Sentences with phrase «university photography department»

LECTURE, New York University Photography Department: Class of Lucas Blalock April 4, 2018 CRASH, DIG, DWELL Yamini Nayar & Asim Waqif Jhaveri Contemporary, Mumbai DEC 7, 2017 - JAN!

Not exact matches

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Janine Polak received a BA in Studio Art (with concentrations in Sculpture and Photography) and Economics from the University of Virginia and an MFA from the Yale University School of Art, Department of Sculpture.

APPOINTMENT Isolde Brielmaier, executive director of arts, culture & community at Westfield World Trade Center, professor of critical studies in Tisch's Department of Photography, Imaging and Emerging Media at New York University, and curator - at - large at the Tang Museum, joins the New Museum Board of Trustees.

Brielmaier is the author of «Re-Position / Re-Present: Notes on Contemporary Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of CulturPhotography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Culturphotography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affairs.

Posing Beauty in African American Culture is curated by Deborah Willis and organized by the Department of Photography & Imaging at New York University.

Guez is a lecturer in the History & Theory Department at Bezalel Academy of Arts and Design in Jerusalem, and a researcher of archives affiliated Tel Aviv University, where he received his PhD in photography.

12:10 — 12:35 King's Vibrato: Martin Luther King, Jr., and the Sound of Photography Maurice Wallace, associate professor, department of English, and associate director, Carter G. Woodson Institute for African American and African Studies, University of Virginia

Autograph ABP Urban Video Project Syracuse University Transmedia Department Everson Museum of Art AIPAD (The Photography Show)

Kiraly is an Associate Professor at the National University of Arts Bucharest where he has taught since 1992 and co-founded in 1995 the Department of Photography and Time - based Media Art at the National University of Arts, Bucharest.

Perfect Likeness: Photography and Composition is organized by Russell Ferguson, professor in the Department of Art, University of California, Los Angeles and adjunct curator at the Hammer Museum.

Brielmaier is currently Assistant Professor of Critical Studies in the Department of Photography, Imaging, and Emerging Media at Tisch School of the Arts at New York University, and oversees the arts and cultural programming at Westfield World Trade Center.

In Context 2016 is a partnership between Goodman Gallery; The Department of Photography & Imaging at the Tisch School of the Arts, New York University; Hutchins Center for African and African American Research at Harvard University; Wits School of Arts at University of the Witwatersrand; United States Mission to South Africa; La Pietra Dialogues / New York University; New York University Vice Provost for Faculty, Arts, Humanities and Diversity; and Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art Africa.

Dr. Willis is Chair of the Department of Photography and Imaging at New York University's Tisch School of the Arts and is a noted photographer, author, curator, and scholar.

Over the course of his career, Roy Arden has served as a sessional instructor in the photography studio department at the Emily Carr University of Art and Design and the University of British Columbia.

She is the Associate Curator for the Mason Gross Galleries in the Department for Visual Arts where she also teaches photography in the Mason Gross School of the Arts at Rutgers University, New Brunswick NJ.

Since 2009, Diamond has lectured in photography at the University of Pennsylvania and is currently the Undergraduate Photography Coordinator of UPenn's Fine Art photography at the University of Pennsylvania and is currently the Undergraduate Photography Coordinator of UPenn's Fine Art Photography Coordinator of UPenn's Fine Art Department.

He graduated from the Photo - Video Department of The National University of Arts Bucharest (2009) and he obtained a Master's degree in photography at the same universiUniversity of Arts Bucharest (2009) and he obtained a Master's degree in photography at the same universityuniversity (2011).

Eva Respini, curator, Department of Photography, MoMA, moderates the panel discussion with A. L. Steiner, artist and visiting assistant professor and MFA program director at USC; Luke Batten, director, Robert Heinecken Trust; Richard Meyer, Robert and Ruth Halperin Professor in Art History, Stanford University; and Rebecca Morse, associate curator, Wallis Annenberg Photography Department, Los Angeles County Museum of Art.

2016 - 2018 Visiting Artist & Adjunct Professor — Intro to Photography: Theory & Conception Art & Art History Department University of Illinois Chicago

She got her BFA from University of Tehran and her Master of Fine Arts from photography department at the school of the art institute of Chicago.

Brielmaier is an assistant professor of critical studies in the Department of Photography, Imaging, and Emerging Media at Tisch School of the Arts at New York University, and also serves as curator and director of arts and cultural programming at Westfield World Trade Center.

After receiving her MFA from the Yale School of Art in 1985, Modica was a professor in the Art Department at the State University of New York College at Oneonta for 13 years — today, she lives in Philadelphia where she is on the faculty of Photography at Drexel University.

Following an introduction by Johanna Burton, Keith Haring Director and Curator of Education and Public Engagement at the New Museum, the panel will be moderated by Kevin Moore and will include: Amy Adler, Emily Kemplin Professor of Law, New York University School of Law; Jennifer Blessing, Senior Curator of Photography, Solomon R. Guggenheim Museum, New York; Paul Martineau, Associate Curator, Department of Photographs, the J. Paul Getty Museum, Los Angeles; and Britt Salvesen, Curator and Head of the Wallis Annenberg Photography Department and the Prints and Drawings Department, the Los Angeles County Museum of Art.

The conference is co-sponsored and held in collaboration with U.S. Ambassador to South Africa Patrick Gaspard and the U.S. Embassy Pretoria; the Goodman Gallery; along with our co-sponsors, the conference is also supported by the Hutchins Center for African & African American Research / Harvard University; and New York University's Vice Provost for Faculty, Arts, Humanities and Diversities, LaPietra Dialogues, Tisch School of the Arts Department of Photography & Imaging, the Dean's Office, and NYU's Institute of African American Affairs.

His mother is Deborah Willis, professor and chair of the Department of Photography and Imaging at New York University's Tisch School of the Arts.

Katharina Bosse (1968, Finland), is an artist and professor at the photography department of FH Bielefeld University in Germany.

Kamandy helped found the first photography department at Kabul University (2002 — 05).

Born in 1940 in Tokyo, after completing his studies at Chiba University's Department of Photography, Printing and Engineering, Araki joined the advertising agency Dentsu, working in the photographPhotography, Printing and Engineering, Araki joined the advertising agency Dentsu, working in the photographyphotography division.

Barbara Diener is fascinated by unexplained phenomena and, in this book, she has used a variety of methods to capture images that convey the ineffable qualities of human existence.Barbara Diener is an award - winning, lens - based artist and currently theCollection Manager in the Department of Photography at the Art Institute ofChicago.Allison Grant is a writer, curator, artist, and Assistant Professor in the Art andArt History Department at the University of Alabama in Tuscaloosa.Gregory Harris is the Assistant Curator of Photography at the High Museum ofArt in Atlanta.

Gallery Talk Friday, March 23 · 6:30 pm Linde Brady, PhD candidate, University of Wisconsin - Madison Department of Art History, discusses distinctive qualities of modern and contemporary photography.

2009 - Lieutenant Governor's Arts Award Winner, Saskatchewan2009 - Established Artist Individual Assistance Grant, Saskatchewan Arts Board2009 - Artists» Showcase Award, Center for Fine Art Photography, USA2008 - New Media Initiatives Grant for Babylon + on + on, Saskatchewan Arts Board2008 - Western Magazine Awards - Best Photographic Series finalist2007 - Individual Assistance Project Grant, Saskatchewan Arts Board, Regina2006 - Individual Assistance Travel Grant: Media, Saskatchewan Arts Board, Regina2006 - Governor General's Gold Medal Nomination, University of Regina2005 - Graduate Scholarship, Faculty of Graduate Studies and Research, University of Regina2005 - Scholarly Award, Department of Computer Science, University of Regina2004 - Teaching Assistantship, Department of Visual Arts, University of Regina2004 - Teaching Assistantship, Department of Music, University of Regina2004 - Asia Pacific Studies Award, Graduate Studies and Research, University of Regina2003 - Entrance Scholarship, Faculty of Graduate Studies and Research, University of Regina

Ileana L. Selejan is a Research Associate in the Anthropology Department at University College London, where she is a part of the European Research Council funded project, «Citizens of Photography: The Camera and the Political Imagination.»

On November 10, 2012, The Walther Collection collaborated with NYU's Department of Photography and Imaging and the University College London, for a symposium on «Alternative Ways to Describe Historic and Contemporary African Photography.»

Apart form teaching at Princeton, Backström also teaches at the Columbia University MFA Graduate Department since 2008, and co-chairs the Milton Avery Bard MFA photography dDepartment since 2008, and co-chairs the Milton Avery Bard MFA photography departmentdepartment.

Eliot taught photography at the University of South Carolina from 2011 to 2014 before founding the photography program within the Department of Art and Art History at the College of William & Mary where he is currently teaching and directing the Andrews Gallery at the college.

American Association of Law Schools Arts Counsel of Texas, Dallas, TX Bronx Museum Brown University School of Art Centre Sociologie de l'Innovation, Ecole des Mines de Paris, France Columbia Law School Columbia University School of the Arts Cour de Cassation, Grand» Chambre, Paris, France Cornell Law School Creative Capital CUNY Graduate Center, Center for the Humanities Dia: Beacon El Paso Museum of Art Fordham Law School Fundación Cisneros, Caracas, Venezuela Georgia State University Harvard University, Department of Visual & Environmental Studies International Center of Photography Lower Manhattan Cultural Council, NYC McGill Faculty of Law, Montréal, Canada Museum of Contemporary Art, Detroit New York Law School NYU School of Law Rhode Island School of Design School of Visual Arts SUNY, New Paltz SUNY, Oswego Texas A&M School of Law Triple Canopy Universidad de los Andes, Bogotá, Colombia Universidad Torcuato di Tella, Buenos Aires, Argentina University of California - Irvine School of Art Vera List Center for Arts and Politics at The New School Virginia Commonwealth University Yale Law School Yale School of Architecture Yale School of Management

She is the Exhibitions Director at the Museum of Contemporary African Diasporan Arts (MoCADA) in Brooklyn, New York, and an Adjunct Professor in the Photography and Imagining Department in the Tisch School of the Arts at New York University (NYU).

Lewis Watts has been a Lecturer in Photography in the Department of Architecture at the University of California, Berkeley since 1978.

His mother, Deborah Willis, is the chair of the Department of Photography and Imaging at New York University.

Organization with an operating budget under $ 2 million Awardee PAMELA S. WALL, Curator of Exhibitions, Gibbes Museum of Art for The Things We Carry: Contemporary Art in the South at the Gibbes Museum of Art Organization with an operating budget of $ 2 - $ 6 million Awardee STACY C. HOLLANDER, Deputy Director for Curatorial Affairs, Chief Curator, Director of Exhibitions, American Folk Art Museum for Securing the Shadow: Posthumous Portraiture in America at the American Folk Art Museum Organization with an operating budget of $ 6 - $ 15 million Awardees NANCY KATHRYN BURNS, Assistant Curator of Prints, Drawings & Photographs, Worcester Art Museum KRISTINA WILSON, Associate Professor of Art History, & Chair, Department of Visual & Performing Arts, Clark University Both for Cyanotypes: Photography's Blue Period at the Worcester Art Museum Organization with an operating budget of $ 15 - $ 30 million Awardees (tie) ANNE - MARIE EZE, Director of Scholarly & Public Programs, Houghton Library, Harvard University NATHANIEL SILVER, Associate Curator, Isabella Stewart Gardner Museum both for Beyond Words: Italian Renaissance Books at the Isabella Stewart Gardner Museum MASSUMEH FARHAD, Chief Curator & Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution SIMON RETTIG, Assistant Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution both for The Art of the Qur» an: Treasures from the Museum of Turkish & Islamic Arts at the Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution Honorable Mention JENS HOFFMANN, Deputy Director, Exhibitions & Public Programs, The Jewish Museum CLAUDIA J. NAHSON, Morris & Eva Feld Curator, The Jewish Museum both for Roberto Burle Marx: Brazilian Modernist at The Jewish Museum Organization with an operating budget over $ 30 million Awardees AL MINER, Assistant Curator of Contemporary Art, Museum of Fine Arts, Boston LAURA WEINSTEIN, Ananda Coomaraswamy Curator of South Asian & Islamic Art & Acting Matsutaro Shoriki Chair, Art of Asia, Museum of Fine Arts, Boston both for Megacities Asia at the Museum of Fine Arts, Boston

She graduated from Sciences Po, Paris, and Columbia University, New York, and worked at the Media Department, MoMA, New York, the Photography Department of Centre Georges Pompidou, Paris, and at the New Museum, New York.

Ho Sung Kim received a BFA in History at the Kyung Hee University in Korea and from the Department of Photography at Chung - Ang University in Korea.

CURATOR: Dr. Deborah Willis, University Professor and Department Chair at Tisch School of the Arts, New York University VMFA COORDINATING CURATOR: Dr. Sarah Eckhardt, Assistant Curator of Modern and Contemporary Art ORGANIZER: The exhibition is organized by the Department of Photography & Imaging at New York University, Tisch School of the Arts and traveled by Curatorial Assistance Traveling Exhibitions NUMBER OF WORKS: 90 ITINERARY: This exhibition has traveled internationally since 2010 SPONSORS: Sponsored by Dominion.

Chanel Von Habsburg - Lothringen (Photography» 14) is part of a group exhibition for the Department of Visual Arts at University of California San Diego (UCSD).

For the upcoming session we have invited artists Lucas Blalock and John Kelsey; Matthew Biro, Professor and Chair, Department of the History of Art, University of Michigan; Alex Klein, The Dorothy and Stephen R. Weber (CHE» 60) Program Curator, Institute of Contemporary Art, University of Pennsylvania; and Carol Squiers, Curator, International Center of Photography to lead a discussion about material and conceptual experimentation in contemporary photographic practices.

CMS was an extremely male - dominated department unlike the painting and photography departments down the road at Buffalo State University, (where Cindy Sherman and Robert Longo were graduating the same year).

This forum includes the contributors to Photography at MoMA: 1960 to Now as lead speakers: Quentin Bajac, The Joel and Anne Ehrenkranz Chief Curator of Photography, MoMA; David Campany, Reader in Photography, University of Westminster, London, artist, and writer; Noam M. Elcott, Associate Professor, Department of Art History and Archaeology, Columbia University; Lucy Gallun, Assistant Curator, Department of Photography, MoMA; Roxana Marcoci, Senior Curator, Department of Photography, MoMA; Sarah Hermanson Meister, Curator, Department of Photography, MoMA; Eva Respini, Barbara Lee Chief Curator, Institute of Contemporary Art, Boston; and Robert Slifkin, Associate Professor of Fine Arts, Institute of Fine Arts, New York University.

For the upcoming session we have invited Barbara Clausen, curator and Professor, Performance Theory and History, University of Québec; Lucy Gallun, Assistant Curator, Department of Photography, MoMA; artists Sharon Hayes, Liz Magic Laser, and Jill Magid; and Melanie Kress, High Line Art Curatorial Fellow, to lead a discussion about the relationship between photography and performance on the occasion of the exhibitions Art on Camera: Photographs by Shunk — Kender, 1960 — 1971 (May 17 — October 4, 2015, at The Museum of Modern Art) and Pier 54 (November 6 — December 13, 2014, organized by High Line Art at 120 ElevenPhotography, MoMA; artists Sharon Hayes, Liz Magic Laser, and Jill Magid; and Melanie Kress, High Line Art Curatorial Fellow, to lead a discussion about the relationship between photography and performance on the occasion of the exhibitions Art on Camera: Photographs by Shunk — Kender, 1960 — 1971 (May 17 — October 4, 2015, at The Museum of Modern Art) and Pier 54 (November 6 — December 13, 2014, organized by High Line Art at 120 Elevenphotography and performance on the occasion of the exhibitions Art on Camera: Photographs by Shunk — Kender, 1960 — 1971 (May 17 — October 4, 2015, at The Museum of Modern Art) and Pier 54 (November 6 — December 13, 2014, organized by High Line Art at 120 Eleventh Avenue).

Panelists include; Kael Alford, documentary photographer, writer, journalist, Deborah Bell, Vice President and Head of Christie's Photographs Department in New York, Dornith Doherty, 2012 Guggenheim Fellow, photographer, Professor of Photography at the University of North Texas, and Wendy Watriss, photographer, curator, journalist, writer, and a founder of FotoFest, Houston.