Sentences with phrase «united states since»

In June 2007, Nevada Solar One went into operation in Boulder City, Nevada, as the largest CSP project built in the United States since 1991.

Since hemp has not been grown in the United States since 1957, there is a strong need for research to develop new varieties of hemp that grow well in various states and meet the current market demands.

Already active in onshore wind and photovoltaic renewable generation, E.ON has added energy storage to its portfolio and has developed and constructed more than 3,600 megawatts of renewable capacity in the United States since 2007.

VERLEGER: In the case of the petroleum industry, I don't think there's been a new refinery built in the United States since the mid-70's.

Extraordinary invasion propensities and public health significance of the Asian tiger mosquito have attracted substantial attention in the United States since this species first became established in Texas in 1985 [18].

There were no hurricane landfalls during 2015 and we haven't seen a major hurricane make landfall in the United States since Wilma in 2005.

The National Oceanic and Atmospheric Administration (NOAA) recently declared July to be the hottest month ever in the United States since the government began recording temperatures in 1895.

Spice consumption has tripled in the United States since 1966, when each person ate 1.2 pounds annually, to 3.7 pounds in 2015.

It has been in use in the United States since 1959.

Heffernan has been exhibiting her paintings actively throughout the United States since 1988 and is currently represented by PPOW Gallery in New York City, Catharine Clark Gallery in San Francisco, CA; and Mark Moore Gallery in Los Angeles, CA.

In addition to exhibiting his paintings in Europe and the United States since 1984, in 1989 he curated Amerikarma, exhibiting John Currin, Steven Parrino, Felix Gonzalez - Torres, Cady Noland, Jim Shaw, Al Ruppersberg, Raymond Pettibon and others.

This is the Melbourne, Australia - based artist's first solo exhibition in the United States since 1996.

The first retrospective of Agnes Martin's (1912 — 2004) work in the United States since 1992, this extensive exhibition covers the full breadth of her practice, revealing her early and little - known experiments with different media and tracing her development from biomorphic abstraction to the mesmerizing grids and striped canvases that became her hallmark.

The Guggenheim Museum had staged a Picabia retrospective in that year (MoMA's show, reviewed in these pages by Andrew Russeth, is the first the United States since then), and Pearlstein took this article as an opportunity to pen a love letter to the artist.

Jack Niven is a London, Ontario - based artist who attended McMaster University and the Alberta College of Art and has exhibited extensively across Canada, Europe, and the United States since 1982.

Jack Butler lives and works in Winnipeg, and has been exhibiting across Canada and in the United States since 1962.

The work of Bernard Aubertin has been exhibited across Europe and the United States since the 1960s, including at institutions such as the Solomon R. Guggenheim Museum, New York; the Stedelijk Museum, Amsterdam; and the Palais de Tokyo, Paris.

The artist has lived in the United States since the early»90s, but in recent years also has spent time in Russia and Europe.

About Haim Steinbach Born in Rehovot, Israel in 1944, Haim Steinbach has lived in the United States since 1957.

It was the first career overview of Richter in the United States since 40 Years of Painting at the Museum of Modern Art in 2002.

The Vorticists was the first exhibition devoted to this Anglo - American movement to be presented in the United States since World War I.

Morley, who trained with Frank Auerbach and Peter Blake at the Royal College of Art, had lived in the United States since 1958, so proved a controversial first winner of Britain's new prize.

Vergne was the co-curator of Yves Klein: With the Void, Full Powers in 2010, the most extensive retrospective of the artist's work in the United States since 1982, co-organized by the Smithsonian's Hirshhorn Museum and Sculpture Garden and the Walker Art Center.

On view October 29 through December 19, 2015, Manders» third solo presentation with Tanya Bonakdar will be the artist's first gallery show in the United States since representing the Netherlands at the 55th Venice Biennale in 2013.

In the world of Minimalism, it's a maximal event: the first Carl Andre retrospective in the United States since the»70s is coming to Dia: Beacon, then launching on a European tour that will visit the Reina Sofia, the Hamburger Bahnhoff, and other highly influential venues.

Zinsser has exhibited extensively in Europe and the United States since the 1980s, most recently with solos in the Kusnstgalerie Bonn, James Graham & Sons in New York, Larry Becker in Philadelphia, Roger Ramsey in Chicago and Philip Slein in St. Louis.

Originally from East London, the artist has been based in the United States since the mid-aughts.

On view both at Dallas Contemporary and an off - site location in downtown Dallas at 601 Elm Street, Verjux will use high - lumen architectural lights in conjunction with the gallery walls to create his first institutional exhibition in the United States since 1997.

Shown more than a dozen times in Canada and the United States since 1989, it's now part of The Writing on the Wall, a retrospective on view at the Nickle Galleries in Calgary until Dec. 16 that honours Cardinal - Schubert's contributions.

This is the first solo exhibition of the German photographer in the United States since his 1949 solo show at the Brooklyn Museum.

Sean Kelly presents 180 Faces, the first exhibition of new work by revered Chinese painter Liu Wei to be shown in the United States since 2000.

This catalogue accompanies the first survey exhibition of D'Arcangelo's work in the United States since 1979.

In 2015 they opened Puerto Rican Light (Cueva Vientos) a site - specific project with Dia Art Foundation in Guayanilla — Peñuelas, Puerto Rico, the institution's first long - term installation commissioned outside of the continental United States since Joseph Beuys's 7000 Eichen (7000 Oaks) in Kassel, Germany, in 1982.

This will be the artists» first major exhibition in the United States since 2002 and will include both sculptures and photographs.

His work is presented in the Smithsonian Institution's The Disappearance and Reappearance of the Image: Painting in the United States since 1945, which opens at the Slovak National Gallery, Bratislava, Czechoslovakia, and travels to Prague, Brussels, and three Romanian cities.

Eladio González (b. 1937, Matanzas): The sculptor Eladio González has been exhibiting his work in the United States since his first solo show at the Chicago Press Club in 1972.

This is the group's debut show at Mitchell - Innes & Nash and their first in the United States since GCC: Achievements in Retrospective at MoMA PS1 in 2014.

The sculptures of Il Corso del Coltello were last exhibited in Barcelona in 2007 and have not been seen in the United States since 1995.

This is the artist's first presentation of new works in the United States since 2009.

Born in St. Petersburg, Russia, Vera Iliatova has lived in the United States since she was 16.

Presented simultaneously in three Manhattan galleries, this special exhibition is the first significant presentation of Nay's work in the United States since his death and offers a rare opportunity to consider the work of this unique artist.

Born in Mexico City in 1953, Enrique Chagoya has lived in the United States since 1978.

Lee Dickson has been exhibiting in solo and group exhibitions in Edmonton, Ottawa, St.Catherines, Montreal, Toronto and the United States since l98l.

The majority of the works have not been exhibited in the United States since the 1960ís.

Nicole Jolicoeur has participated in solo and group exhibltions in Canada and the United States since 1972.

Tibor de Nagy Gallery has represented her in the United States since 2002.

Women Art Revolution about the feminist art movement and feminist art in the United States since 1970.

Curated by Wattis Institute director and chief curator Anthony Huberman, Laura Owens: 10 Paintings presents new paintings, artist books, and site - specific, hand - printed wallpaper installations that were created for the presentation and fill the entire 4,000 - square - foot exhibition space, marking the artist's first solo institutional show in the United States since 2004.

Curated by Wattis Institute director and chief curator Anthony Huberman, Laura Owens: Ten Paintings presents new paintings, artist books, and site - specific, hand - printed wallpaper installations that were created for the presentation and fill the entire 4,000 - square - foot exhibition space, marking the artist's first solo institutional show in the United States since 2004.

Her work has been featured in a number of solo exhibitions in Europe and the United States since 2009 and she will have her first solo exhibition at Steve Turner in February 2014.