Sentences with phrase «unchained with»

We put the phone through the Django test — where we play the entirety of Django Unchained with full brightness on - and it came out the other side with a 67 % charge.

It's a rather simple plot, but that doesn't stop Tarantino from stuffing first hour of Django Unchained with memorable moments, kaleidoscopic imagery (Tarantino and cinematographer Robert Richardson utilize grainy film stocks to coat flashbacks in grindhouse grime), and dark humor.

The same can be said for Dern, who followed Django Unchained with his Oscar - nominated role in Nebraska.

With this new evolution in mind, I approached Django Unchained with the only slightly cautious hope that this movie, which is in large part about the horrors of slavery, might finally push him into a new plane of seriousness.

Not exact matches

She goes by the moniker Chjango Unchained and is heavily affiliated with unicorns.

In 2012, two years after she was first elected, she caused a stir with her book, Britain Unchained, in which she argued: «The British are among the worst idlers in the world.»

The event kicks off Monday night with a free performance by R&B artist Anthony Hamilton, most recently known for his work on the soundtrack for «Django Unchained.»

This is a long - term lifestyle change that will provide you with plenty of delectable food options, freedom from hunger and will unchain you from your sugar cravings.

The Django Unchained star highlighted her neckline with minimal jewelry and a sophisticated updo.

My most recent experience with this was Django Unchained.

News caught up with the Django Unchained star at last.

The Weinstein Company releases «Django Unchained» on Christmas Day where it will directly compete with «Les Misérables» at the box office.

Django Unchained finishes in second place with $ 30.6 million, while Les Miserables finishes in third with $ 28 million.

Django Unchained is kind of a typical Tarantino film in that it's a lot of violent, bloody fun — but also in that it deals with a very serious topic in an irreverent manner.

«Django Unchained» is «Blazing Saddles» with a body count, a positively incendiary entertainment about America's greatest shame, the personal and social toll of slavery, and like Tarantino's last film, «Inglourious Basterds,» this is a case of history being remixed in a way that makes more emotional sense to Tarantino as a storyteller.

As such we thought we'd try something a little different with three takes on «Django Unchained» from The Playlist staff that are generally pretty divergent.

At times more in line with «Blazing Saddles» than the grimly bawdy qualities that define many bonafide oaters, «Django Unchained» erupts with a conceptual brilliance from the outset that never fully meshes with its clumsy storyline.

The soundtrack for Django Unchained makes use of music from a number of spaghetti westerns in a mix with a few original songs and a splendid mash - up featuring James Brown and 2Pac but everything flows together and genuinely feels of a piece.

Which brings us to his latest, the Antebellum spaghetti western / slave vengeance picture «Django Unchained,» which has the unstructured, long winded architecture and pace of a novel — or at least a novel that doesn't have to concern itself with the format demands of a visual medium that lends itself to around a two hour experience.

Django Unchained is an epic film with a simple and straightforward story that is as entertaining as they come; for all the hyper - explosive and bloody bullet hits, the film shines in its more quieter moments, where an actor like Christoph Waltz can excel in his charm or Samuel L. Jackson can ooze with ill - intent.

After spending nearly a year assembling Django Unchained, Raskin, who is now armed with a BAFTA nomination, opens up about his work on the Oscar - nominated film, the job of a film editor, and working with one of his cinematic heroes.

Such is the problem with «Django Unchained,» a bloated, complacent narrative that saunters along at a delicate pace with scene after scene that, when everything is tallied all up, reveals that many of them simply don't need to be there.

That's an apt description of the impact «Django Unchained» maintains until it slows down, only regaining excitement with the gloriously chaotic and blood - soaked finale.

As a picture ostensibly about love, revenge and the ugliness of slavery, «Django Unchained» has almost zero subtext and is a largely soulless bloodbath, in which the history of pain and retribution is coupled carelessly with a cool soundtrack and some verbose dialogue.

From there, «Django Unchained» keeps going and going... and going, with a meandering story of capture, freedom, revenge, revenge and more revenge.

Since the script was leaked in May, speculation has run rampant on the the casting of Quentin Tarantino's Django Unchained, and with most major and minor roles filled, one remained: Django's wife, Broomhilda.

After an extended visit to a small town, wherein Schultz upends their social order by teaming with his slave to remove a wanted man out of the sheriff's office, «Django Unchained» has proven its prerogative in upsetting a certain status quo.

Continuing to offer brutal yet riotous amends to history, Quentin Tarantino rides into town with his head held high bearing Django Unchained, a «Southern» that is all Tarantino, ambition, gusto and flaws all bearing fruit in his longest picture yet.

If the best scene in Inglourious Basterds was the cellar - barroom interlude where the characters played a spirited round of twenty questions — a game predicated on false identities overlaid on actual covert activity — Django Unchained offers a worthy follow - up in the Candieland sequence, which is filled with suggestive examples of play - acting.

Quentin Tarantino reminded us of his genius with Inglourious Basterds in 2009 and he continues that revival via 2012's Django Unchained.

In Basterds, however, Tarantino was engaged with an exhaustive canon of World War II movies, from Casablanca to Schindler's List, while the subject of Django Unchained — slavery in the American South — is one that has been conspicuously absent in Hollywood films in the century since D.W. Griffith's The Birth of a Nation.

Django Unchained is a long, powerful film, its dramatic brush strokes broad and colourful, its psychological points made with considerable subtlety and wit.

Viewers of «Django Unchained» should know exactly what they're getting before they walk in the theater, but for those who are uninitiated to the director's style or the genre of the film, please proceed with extreme caution.

When you wipe away the blood and the anarchic humor, what you see in «Django Unchained» is moral disgust with slavery, instinctive sympathy for the underdog and an affirmation (in the relationship between Django and Schultz) of what used to be called brotherhood.

Django Unchained is a unique western with a number of fresh and original aspects.

Despite these flaws, Django Unchained is required viewing, countless images and inspirations molded together in Tarantino's mind with a smirking but heartfelt bent at an ugly time in American history.

Still on board from the previous release is a laid - back Audio Commentary with Schwarzenegger and Milius, the excellent «Conan Unchained» behind - the - scenes documentary, a short collection of Deleted Scenes, a quick Special Effects featurette, the promotional «Conan Archives» slideshow and a few rough looking Trailers.

DiCaprio clearly relishes the opportunity of playing such a hideous, evil character - when he sneers with stained, grotty teeth it's as unsettling as anything else in Django Unchained.

Could Tarantino continue this trend with 2012's Django Unchained?

With Django Unchained, Tarantino provides him a meaty role and he tears into it with relWith Django Unchained, Tarantino provides him a meaty role and he tears into it with relwith relish.

«Django Unchained» is unabashedly and self - consciously pulpy, with camera moves and musical cues that evoke both the cornfed westerns of the 1950s and their pastafied progeny of the next decade.

As expected, Django Unchained is brutal, remarkably so, with copious amounts of splattery violence splashing across the screen - to be honest I'm surprised the film got away with an MA rating here in Australia.

While revenge narratives are often highly problematic in the way they represent certain aspects of society as deserving a violent death, Tarantino creates revenge narratives against characters that nobody in their right mind would sympathise with — Nazis in Inglourious Basterds and now sadistic slave owners in Django Unchained.

While I agree very much with Eric Snider's assessment of Django Unchained as «lesser Tarantino» - I place it above on Death Proof on my own personal rankings - I also agree with his further assertion that it is a...

With her untimely death last year, Django Unchained represents Tarantino at his purest and most personal, however raggedly imperfect that may be.

Where it headed from there — bookstore shelves or the big screen in CinemaScope 70 mm — wasn't revealed, but the «Django Unchained» director still seemed smitten with the story's possibilities.

This time, with Django Unchained, he lines up slave traders so a black man can blow their fool heads off.

On the one hand, their task with «The Lone Ranger» isn't so tough — «True Grit» and «Django Unchained» have proved that the western is still a viable draw for audiences.

The film is directed by Sam Mendes (Skyfall) and stars Daniel Craig along with Ben Wishaw (Cloud Atlas), Naomie Harris (28 Weeks Later), Ralph Fiennes (The Grand Budapest Hotel), Christoph Waltz (Django Unchained), Monica Bellucci (Irreversible), David Bautista (Guardians of The Galaxy), Léa Seydoux (Inglourious Basterds), Stephanie Sigman (Miss Bala, Pioneer), Andrew Scott (Locke) and Rory Kinnear (The Imitation Game).

This section is probably the strongest part of Django Unchained, with Waltz doing his Hans Landa routine all over again.