Not exact matches
Lichtenstein, on the other hand, sought to underscore the objectness of Pop through his «single - object paintings»
presented in their
unbranded, un-fetishised form, exemplified by Bread and Jam (1963).
Jack Shainman Gallery
presented Hank Willis Thomas» fifth solo exhibition at the gallery,
Unbranded: A Century of White Women, 1915 — 2015.
All part of Thomas»
Unbranded, the ads originally appeared between 1968 and the
present; Willis has been painstakingly moving through the history of branding, selecting images that portray blackness or target black audiences.
At JACK SHAINMAN Hank Willis Thomas's archival tour de force, titled «
Unbranded: A Century of White Women, 1915 - 2015,»
presents 100 carefully culled print ads that trace the halting progress of feminism and — by omitting nonwhite women — the even more dispiriting state of racial equality in this country (513 West 20th Street, through May 23).
He took obvious pleasure in
presenting to me a portfolio of ads that he began compiling in 2005, which became the basis of a series of works called «
Unbranded: Reflections in Black by Corporate America 1968 - 2008,» the title something of an ode to his mother.