Twist the ends like a piece of wrapped candy.
Wrap egg in plastic wrap and
twist the ends like a tootsie roll wrapper.
Not exact matches
If you
liked «Gone Girl» and «The Girl on the Train,» you'll appreciate this book's lyrical plot - line and gripping
twist at the
end.
At first, Maes» favorite Black Mirror episodes were the ones that related the most closely to her own work in augmented reality, filter bubbles and memory —
like the «grain» episode about the pitfalls of total recall, or the
twist ending in the Hololens -
like «Men Against Fire.»
For a Christian kid in the»90s, this was probably pretty cool, but
like a lot of swing - for the - fences decades - old music videos, the ambitious narrative doesn't really age well — especially the
twist ending.
In the GN, you should have the zombies out there doing their thing, but only relate them to the xian fundies at the very
end, kind of
like a «surprise
twist».
Christians
end up beating themselves up
like Martin Luther did until they are overcome with grace from God while non believers trapped in denial
twist science thinking it answers the question of why I am here.
Bellweather Rhapsody by Kate Racculia:: I didn't
like this book for most of the time I spent reading it but then there was a
twist there at the
end that genuinely shocked me and made me finish the book.
It's a familiar feeling to film buffs who have seen many versions of the shock -
twist ending in films
like Fight Club...
Just
like what you did, pull out verses and applied them to the church to make the church looks
like it is under God's protection, and deliberately left out or
twisted other «warning» verses about what would happen to them in the
end time.
Divide mixture in two, spoon onto a large piece of baking paper, roll away from you to form a cylinder —
like Martha does here —
twist ends to seal and refrigerate until firm (1 hour).
Give the leaves a whirl in a salad spinner to remove excess water (if you don't own a salad spinner simply lay the leaves out onto a clean tea towel, wrap up
like you would a lolly and
twist the
ends to secure.
I
like to cut it into squares, then wrap it in wax paper,
twisting the
ends.
If you
like, you can also fold to make the
ends meet and then give them a little
twist (just
like these Lemon Ricotta Cheese Cookies di Chef Luca).
And that is
end of the short version of the story of how I got to be
twisted enough to believe that everyone the West say they don't
like is automatically evil.
Julia stood between my legs and held one
end of a sheet that she
twisted up
like a rope so that I could pull the other
end.
A Möbius strip with one
twist does not form a knot, however with three, four and five
twists it becomes a trefoil knot (
like an overhand knot with the
ends joined together), a Solomon's knot or a cinquefoil knot respectively.
The difficulty was to
twist the molecules:
like strips made from cardboard or steel, they would resist
twisting and start to «untwist» when released at the «
ends.»
It was just a simple
twist, Supta Matsyendrasana (Supine Spinal Twist)-- nothing like the rigorous daily training he'd done as a damage controlman on aircraft carriers — but his legs refused to cooperate, due to the painful nerve damage and severe sciatica he'd suffered as a result of a career - ending back in
twist, Supta Matsyendrasana (Supine Spinal
Twist)-- nothing like the rigorous daily training he'd done as a damage controlman on aircraft carriers — but his legs refused to cooperate, due to the painful nerve damage and severe sciatica he'd suffered as a result of a career - ending back in
Twist)-- nothing
like the rigorous daily training he'd done as a damage controlman on aircraft carriers — but his legs refused to cooperate, due to the painful nerve damage and severe sciatica he'd suffered as a result of a career -
ending back injury.
Half Up
Twist On dry hair, start by back - combing at the crown, then use a curling iron from the mid lengths to
ends to create a loose wave that reads more
like natural texture.
The film, which hits theaters February 16, is a modern
twist on a romantic comedy (boy and girl meet, fall in love, but then break up, and are suddenly reunited,
ending up in that awkward stage where they have to debate whether to wave hello while taking out the trash), but it's also a particularly female spin on the coming of age story, the
likes of which we're only beginning to see onscreen as more women carve out a place for themselves in writer's rooms and director's chairs.
I swear, this whole victorian trend was invented for the
likes of me, the ones that enjoy wearing classic pieces but always
end up adding a
twist.
Remember this is an Original Dating quiz so it does have a
twist... At the
end of each round the male teams move to the next female team and the night continues
like this until every male team has met every team of girls.
If you did not
like the movie in general, you must have at least found the
twist ending to be the most original in the past ten years!
And, aside from a conclusion I won't spoil except to say that it plays exactly
like the meta - film
twist at the
end of Altman's THE PLAYER, Spielberg can't resist to inject a Gumpian «brush with history» as then Assistant Attorney General Rehnquist, a future Justice of the Supreme Court, calls to advise Bradlee the publication of the papers is prohibited by the Espionage Act of 1917 — just a beat too late to stop the story going to print.
Feels
like a script that was written backwards, as if the
twist ending occurred to [writer - director] Caleo first and he then filled out a story to get to it.
Plays largely
like a performer's showpiece, with all the showboating and not so surprising character
twists that entails, but Stettner comes out the other
end with a pleasantly modest and satisfying revelation.
There is an attempt at some sort of
twist ending, a la M. Night Shyamalan, but even this adds so very little to the story as a whole, and comes off
like a gimmick just to give the film a «big reveal» even if it doesn't really merit one.
That's why I'm putting it down as essential viewing for anyone who loves rock»n' roll, anyone who ever played in a band, anyone who grew up in the»60s, or anyone who'd simply
like to see how a story that starts with one kind of
twist — by Joey Dee and the Starliters — can
end up six years later on a desolate Hollywood Boulevard with another, leaving us to ponder where music, and we, still might be headed.
Given the number of people involved in the production (the
end credits feel
like they go forever), it's amazing to think that the many plot
twists have been protected right up until the day of release.
In fairness, she does
end up needing to be rescued by the men at one point, but
like everything in The Man from U.N.C.L.E., even this expected trope of the genre is slightly turned on its head with a few
twists that keep audiences guessing and keep all of the players on their toes.
«Matchstick Men» includes,
like all confidence trick films, a mindbending
twist, but it does not
end with the
twist itself, but with its aftermath a year later.
As with Open Your Eyes, there is an O. Henry -
like twist at the
end, that is at times hard to figure out although people know it's coming.
That's obviously the point, but by the time the movie arrives at its climactic
ending, it becomes one
twist too many, and instead of a brilliant mind - bender, it feels
like a cheap trick written by someone trying to outdo «Inception.»
In the
end, Underworld is exactly what it looks
like — a harmless Hollywood action romp with a supernatural
twist.
At a seemingly lean 105 minutes, the film feels more
like 205 minutes as it chugs along to its big
twist ending (ahem, Señor Shyamalan at your service), and though the story gains some momentum in the middle with the introduction of a group of ghost hunters, the random change in direction doesn't quite fit with the rest of the film's tone.
Justin: I
like how they save some of the
twists, the explanations towards the
end... this movie doesn't show all its cards up front.
As a sequel to a movie with a
twist ending so over-the-top and improbable that it crossed over into the sublime, Now You See Me 2 has no option but to go bigger; if it can't top Now You See Me's reveal, which seemed
like it came from the mind of Adaptation's Donald Kaufman, it can at least up the ludicrous quotient,...
Directed by Iain Softley, who never met a project he could elevate, The Skeleton Key is more likely just ignorant trash so desperate for
twist - hungry jackasses left in the lurch by patron saint Shyamalan that its central promotional campaign seems to involve having Hudson exclaim as often as possible on shows
like «Access Hollywood» that the
twist ending surprised her.
By the
end of the show we've had several unexpected and unforeshadowed plot
twists, and it kind of seems
like even the writers are as fed up with «Smash» as the rest of us are.
twist to her marriage that feels
like it's trying to distract us from the fact that the main plot line isn't going to come to a satisfying
end.
It's all surprise, all mystery, one
twist after the other, going off
like firecrackers until the
end of the film.
It starts as an intriguing enough mystery, evolves into a suitable second - act quest; however, some third - act «
twists» just derail whatever narrative momentum the story manages to build, and muddles both the mythology and character relationships developed up to that point, leaving us with an awkward
ending that doesn't feel much
like an
ending so much as a chapter break.
And DeKalb Elementary is an intriguing low - key
twist on what could've been a moment - of - truth scenario, but its lack of drama
ends up feeling
like a lack of total energy.
In what turned out to be the cruelest
twist of all, the film fails to deliver on the «new beginning» promised by the title, as it
ends with a not - so - shocking final scene that never found its way into any of the following installments, suggesting that this is the one entry in the series that even its most ardent supporters would just
like to forget ever existed.
Because M. Night Shyamalan's film about a remote village's encounters with creatures the nearby woods has a period setting, there's little profanity to worry about, nor is there nudity, and the violence is fairly muted in what plays a bit
like a dark fairy tale with a cool
twist ending.
«Happy
End» plays at times
like a critique of technological alienation, dispensing key plot
twists via chilling iPhone videos and Facebook chat sessions.
Everything
ends on a fairly predictable — but not altogether unimaginative —
twist that adds some much needed meaning to the affair but it can't help feeling
like too little too late from Scott.
However, the
ending,
like that of Basic Instinct, comes with a
twist that actually raises more questions than it answers.
The other issue I had with the film was the lack of a really big
twist at the
end like Shyamalan has become known for.