Sentences with phrase «university visual studies»

27/2/2010 «Lingnan University Visual Studies Department Exhibition Celebrates Collaborative Creative Processes», Lingnan University e-news, 27 Feb 2010.

Not exact matches

A classic study from the University of Minnesota, for example, found that presentations using visual aids are 43 % more persuasive than unaided presentations.

A 1986 study by the University of Minnesota's Management Information Systems Research Center with 3M support found presentations using visual aids 43 percent more convincing.

Touting an extensive educational background, Ms. Lowe received a B.A. in visual and critical studies from the School of the Art Institute of Chicago and continued her education at New York University, where she earned a M.A. in food studies.

Although scientists have long suspected that RHI caused brain damage, especially in boxers, a 2010 study of high school football players by researchers at Purdue University [1,13] was the first to identify a completely unexpected and previously unknown category of players who, though they displayed no clinically - observable signs of concussion, were found to have measurable impairment of neurocognitive function (primarily visual working memory) on computerized neurocognitive tests, as well as altered activation in neurophysiologic function on sophisticated brain imaging tests (fMRI).

In a University of California, San Diego School of Medicine study published July 13 in the online journal Nature Neuroscience, a research team led by Takaki Komiyama, PhD, assistant professor of neurosciences and neurobiology, reports that in mouse models, the brain significantly changed its visual cortex operation modes by implementing top - down processes during learning.

«In the past, population estimates have been largely based on visual observations and on the analysis of fecal samples,» said Taal Levi, an assistant professor of fisheries and wildlife at Oregon State University and co-author on the study.

In another study scheduled to be presented at the neuroscience meeting — 21 brain organoid papers are on tap — researchers led by Dr. Isaac Chen, a neurosurgeon at the University of Pennsylvania, implanted human cerebral organoids into the brains of 11 adult rats, specifically the secondary visual cortex.

«Visual hallucinations in Parkinson's disease are frequent and debilitating,» said study author Dagmar H. Hepp, M.D., from the Department of Neurology and the Department of Anatomy and Neurosciences at VU University Medical Center (VUMC) in Amsterdam, the Netherlands.

But new research from the University of Washington Information School and Harvard University, closely studying 20 years of student creative writing and visual artworks, hints that the dynamics of creativity may not break down as simply as that.

«Doing primate work just gets tougher and tougher,» says Bill Newsome, who studies the visual system at Stanford University.

Understanding and reacting to visual information in real time like a human is a hard computer science problem, says John Owens, who studies parallel computing at the University of California, Davis.

«The current study confirms the research group's previous results which showed that it is possible to use hypnotic suggestion to trigger visual hallucinations in a way that is otherwise not possible — say, through practiced use of mental imagery,» says Docent Sakari Kallio from the University of Turku.

«Like GPS, our visual ability, although quite impressive, has many limitations,» said the study's coauthor, Duje Tadin, associate professor of brain and cognitive sciences at the University of Rochester.

«With the extra imaging processing, we were able to definitively show that this warp is a visual blend of two separate discs,» says David Golimowski of Johns Hopkins University in Baltimore, Maryland, US, who led the new study.

The ability of the brain's visual timekeeper to override its auditory timekeeper probably reflects our brain's tendency to give more weight to signals that might represent a threat, according to Marc Wittmann, a time researcher at the University of California, San Diego, who was not involved in the study.

«We're actually reading words much like we identify any kind of visual object, like we identify chairs and tables,» says study author Jonathan Grainger, a cognitive psychologist at France's National Center for Scientific Research, and Aix - Marseille University in Marseille, France.

A patient with this particular type of visual dysfunction has recently been studied in detail by the research team at Saarland University led by Professor Georg Kerkhoff and Anna - Katharina Schaadt in collaboration with colleagues at the Charité university hospital University led by Professor Georg Kerkhoff and Anna - Katharina Schaadt in collaboration with colleagues at the Charité university hospital university hospital in Berlin.

As a neuroethologist who studies how the nervous system works, Gil Menda of Cornell University's Hoy Lab was intrigued by the challenge of figuring out a spider's complex visual network.

Humans have the best of all possible visual worlds because our full stereo vision combines with primitive visual pathways to quickly spot danger, a study led by the University of Sydney has discovered.

The emotion control center of the brain, the amygdala, shows significantly higher levels of activation in males viewing sexual visual stimuli than females viewing the same images, according to a Center for Behavioral Neuroscience study led by Emory University psychologists Stephan Hamann and Kim Wallen.

If you have a disability, for example dyslexia, a visual impairment or ADHD, and would like to study at Lund University, we can provide you with support during your studies.

My interest in visual perception continued after the war, when I went to Montreal and had the opportunity to study with Donald Hebb at McGill University.

Andy Huberman, one of the really premier neuroscientists studying the visual system was at UCSD, now at Stanford University.

March 6, 2013 One region, two functions: Brain cells» multitasking may be a key to understanding overall brain function A region of the brain known to play a key role in visual and spatial processing has a parallel function: sorting visual information into categories, according to a new study by researchers at the University of Chicago.

An artist and Senior Lecturer in Art History and Director of the Visual Arts Program at Barnard College, Columbia University, Joan Snitzer has led several student groups on excursions to Germany with a DAAD Group Study Visit Grant.

4/11/2007 Wired for Sound: How the Brain Senses Visual Illusions In a study that could help reveal how illusions are produced in the brain's visual cortex, researchers at the University of California, San Diego (UCSD) School of Medicine have found new evidence of rapid integration of auditory and visual sensations... MVisual Illusions In a study that could help reveal how illusions are produced in the brain's visual cortex, researchers at the University of California, San Diego (UCSD) School of Medicine have found new evidence of rapid integration of auditory and visual sensations... Mvisual cortex, researchers at the University of California, San Diego (UCSD) School of Medicine have found new evidence of rapid integration of auditory and visual sensations... Mvisual sensations... More...

Washington University cognitive neuroscientist Jeffrey Zacks studies how the brain processes visual imagery, including what we see on film.

According to a new study from psychologists at Royal Holloway at the University of London, it's more likely because, subconsciously, you don't want anything visual to take away from your tactile experience.

One study showed increased activity in the visual cortexes of participants (1) while other studies found increased creativity in university professors and students (measured by standardized tests for creativity).

According to a new study from psychologists at Royal Holloway at the University of London, it's because, subconsciously, you don't want anything visual to take away from your tactile experience.

Prior to her medical training she studied visual arts and biology at Gonzaga University where she graduated with Magna Cum Laude distinction.

The study from the Wharton University of Pennsylvania specifies two factors eliciting positive emotions from consumers: personalization and visual content.

Then I got distracted, went to university, studied film and English and stumbled down a visual effects rabbit hole for 14 years.

She studied comparative literature at the American University in Cairo, and aural and visual cultures at Goldsmiths, University of London.

2009 Revisiting Histories: A conversation between Sanford Biggers, Andrea Geyer and Simon & Simon J. Ortiz, Lambent Foundation, New York, NY, Curated by Niels von Tomme Harvard Art Museum / Fogg Museum, Conversation with Dr. Steven Nelson and Helen Molesworth, Cambridge, MA Harvard University Department of Visual and Environmental Studies, Cambridge, MA Rhode Island School of Design, Providence, RI Maryland Institute College of Art, Baltimore, MD Anderson Ranch, Snowmass, CO Gelman Lecturer.

She has a master's in visual studies from the University of Toronto and has taught doctoral courses on Indigenous history and politics at the Ontario Institute for Studies in Edustudies from the University of Toronto and has taught doctoral courses on Indigenous history and politics at the Ontario Institute for Studies in EduStudies in Education.

He received a BFA in Photography and Africana studies from New York University and an MFA in Photography and an MA in Visual Criticism from CCA.

Adrienne Edwards is Curator at Performa, Curator at Large, Visual Arts at the Walker Art Center, and also a PhD candidate in performance studies at New York University.

She has also taught in the Department of Visual Studies at the University of Toronto at Mississauga.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

His most recent solo exhibitions include: Lovers, Le Consortium, l'Académie Conti, Vosne - Romanée, France (2015 - 16); Masks (Pentagon), Rockefeller Plaza, New York (2015); Thomas Houseago: Studies «98 — «14, Gemeentemuseum Den Haag, The Hague (2014); Striding Figure / Standing Figure, Galleria Borghese, Rome, Italy (2014); As I Went Out One Morning, Storm King Art Center, Mountainville, NY (2014); Thomas Houseago: Where the Wild Things Are, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, UK (2012) and What Went Down, Centre International d'art et du paysage, île de vassivière, Vassivière, France (2012, travelled to Museum Abteiberg, Mönchengladbach, Germany; Modern Art Oxford and The Ashmolean Museum, Oxford).

Paul Mathieu, Associate Professor of Visual Art and Material Culture at Emily Carr University, has been contributing to an ongoing donation of exhibition catalogues and critical theory related to the study of ceramics, craft practices, design, ornament and art.

Curated by Patricia Leighten, Professor of Art History & Visual Studies, Department of Art, Art History & Visual Studies, Duke University.

Jonathan David Katz, Curator and Director of the Doctoral Program in Visual Culture Studies at State University of New York at Buffalo

She was also adjunct professor in the Visual Studies Department at the University at Buffalo.

She is currently the Managing Editor of SubLevel, CalArts» literary magazine coming out of the School of Critical Studies, and was recently Visiting Lecturer at the School of Visual Arts in New York, the Graduate Department of Art at the University of California, Los Angeles (UCLA), and Otis College of Art and Design.

2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish Museum Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Kristen Chappa, Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye, Curatorial Associate, New Museum Lesley Johnstone, Curator, Musée d'Art Contemporain de Montréal Nina Katchadourian, Curator, Drawing Center Jonathan David Katz, Curator and Director of the Doctoral Program in Visual Culture Studies at State University of New York at Buffalo John Massier, Visual Arts Curator, Hallwalls Gallery, Buffalo Sara Reisman, Director, Percent for Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder Gallery Gregory Volk, Contributing Writer, Art in America Megan Holly Witko, Director, Andrea Meislin Gallery

A graduate of Columbia University with a triple major in Art History, French and Women's Studies, she additionally studied art and photography at Parson's School of Design, International Center of Photography, School of Visual Arts, The Art Students League and New York Academy of Art.

2009 Harvard University Visiting Assistant Professor of Visual and Environmental Studies Harvard University's Office of Fine Arts» Artist in Residence Creative Time Travel Grant for Global Residency Project