidate in Art History at Virginia Commonwealth University, specializing in Twentieth Century and African art, and held the Thalhimer Research Assistantship for the 2015 - 2016 academic yeArt History at Virginia Commonwealth University, specializing in Twentieth Century and African art, and held the Thalhimer Research Assistantship for the 2015 - 2016 academic yeart, and held the Thalhimer Research Assistantship for the 2015 - 2016 academic year.

This presentation of masterworks and experimental pieces from SFMOMA's collection of painting and sculpture explores themes that have shaped the history of modern art from the early twentieth century to our own time.

Rasuchenberg, Stella, Spero — introducing New York Masters, a new video series for which art historian and curator Robert Storr discusses New York's art history, and the some of the city's influential twentieth century artists represented at Frieze New York 2017.

Lucas Knipscher uses African fabrics as the backdrop for playing cards, Ana Cardoso subjects cotton and art history to serious punishment, Wilder Alison gives tapestry as art the look of emoticons, and Mae Fatto (also the show's curator) runs riot right through the twentieth century.

Caitlin Swindell received a master's degree in art history from the University of North Carolina at Chapel Hill (2016) where she focused in modern and contemporary American art and twentieth century African - American art.

Feeley's abstract works with their bright colors, simple repetitive forms and symmetrical compositions occupy an important place in the history of twentieth - century American art.

[2] Bernard Smith, Modernism's History: A Study in Twentieth - Century Art and Ideas (New South Wales: UNSW Press, 1998), 132.

The New Art offers a comprehensive view of the WGMA collection, highlighting twentieth century masterpieces and celebrating the history of one of the nation's most important modern art institutioArt offers a comprehensive view of the WGMA collection, highlighting twentieth century masterpieces and celebrating the history of one of the nation's most important modern art institutioart institutions.

Visit our free library dedicated to the history and theory of Russian and international contemporary art of the twentieth and twenty - first centuries.

Trained in twentieth - century Modernist avant - garde movements, she has continued her investigations of subcultures, outsider artists, and emerging art movements with such original work as the essay «A Partial and Incomplete Oral History of the Mission School» in the BAMPFA catalog Barry McGee; the exhibition catalog Energy That Is All Around; and the introduction to Bruce Conner: The Afternoon Interviews.

Taking its title from British architect Alison Smithson's description of how young people bring together elements of style to define their identity and social allegiances, Antunes gathers references to overlooked figures in the history of twentieth - century architecture, art and design, particularly women.

With a profound knowledge and understanding of the history of twentieth - century avant - gardes, experimental music, and cinema, Aitken's art embraces a collaborative spirit across disciplines.

Her research focuses on American art and visual culture of the nineteenth and twentieth centuries with a special emphasis on the intersections between fine art and the histories of consumer culture, theatrical entertainment, and technologies of image reproduction.

Of course, Judy Chicago's is an iconic name in the rapidly shifting art history of the second half of the twentieth century, as it moved from the rowdy machismo of the New York School to Donald Judd and company's coolly masculine Minimalism.

Barba's film offers a portrait of one of his sculptures, which has borne witness over many years to the joyful creative universe of this great figure in twentieth - century art history.

This fully illustrated book examines this cultural phenomenon as a key moment in twentieth - century art history which transcended regional and racial boundaries.

Her areas of research and teaching interest span the modern Americas, with an emphasis on the art of twentieth - century Cuba and Puerto Rico, the transnational history of abstraction, and the postwar avant - garde.

Survey David Campany provides a comprehensive historical overview of photography's place in twentieth - century art history.

This includes his poetry, painting, sound work and performance; his recording projects, and his founding of Giorno Poetry Systems; his AIDS activism; his Tibetan Buddhism and his vast personal archive that comprises a history of radical art and poetry in New York during the second half of the twentieth century.

Sounds Like Her builds on Eyene's acclaimed exhibition Curators Series # 8: All Of Us Have A Sense of Rhythm at David Roberts Art Foundation, London (2015), which presented an original research into the influence of black rhythms in twentieth century sound art, and highlighted their overlooked legacy in the history of this practiArt Foundation, London (2015), which presented an original research into the influence of black rhythms in twentieth century sound art, and highlighted their overlooked legacy in the history of this practiart, and highlighted their overlooked legacy in the history of this practice.

Born in Chicago, Golub (1922 — 2004) occupies a singular position in the history of mid to late twentieth - century art.

«PICTURE INDUSTRY,» curated by the artist Walead Beshty at the Hessel Museum of Art at Bard, has quietly thrown down the gauntlet, not only for exhibitions that address the history of photography, but for all future surveys of twentieth - century art and political imagery broadArt at Bard, has quietly thrown down the gauntlet, not only for exhibitions that address the history of photography, but for all future surveys of twentieth - century art and political imagery broadart and political imagery broadly.

Of the latter two, which are included in the exhibition, Smoke is a study for a much larger version that was shown in the atrium of the Corcoran Museum of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century aArt in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century artart.

The Contemporary Art Society has a history of placing important works by most of the most significant artists of the twentieth century in national and regional public galleries in the UK for the first time — from Picasso to Hirst — continuing today with recent gifts of works for example, by current Turner Prize nominees Luke Fowler and Elizabeth Price (see «Recent Gifts Currently Showing» below).

A founding member of the Tanager Gallery and intimate associate of the 10th Street School, Charles Cajori has had an extraordinary career steeped in the history of twentieth - century art.

Although the work of Jay DeFeo has been exhibited consistently over the years, mainly on the West Coast, her inclusion in the 1995 exhibition Beat Culture and the New America: 1950 - 1965 at the Whitney redefined her significance within the history of twentieth - century American art and prompted a reexamination of her entire life's oeuvre.

In the history of twentieth - century collectivism in art, Colab has so far occupied an inferior position in comparison with coeval groups like General Idea or Group Material that were smaller, more structured, and more inclined to dialogue with the official art world.

Inspired by personal experiences growing up in the south as well as distinct events in American history like the migration of African - Americans from south to north and the Watts uprising of 1965, Outterbridge's works are as rooted in folk and African art as they are in dialogue with twentieth century art movements such as Dada, assemblage, and the readymade.

2013 Etched in Collective History, Birmingham Museum of Art, Birmingham, AL Reflections: African American Life from the Myrna Colley - Lee Collection, International Arts & Artists, Washington, DC; Kalamazoo Institute of Arts, Kalamazoo, MI; Howard University Gallery of Art, Washington, DC; Alexandria Museum of Art, Alexandria, LA; Lauren Rogers Museum of Art, Laurel, MS; Montgomery Museum of Fine Arts, Montgomery, AL Seismic Shifts: Ten Visionaries in Contemporary Art and Architecture, National Academy Museum, New York, NY We Hold These Truths..., Hofstra University Museum, Hempstead, NY The Lunder Collectiom: A Gift of Art to Colby College, Colby Museum of Art, Waterville, ME 2014 Witness: Art and Civil Rights in The Sixties, Brooklyn Museum of Art, Brooklyn, NY; Hood Museum of Art, Hanover, NH; The Blanton Museum of Art, Austin, TX 17 @ 70 +, Orange Coast College, Costa Mesa, CA Venus Drawn Out: 20th Century Drawings by Great Women Artists, The Armory Show Modern, New York, NY RISING UP / UPRISING: Twentieth Century African American Art, Michael Rosenfeld Gallery LLC, New York, NY Shared Vision: The Myron and Anne Jaffe Portenar Collection, Arthur Ross Gallery, University of Pennsylvania, Philadelphia, PA

He commonly engages in the history of art by taking motifs and iconography from twentieth century figurative and abstract art and reworking them in pointedly «low» media such as ink drawing, graffiti, cartoon and collage.

1971: A YEAR IN THE LIFE OF COLOR, by Darby English, «should be required reading for anyone interested in the intersections of race and the history of twentieth - century art as it once was.»