Sentences with phrase «umber blue»

Umber Blue (1978) seems to image something familiar — in this case it could initially be taken to represent a void between buildings or trees — but this almost automatic optical response doesn't last very long.

Yun Hyong - Keun's «Umber Blue» (1979) is among Korean abstract paintings that fetched high prices in spring sales by K Auction and Seoul Auction.

Not exact matches

Lime, Water, Umber, Ultramarine Blue.

Gold and umber upholstery warm the open - concept, 7,504 - square - foot interior, while glowing blue lights add a cool, underwater vibe.

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Colours: Titanium White, Yellow Ochre, Alizarin Crimson, Burnt Sienna, Burnt Umber, Cerulean Blue, Violet, Ivory Black, Cadmium Orange.

Last but not least I drop in the shadow mixture and allow the pigments to blend; I then take the rigger and begin to paint in the branches using the mixture of burnt umber and cobalt blue.

Colours: Titanium White, Naples Yellow, Cadmium Yellow, Yellow Ochre, Cadmium Orange, Cadmium Red, Rose Madder, Crimson, Burnt Sienna, Raw Umber, Sap Green, French Ultramarine Blue.

Additional Colours (optional): Burnt Umber, Olive Green, Cobalt Blue, Transparent Oxide of Red, Permanent Rose.

Colours: Burnt Umber, Alizarin Crimson, Titanium White, Cadmium Yellow, Cadmium Red, Ultramarine Blue, Lemon Yellow, Cadmium Orange

Colours: burnt umber, crimson, titanium white (coloured ground), pthalo blue (red shade), pthalo blue (green shade), burnt umber, burnt sienna, raw sienna, cadmium yellow cadmium red light, titanium white

Colours: burnt umber, burnt sienna, ultramarine blue, turquoise, dioxazine purple, alizarin crimson, cadmium orange, cadmium red, sap green, yellow ochre, cadmium yellow, ivory black, titanium white.

Colours: titanium white, toning grey (pinkish), cobalt blue, pacific blue, ultramarine blue, cerulean blue, orange, brilliant magenta, brilliant violet, burnt umber, red black.

Cadmium Red and Cadmium Yellow (for the fruit) Ultramarine Blue & Prussian Blue (for the cloth and floor) Violet & Alizarin Crimson (for glazes at the end) White (to make the colours cooler) Raw Umber (to bruise the fruit) Black (for the outlines)

Colours: Titanium White, French Ultramarine Blue, Burnt Umber, Raw Sienna, Burnt Sienna, Cadmium Yellow, Cadmium Red, Ceruleans Blue, Viridian Green, Sap Green.

Colours: Ultramarine blue, raw umber, hookers green, cerulean blue, burnt sienna, raw sienna, deep turquoise, crimson, sap green, cadmium yellow medium, cadmium yellow hue, titanium white

Colours: Cobolt Violet, Indian Yellow, Turquoise, Opera Rose, Light Red, Raw Sienna, Ultramarine Blue, Ultramarine Violet, Yellow Ochre, Burnt Umber, Cerulean, Alizirin Crimson, Olive Green, Raw Umber.

Colours: Yellow Ochre, Alizarin Crimson, Cerulean Blue, Burnt Sienna, French Ultramarine, Burnt Umber, Cadmium Red, Sap Green, Cadmium Yellow

Colours: burnt umber, crimson, titanium white (coloured ground), pthalo blue (red shade), burnt sienna, raw sienna

Or you could mix ultramarine and burnt umber (or any other dark blue and dark brown) for a more muted and muddy colour.

For the apples I worked a tiny amount of neat ultramarine blue into the red, for the pears I worked raw umber into small patches.

Colours: Titanium White, Cadmium Yellow, Yellow Ochre, Lemon Yellow, Cadmium Red, Magenta, Alizarin Crimson, Burnt Sienna, Leaf Green, Sap Green, Viridian Green, Cerulean Blue, French Ultramarine Blue, Raw Umber.

Colours used: Acrylic - white, phthalo blue, violet, burnt umber.

I use lamp black as a dramatic accent as well, placing the pure black in a part of the painting that is already devoted to very dark mixed blacks (alizarin crimson and phthalo green or ultramarine blue and burnt umber for example).

I still use pretty much the same palette I used when I first started painting, with a few additions over the years: Cremnitz white, raw umber, ultramarine blue, cobalt blue, quinacridone blue, burnt sienna, lemon yellow, cadmium yellow, Indian yellow, cadmium orange, cadmium or other warm green, Veronese green, vert Aubusson or pthalo green, a purple, cadmium red, alizarin crimson.

Alizarin Crimson and Pthalo Green sit side - by - side, as do Ultramarine Blue, Burnt Sienna and Burnt Umber.

It initially comprised White, Yellow Ocher, Blue Black, Burnt Sienna and / or Raw Umber.

It is also like the colors that occur in analog photography that tend toward dark mixes of Magenta, Viridian, Sienna, Umber, and Ultramarine Blue that sit in the photo paper in a way that shifted one way looks green and another way looks violet.

The work comes in two series, Umber - Blue and Burnt Umber & Ultramarine, for its true two colors.

These two colors neutralize one another, resulting in a gray color, which can be adjusted to a cool or warm temperature by adding more of either blue or burnt umber.

Calcago isn't just dividing the picture plane - you'd have to posit some effect of Frank Stella here - but segmenting three distinct shapes of the painting, descending in color from lemon yellow, to tangerine, red, purple, umber, blue to black, black back to yellow.

My palette consists of Vasari oil paint tubes in ultramarine blue, yellow ochre, burnt umber, terra rosa and titanium white.

Colours: titanium white, naples yellow, transparent perinone orange, cerulean blue, ultramarine blue, burnt sienna, burnt umber, red, black, brilliant violet

Colours: alizarin crimson, cadmium red, rose madder, verde green, terre verte green, ultramarine blue, cerulean blue, cobalt blue, ultramarine violet, transparent oxide of red, burnt sienna, raw umber, burnt umber, yellow ochre, lemon yellow, titanium white.

Colours: raw umber, burnt sienna, yellow ochre, burnt umber, ultramarine blue, cobalt blue, cerulean blue, king's blue light, alizarin crimson, cadmium red light, cadmium orange, naples yellow light, naples yellow dark, cadmium yellow light, lemon yellow, titanium white

Titanium White, Yellow Ochre, Raw Umber, French Ultramarine (Blue), Prussian Blue, Violet (Winsor Violet or Ultramarine Violet), Lemon Yellow, Cadmium Yellow (or Indian Yellow), Viridian, Cadmium Red, Alizarin Crimson, Burnt Sienna.

Colours: Titanium White, Cadmium Yellow, Yellow Ochre, Cadmium Red, Alizarin Crimson, Viridian, French Ultramarine Blue, Cobalt Blue, Raw Umber.

Colours: Alizarin crimson, yellow ochre, winsor violet, ultramarine blue, burnt umber, black, sap green, titanium white acrylic

His mature style is narrow but intense: water and dirt are invoked through washes of ultramarine blue and burnt umber which combine to form a glowering near - black and bleed out at the edge of geometric forms, generating a trembling beauty due to the differential absorption of the various layers of thinned paint.

Phong Bui (Rail): It must have been in late May of 1988, just a few days before Meyer and Lillian Schapiro left for South Londonderry, Vermont, where they had gone every summer ever since in the late 1930s, that they showed me a small abstract painting, with a loosely painted grid and rather somber palette of burnt sienna, raw umber, sap green, and deep blue, which, I was told, you had given them.

I can press it against the surface or drag it or stuff it into a bucket of dark umber and Prussian blue then drain it and hang it up high from the roof beam and watch it drip, sag and slowly be rid of its moisture.

And I use alkyd, which takes about two days to dry, and once it's dry, I then take off the little rubber bumps, which create those little holes with various kinds of white, which is mixed with a little bit of cerulean blue, and sometimes with raw umber or yellow ochre.

Marcia Hafif Black Painting: Ultramarine Blue and Burnt Umber II, 1979 - 80 Oil on canvas, 215 x 200 cm February 25 — April 3, 2010 Newman Popiashvili Gallery presents a solo exhibition of Marcia Hafif.

Estimate $ 300,000 - 500,000 Painted in sweeping layers of ochre, umber, sienna, grey and azure blue, Cinquecento evokes the palette and grandeur of 16th Century Italian art referenced in its title.

A great admirer of the late American artists Gene Davis, known for his»70s paintings of vertical strips of vibrant color, and Morris Louis, one of the earliest exponents of color - field painting, Trevino paints thin stripes in a wide spectrum of colors, with special emphasis on magenta, umber and sienna, and lime green and ultramarine blue.

Leave a Bid Bid in the Room Bid Live Online Freeman's Live Invaluable Bid on the Telephone, (american, 1928 — 2011), provenance:, note:, Estimate $ 300,000 - 500,000, Painted in sweeping layers of ochre, umber, sienna, grey and azure blue, Cinquecento evokes the palette and grandeur of 16th Century Italian art referenced in its title.

In T1982 - E4 (1982) a tornado of black, umber and blue merge, each diffuse pigment melting into the next with tonal ease.

Flat patches of burnt sienna, umber and ochre are interspersed with high - keyed thicker blue pigments.

LB: My first palette consisted of, going around from the bottom left of the palette and moving along the outer edge to the top right or middle of the right edge: titanium white, zinc yellow, cadmium yellow light, naples yellow, yellow ochre, alizarin crimson, cadmium red light, venetian red, ultramarine blue, cobalt blue, cerulean blue, virdian green, chromium oxide green, ivory black, burnt sienna, raw umber.

More recent paintings, such as Naturalist, and Approach, have almost entirely done away with recognizable landscape elements, yet the palette of deep umbers, cerulean blue, yellow, pink - tinged ochre, and their sense of space connect these paintings to a sensibility deeply rooted in the natural world.