Sentences with phrase «us film culture»

The mission of the not - for - profit Coolidge Corner Theatre is to entertain, inform, and engage — building a vital community through film culture.

Hanson delivers something ever rarer in film culture, not a new film noir but an old - fashioned total movie, somehow of a single piece.

After the family moved to California, Von Teese became even more immersed in film culture, and eventually studied costume design in college, preparing for a career in styling period films.Von Teese began working at a local strip club when she was 18, but was disappointed by the lack of style and creativity shown by most of the dancers.

The basic premise is that even though film criticism is always something that has a stake in cinema, it needs to have a certain distance to film culture.

Its 30 - plus contributors have gone from being new voices in the New York film criticism scene to part of established film culture.

In our case the conflicts with the Berlinale were not very determining because we wanted to achieve something that has more to do with film culture in general.

The success of such movies and their imitators has been identified by many as one of the reasons why American film culture took a nosedive in the 1980s, but his career has always alternated between blockbusters and more serious fare.

Her research interests include: Japanese film culture, film noir, film theory and the intersections of film history and new media.

Could it be that in the intervening decade of film culture, Howard and his returning collaborators from previous Brown adaptations — screenwriter David Koepp, cinematographer Salvatore Totino, composer Hans Zimmer — hadn't thought of a single way to give the source material even the measliest spritz of freshness?

A magazine of film culture past and present, with new articles, interviews, and videos published every day

READINGS Books about all aspects of filmmaking and film culture Reinventing Hollywood by David Bordwell, reviewed by Nick Pinkerton; California Infernal: Anton LaVey & Jayne Mansfield As Portrayed by Walter Fischer, reviewed by J. Hoberman; Metaphors on Vision by Stan Brakhage, reviewed by Michael Joshua Rowin

Jones has gained an unusual perspective on film culture in the two cities.

Apart from personally being an ardent follower of Senses of Cinema, there's no doubt that this online publication has garnered considerable respect internationally within the film community as an intellectually rigorous — though nonetheless inclusive (in editorial tone)-- site for substantial engagement with film culture.

In such a film culture utopia, Bonnier can continue showing blockbusters and mainstream films packaged in consumer - arrogant forms, hide behind industrial methods, and haul in cash on popcorn — and I won't complain!

For going on a quarter of a century, he's been New York film culture's indispensable man.»

«The gold standard of reissue distributors» — Kenneth Turan, Los Angeles Times «Rialto has made — and continues to make — a tremendous contribution to film culture in the United States.»

Our philosophy of cinema remains the same: to stay outside the mainstream system of distribution and promotion that rules public film culture, and to champion what is innovative, challenging, personal and under - recognised in the art of cinema.

Several observers and participants in Australian film culture respond to Barrett's book and raise important issues relating to the past, present and future of local film culture.

Where much talk of film culture necessarily targets the social conditions enabled (and disabled) by government, institutions, big business, etc, an older tradition in film criticism takes a step away from this «materialist» fray, to revel in the visions of special auteurs.

However, now one such film has come along, and there is, for whatever reason, a sort of eagerness for it to fail, with people anticipating hating exactly the kind of work that is sadly lacking in mainstream film culture.

Saldana is also aware of the transcendence of her character as being played by a black Latina amid a diversifying film culture.

The movie also furnishes a resonant complement to other TIFF darlings that have enjoyed film culture's attention throughout the fall: as perceptive but less schematic than Mudbound, and even more credibly lived - in than The Florida Project, which could easily have been Méndez Esparza's title.

READINGS Books about all aspects of filmmaking and film culture Sisters in the Life: A History of Out African American Lesbian Media - Making edited by Yvonne Welbon and Alexandra Juhasz, reviewed by Nick Davis; William Faulkner at Twentieth Century - Fox: The Annotated Screenplays edited by Sarah Gleeson - White, reviewed by Nick Pinkerton; Everybody Sing!

If you find any satisfaction in our work and are keen to continue exploring the rewarding depths of cinema by our side, please consider becoming our subscribers and supporting us with however small donations to give us a helping hand in keeping film culture alive for future generations.

Even without its extensive butterfly effect on film culture en masse, Kurosawa's landmark film is an epic to behold, especially on 35 mm in Seattle's Cinerama Theater (now one of the most advanced, hi - tech theaters in the world.)

The result of those smoky sessions was the essential 1966 film book Hitchcock / Truffaut, but in Jones's hands — along with the fearsomely intelligent insights of David Fincher, Martin Scorsese and others — the text comes alive in a celebration of film culture and deep - shadowed influence.

As the only festival in the US to be accredited by FIAPF, and having developed under the shadow of the formidable American Film Institute, the event entertains a complex relationship to mainstream US film culture and international cinephilia.

In a youth film culture that has embraced increasingly violent and sadistic horror films, especially those that linger on acts of inhuman brutality and excruciatingly endured mutilations (quite accurately dubbed «torture porn»), what's not to like about a film about a silent butcher who bludgeons the passengers of a late - night subway ride, preps the carcasses like slaughtered cattle and hangs them like sides of beef?

by Bill Chambers The common charge levelled at Ryan's Daughter when it was released in 1970 was that it seemed anachronistic within contemporary film culture.

Current research interests are focused on the history of the New Queer Cinema, the status of film festivals as loci of film culture, and an inquiry into shifting modes of documentary in the internet age.

The episode also features a clip of Dario's deep discussion about film criticism and contemporary film culture with friend of the podcast Simran Hans, which can be found in full over on our Patreon site for subscribers, as well as Neil's chat with film critic and podcaster Leslie Byron Pitt about representation in filmmaking and film criticism alongside as Basic Instinct and erotic thrillers as Leslie is one quarter of the excellent Fatal Attractions podcast.

We exist to create a dynamic film culture in Kansas City by promoting and supporting local film makers and theaters, providing educational programs and events, and creating transformative movie experiences for film enthusiasts.

Via year - round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment, the U.S.'s premier magazine about films and film culture, the Film Society endeavors to make the discussion and appreciation of cinema accessible to a broader audience, as well as to ensure that it will remain an essential art form for years to come.

The filmmaker siblings are a product of their environment and of film culture, but theirs is not a cinema of nostalgia or reverence, it's a mutant hybrid of all their influences.

In 2014, she was awarded the «Essential SF» honor for her contributions to film culture in San Francisco.

More than ever before, though, film culture is all about tentpoles and recognizable brands.

It's also true that analysis of visual style is woefully rare in film culture, so the fact that they focus on it at the expense of plot - and - theme analysis has value in and of itself by helping to turn the conversation toward unexamined possibilities in film criticism.

READINGS Books about all aspects of filmmaking and film culture Hank and Jim: The Fifty - Year Friendship of Henry Fonda and James Stewart by Scott Eyman, reviewed by Steven Mears; Ingmar Bergman's Face to Face by Michael Tapper, reviewed by Justin Stewart; Cinemaps: An Atlas of 35 Great Movies by Andrew DeGraff, reviewed by Chloe Lizotte

In one, that repression leads to supernatural horror; in another, it creates the tragedy of unrequited love in a rarely - seen - in - film culture.

asks director John L. Sullivan (Joel McCrea) in Sullivan's Travels (1941), thereby betraying his lack of true film culture.

In a film culture where B - movie plots are routinely executed with budgets in excess of $ 100 million in place of intelligence and thrown into thousands of theaters, the well - tuned genre piece is an increasingly rare breed.

In a film culture where genre storytelling all too often boils down to the stock gimmicks used over and over again with special effects or high concept twists to hide the familiarity, this is so refreshingly old school smart that it feels almost new.

READINGS Books about all aspects of filmmaking and film culture The Face on Film by Noa Steimatsky, reviewed by Michael Joshua Rowin; Jean Renoir: A Biography by Pascal Mérigeau, translated by Bruce Benderson, reviewed by Maddie Whittle; The Art of Selling Movies by John McElwee, reviewed by Justin Stewart

The Austin auteur spent a dozen years on the epic tale of one average Texas boy's coming - of - age — and touts the film culture of the state.

Like my hometown Melbourne, my new city Wellington has an amazing film culture, and I arrived in a strong year for New Zealand cinema.

In a film culture dominated — visibly or not — by views inextricably tied to the concept of auteurism, there's something irresistible about judging films by how they reflect the artistic evolution of their director.

The first wave of Sundance filmmakers in the»80s had to be purely committed to their craft just to eke out an existence in the homogenous film culture of the decade.

As Luciano Tovoli once said in his response to a question regarding his own supervision of the Blu - ray transfer of Dario Argento's 1977 Eurohorror classic Suspiria, the physicality of celluloid image should be contrasted with the mathematical image offered by the digital.6 Experimenta, with its assiduous persuasion for the original formats of films in most cases7 in a country that severely lacks an experimental film culture and a consciousness regarding the latter, set the physical, tactile presence of films and filmmakers as its focal point.

Our current film culture is littered with movies about well - off middle - aged men going through a midlife crisis because they aren't part of the 1 % of the 1 %.

More than this, The Cinema of Takeshi Kitano: Flowering Blood is (like Kitano's cinema) an evocative and powerful contribution to film culture.