Sentences with phrase «university sculpture department»

Vancouver, BC Canada About Blog Blog curated by the Emily Carr University Sculpture Department.

Shidoni Shohini's Studio Sky Message Sonoma State University Sculpture Department SoulArt Inc Southwestern University sskatzz studios Larry Steele State University of New York at New Paltz Studio 20 Scot W Thompson Studio Mascarenhas Studio Romolo Sue Quast SUNY New Paltz Sculpture Program SUNY Oswego SUNY Plattsburgh SUNY Potsdam Susan Budge Suzanne Posner Tahoe Art League T Barny Gallery & Sculpture Gardens Tech - Alloy Tendances Design Texas Sculpture Group Texas Society of Sculptors The Seward Johnson Atelier Tmima Studio trinitawaller.com Tshwane University of Technology University Museums - Iowa University of Delaware University of the Fraser Valley University of Nebraska - Lincoln University of New Haven Lyme Academy Campus University of Virginia Sculpture Community nicolas valenza Vancouver Biennale VASSILIKI Vincent Champion - Ercoli Virginia Folkestad Sculptor Voyam Art Corp..

Vancouver, BC Canada About Blog Blog curated by the Emily Carr University Sculpture Department.

Not exact matches

In his spare time, D. Allan Drummond, an assistant professor at the University of Chicago in the Department of Biochemistry and Molecular Biology, fuses art and science to create lifelike trilobite sculptures.

After graduating from Hongik University Department of Sculpture in Korea and Art Center College of Design in California, Lee began his career at Pininfarina and Porsche Design Center.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Christopher Saucedo grew up in pre-hip Brooklyn then taught sculpture at the University of New Orleans for 20 - years, retiring as Chair of the Art Department in 2012.

Janine Polak received a BA in Studio Art (with concentrations in Sculpture and Photography) and Economics from the University of Virginia and an MFA from the Yale University School of Art, Department of Sculpture.

Awards 2015 - 2016 Certificates of Teaching Excellence from the Derek Bok Center for Teaching and Learning at Harvard University Fall 2015 and Spring 2016, Cambridge MA 2012 - 2014 Milton Avery Graduate School of the Arts Bard College, Annandale on Hudson, NY Sculpture Department Fellowship

Teaching 2017 Cooper Union, New York NY Visiting Teacher in the School of Art 2016 - 2017 Massachusetts College of Art and Design, Boston MA Visiting teacher in the Studio Foundation department (Intro to 3D / Form Study) 2016 Tyler School of Art, Philadelphia PA Visiting critic for a graduate Painting and Sculpture seminar in the class of Matthew Sepielli 2015 - 2016 Harvard University, Cambridge, MA Teaching Fellow, working with Professor Stephen Prina to teach two studio art classes per semester for Fall and Spring semesters SVA, New York, NY Visiting artist for the class of Marc Joseph Berg

He studied in Mimar Sinan University Fine Arts University Department of Sculpture and completed his Master's degree at the same institution.

She graduated from the Sculpture Department of Tokyo University of the Arts in 2002, received her Master's in 2002, and also completed her PhD in 2007.

In 1965, Mac McClain began teaching at California State University, Los Angeles as an Assistant Professor of Art in Ceramics and Sculpture, and later became Chair of the Department of Art.

A long list of these pieces includes: The Solar Wind, in Salem, VA, The House Of Stoics, in Lake Biwa, Japan, The Tower Of Babel, in Buhsnami Sculpture Garden near Houston, Texas, The Island of the Moons and Suns, Robert Orton's sculpture garden in La Jolla, CA, Fantasy Sculpture II, at the University of Illinois, Urbana - Champaign, and Summaries of Arithmetic Through Dust, Including Writing Not Yet Printed, at the entrance to the Engineering Department, University of Michigan in ASculpture Garden near Houston, Texas, The Island of the Moons and Suns, Robert Orton's sculpture garden in La Jolla, CA, Fantasy Sculpture II, at the University of Illinois, Urbana - Champaign, and Summaries of Arithmetic Through Dust, Including Writing Not Yet Printed, at the entrance to the Engineering Department, University of Michigan in Asculpture garden in La Jolla, CA, Fantasy Sculpture II, at the University of Illinois, Urbana - Champaign, and Summaries of Arithmetic Through Dust, Including Writing Not Yet Printed, at the entrance to the Engineering Department, University of Michigan in ASculpture II, at the University of Illinois, Urbana - Champaign, and Summaries of Arithmetic Through Dust, Including Writing Not Yet Printed, at the entrance to the Engineering Department, University of Michigan in Ann Arbor.

Sui Jianguo (b. 1956, Qingdao, China) received a BA in the Fine Arts Department from the Shandong University of Arts in 1984 and an MA in the Sculpture Department from the China Central Academy of Fine Arts in 1989, where he currently presides as the Head of the Sculpture Department.

He is emeritus Professor of Sculpture at the Department of Fine and Applied Arts at the University of Nigeria, Nsukka, where he has taught for over thirty years.

After a long run on the East Coast — where she received her master's degree at Columbia University, worked for several years in MoMA's painting and sculpture department, and began her doctorate at Harvard (she's in the process of polishing off a dissertation on Sigmar Polke's work of the 1960s)-- Tattersall returned to her hometown of L.A. last year, when MOCA tapped her for its curatorial team, which was then just two people.

Returning to Britain he taught sculpture there before being appointed Chair of the Department of Art at Texas Christian University in Fort Worth, Texas.

This exhibition was made possible in part through the support of the Viriginia Commonwealth University Sculpture + Extended Media Department.

From 1965 to 1975, he was responsible for building the Sculpture Department at California State University, Fresno, developing an active visiting / lecture artist program that included stars of the time such as Stephen Antonakos, Yvonne Rainer, Gene Highstein, Robert Grosvenor, Mel Edwards, and Richard Artschwager from NYC; Sam Gilliam of Washington DC.; Judy Chicago, John Baldessari, and Chris Burden from LA; and Wayne Thiebaud, John Battenberg, Mel Ramos, Robert Arneson, and Robert Hudson from San Francisco.

The Painting, Drawing and Sculpture Department of Tyler School of Art, Temple University, invites applications for a Tenure - Track Appointment position in Painting and Drawing.

After graduating from the department of Sculpture of Tokyo Zokei University in 2001 he stayed at the university as a research student uUniversity in 2001 he stayed at the university as a research student uuniversity as a research student until 2003.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

She is Professor Emeritus in the Sculpture Department at Virginia Commonwealth University where she taught for thirty years.

Join the Howard University Gallery of Art and Department of Art for an evening with Mark Bradford, the Los Angeles - based artist commissioned to create a series of eight monumental collage - on - canvases that will fill the inner ring of the Hirshhorn Museum and Sculpture Garden's distinctive curved galleries.

Smith is currently a part - time faculty member at Parsons The New School for Design and will be a visiting Faculty at Virginia Commonwealth University this fall in the Sculpture and Extended Media Department.

She is currently part - time faculty at Parsons The New School for Design and a visiting Faculty at Virginia Commonwealth University in the Sculpture and Extended Media department.

Mayer began teaching sculpture in 1970 at Ohio University in Athens, and has continued to teach (since 1983) at the State University of New York, Albany, where he heads the Sculpture Desculpture in 1970 at Ohio University in Athens, and has continued to teach (since 1983) at the State University of New York, Albany, where he heads the Sculpture DeSculpture Department.

De Beer is the Head of the Sculpture Area in New York University Steinhardt's Art Department.

CC Calloway has a BFA in printmaking and Book Arts from the Lamar Dodd School of Art at the University of Georgia where she was selected to be an Area Scholar for her department and studies at Penland School of Craft, where she received the Windgate Scholarship Working in a wide range of media from silkscreen printing, papermaking, and sculpture.

Returning to Buffalo after college, Smith accepted an appointment in the Art Department at the University of Buffalo where he taught sculpture for 9 years.

She is an Associate Professor of Sculpture in the Department of Art, University of Minnesota — Minneapolis.

Currently he is an Associate Professor at Virginia Commonwealth University where he has taught in the Sculpture and Extended Media Department since 2006.

He holds a BA from The Pennsylvania State University and he is a 2018 MFA candidate in the sculpture department of Yale School of Art in New Haven, Connecticut, where he currently lives.

She also taught at Belmont University for 18 years in the sculpture department that she started.

Biggers is full time faculty at Virginia Commonwealth University Sculpture and Expanded Media programme and a visiting scholar at Harvard University's VES and OFA Departments.

1944 3rd Annual Exhibition of Paintings, Sculptures and Prints by Negro Artists, Atlanta University, Atlanta, GA; 1947, 1950, 1953 Exhibition of Paintings & Sculpture by Art Departments of Virginia Colleges, Virginia Museum of Fine Arts, Richmond, VA

He then attended the Skowhegan School of Painting & Sculpture, and earned a Master of Fine Arts with the department's highest distinction from the University of California, Santa Barbara.

She graduated from the Sculpture Department of Tokyo National University of Fine Arts and Music in 2002 and received her Master's in 2002.

A Joan Tisch Teaching Fellow at the Whitney since 2008, Katz is currently a Ph.D. candidate in the Department of Art and Archaeology at Princeton University where her area of focus is postwar American sculpture.

In his fifty year career he has had numerous solo and group exhibitions throughout the state, an NEA grant and a Legend Award from the Dallas Visual Art Center, he established the sculpture department at Texas Christian University and fostered many aspiring artists there through 27 years of teaching.

Sebura teaches in Sculpture and Art History at Alfred University, Alfred NY, and Gartelmann teaches in the departments of Sculpture and Contemporary Practices at The School of The Art Institute of Chicago.

She currently teaches in Virginia Commonwealth University's Department of Sculpture and Extended Media.

He currently serves as Assistant Professor of Art, Head of Sculpture, in the Department of Visual Art and Design at Weber State University.

Borderlands: Images, Objects & Identity, El Paso Museum of Art, El Paso, Texas Fight the Power, Galerie Gabrielle Maubrie, Paris, France 5 Years of S.M.A.K., Stedlijk Museum Voor Actuele Kunst, Ghent, Belgium Around the World in Forty Years: Selected Sculpture from Art in Embassies Program, Department of State, Washington D.C. Objects of Our Desire: Sculpture from the Sheldon, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska 5th Anniversary Exhibition, Dunn and Brown Contemporary, Dallas, Texas Patrons Choice: The Silver Anniversary of The Museum Collectors, The Museum of Fine Arts, Houston, Texas Whiteness, A Wayward Construction.

Instructor: Anna Katz, a Joan Tisch Teaching Fellow at the Whitney since 2008, is currently a Ph.D. candidate in the Department of Art and Archaeology at Princeton University where her area of focus is postwar American sculpture.

His performative public sculptures and urban choreographies, have been shown in many public spaces and galleries including Eastern Illinois University, Arizona State University, A+D Gallery at Columbia College, and in solo exhibitions and projects at Arrowhead Gallery at Waubonsee Community College, Chicago Artists Coalition, and the Chicago Department of Special Events & Cultural Affairs (DCASE).

His paintings are represented in public and private collections, including the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago, the Hirshhorn Museum and Sculpture Garden, the National Gallery, the Seattle Museum of Art, the Norton Simon Museum, the Walker Art Center, the Bavarian State Museum in Munich, the Federal Reserve Board, the U.S. State Department, Charles Schwab, Mobil, GE, ARCO, Prudential Insurance, Chase Manhattan, New York University, and Stanford University.

Bryant taught art from 1958 — 1991 spending twenty - seven years as Professor of Art and Chair of the Sculpture and Ceramics Department at Austin Peay State University in Clarksville, Tennessee.