Sentences with phrase «typescript for»

Part of a typescript for an essay entitled: «Recollection of Kurt Schwitters» by Ithell Colquhoun.

Also included in writings is a typescript for Tales of Aunt Dicy, an annotated collection of Biggers» drawings of folk tales, as well as other shorter essays on Biggers, including «John Biggers: American Muralist.»

As a scholar, Polk had gained access to Faulkner's carbon typescripts for the major works; these were, effectively, keystroke logs of the author's original manuscripts, and Polk compared these with the published texts to return the prose to Faulkner's original intentions (these are the «corrected text editions» published by Vintage).

Typescript, c. 1937, Holger Cahill papers, 1910 — 1993, Series 4.5: Typescripts For Art For The Millions, Archives of American Art, Smithsonian Institution, Washington, DC.

Not exact matches

In conclusion, I am grateful to Professor D. D. Williams of Union Theological Seminary, New York City, and Professor D. W. Sherburne of Vanderbilt University, Nashville, Tennessee, for reading the typescript and making many valuable suggestions; and above all to Professor Charles Hartshorne, who has not read the typescript but who, during a recent short visit to England, discussed with me many of the ideas which are found in this book.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Documentation includes a very small file of correspondence; information on insurance; budgets; checklists; installation notes and diagrams; conservation information; the brochure produced for the show, and material relating to it, including a typescript of the introductory text; press releases and publicity materials; and material relating to the opening and other events associated with the show.

In 2003, The Huntington acquired Charis Wilson's typescript diary recounting every aspect of the journey, which is on view in The Huntington's Library Main Exhibition Hall, as well as documentation detailing the contentious creative wrangling between Weston and the Limited Editions publishers, both of which significantly informed the research for this exhibition.

Stuart Davis, «Recollections of the Whitney» (transcript of an interview by John I. H. Bauer and Herman More, for broadcast on WNYC, American Art Festival), Sept. 29, 1953, unpublished typescript, artists» files archives of the Whitney Museum of American Art, New York.

This text was available only in a typescript catalogue (pp. 14 — 15), as Stephenson's work, with that of two other artists, was added for the London showing, and does not appear in the original printed catalogue of the touring exhibition.

Wilson's artistic creative capacity was matched by a formidable mind and a talent for writing, and within a short time span he duly produced a thirty - three - page long typescript, a bite size introduction to his work, his thought process, his world.

Gubb (35) taped himself undergoing hypnotic regression, later producing a typescript which forms the source material for -LSB-...]

Kulp et al. (1951), p. 116; Kulp (1953); Craig (1954), pp. 138 - 39; «fossil water» (from glacial age lingering until ca. 1000 years ago followed by rapid «renewal»): Worthington (1954); «nobody knows:» Roger Revelle, «The oceans and the Earth,» talk at American Association for the Advancement of Sciences symposium, Dec. 27, 1955, typescript, folder 66, Box 28, Revelle Papers MC6, SIO.

TypeScript is an open - source programming language developed and maintained by Microsoft and it is typically used for large web development projects.

Through building out a Typescript based blockchain and developer tools in multiple programming languages, RISE will offer flexibility for the wider developer community in the future.

«The roll out of our TypeScript mainnet gives us great momentum to continue building a truly community driven, scalable platform for DAPP development.»

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