Sentences with phrase «untitled xviii»

Ohne Titel XVIII / Untitled XVIII, 2015, Inkjet print, Framed, 120 7/8 × 87 3/16 × 2 7/16 inches.

Displayed at the Solomon R. Guggenheim museum in 1978 — in what was his first solo museum show in New York in nine years — Untitled XVIII belongs to a select group of only about 20 paintings that the artist deemed worthy of exhibition.

Willem de Kooning's Untitled XVIII was created during a highpoint of the artist's career, the years between 1975 and 1978.

Willem de Kooning (1904 - 1997), Untitled XVIII, 1976.

Some lower - priced de Kooning paintings will be offered during May auctions in New York: a 1976 Untitled XVIII from the estate of billionaire couple Joan and Preston Robert Tisch and a 1982 Untitled XIX from the Rockefeller estate, both at Christie's; and a 1978 Untitled VI sold by the Mandel Foundation at Sotheby's.

Untitled XVIII is a sumptuous work of almost - Baroque abundance as a torrent of energetic brushstrokes are unleashed to produce a cacophonous surface built up and refined over the course of many revisions.

No doubt the result of the artist's lengthy process of preparation and many hours spent in rapt concentration, de Kooning captured and distilled the many ephemeral qualities of his home on East Hampton in the sumptuous surface of Untitled XVIII, which is penetrated by an inner glow, softly imbued with the particularly incandescent quality of its North Atlantic light.

Having featured in de Kooning's exhibition at the Solomon R. Guggenheim Museum in 1978, Untitled XVIII belongs to a select group of only about twenty paintings that the artist exhibited, in what would be his first solo museum show in New York in nine years.

Indeed, de Kooning's resplendent range in Untitled XVIII encompases a virtual rainbow.

Widely considered to be among his best work, these large - scale landscapes — with Untitled XVIII a seminal example — evoke the bucolic splendor of the artist's East Hampton studio at Springs.

Willem de Kooning (1904 - 1997) Untitled XVIII signed «de Kooning» (on the reverse) oil on canvas 59 1/2 x 55 in.

Distinguished by its lavishly painted surface and riotous palette, Willem de Kooning's Untitled XVIII epitomizes the last great cycle of paintings that ushered forth from the artist in a final flourish between the years 1975 and 1977.

Not exact matches

2014 Gallery featured in Andrew Russeth's article, «A Look Around the Untitled Art Fair,» in Artnews, featuring works by Josh Slater, Goldschmied & Chiari, and Peter Rostovsky, http://www.artnews.com/2014/12/08/a-look-around-the-untitled-art-fair-in-miami-beach/ Peter Rostovsky featured in Ben Davis's article «Hidden Gems of Miami's Satellite Art Fairs «ArtnetNews, Dec 5, 2014, http://news.artnet.com/art-world/hidden-gems-of-miamis-satellite-art-fairs-189968 Gallery featured in Paddy Johnson's article «Untitled Continues to Make Gains in Miami,» ArtFCity Dec. 4, 2014http: / / artfcity.com/2014/12/04/untitled-continues-to-make-gains-in-miami/ Goldschmied & Chiari in ICI Annual Benefit & Auction https://artsy.net/feature/ici-benefit-auction-2014 Goldschmied & Chiari in The Kitchen fall 2014 benefit art auction https://paddle8.com/work/goldschmied-chiari/41755-untitled-portrait Goldschmied & Chiari solo exhibition «La democrazia e» illusione,» at the Museo d'arte Contemporanea, Villa Croce, Genoa, Italy, November 14, 2014 - January 25, 2015 Scott Alario in SLIDELUCK NYC XVIII at Photoville, curated by Gideon Jacobs and Matthew Leifheit, under the Brooklyn Bridge, Fri, Sept 26, 7 pm http://slideluck.com/nyc-xviii/ Gallery to exhibit in «Untitled» art fair, Miami Beach, Dec 1 - 7, 2014, http://www.art-untitled.com/index.php/exhibitors/ Gallery group exhibition «Site / Displace,» in ArtFCity's «This Week's Must - See Art Events: Death to Normcore, by Whitney Kimball, Corrina Kirsch, and Andrew Wagner, July 21, 2014 http://artfcity.com/2014/07/21/this-weeks-must-see-art-events-6/

This unique film follows the British abstract painter James Hugonin as he creates «Untitled (XVIII)», the final work in a series of eighteen paintings, each of which have taken the artist a year to complete.