Sentences with phrase «untitled lithograph»

HELEN FRANKENTHALER (1928 - 2011) Untitled lithograph in colors, circa 1965, on Japon nacre paper, signed in felt - tip pen, numbered 11/100, the colors slighlty attenuated, otherwise generally in good condition, framed Sheet: 22 x 16 5/8 in.

Jonas Wood Untitled Lithograph and screenprint in colours, 2014.

Creates an untitled lithograph with embossing, printed in an edition of two hundred by Styria Studio, New York, and published by the Democratic Congressional Campaign Committee for the benefit of Artists Rights Today, New York.

It is a lithograph from an edition of 30 printed in 1961, one of three untitled lithographs of that year which were Barnett Newman's first attempts at printmaking.

Not exact matches

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

Untitled III carries over the shift in texture from opaque to virtually transparent tonality in the greys and blues in particular, as if the artist had absorbed the style of Sumi - e brush painting, as for example in the lithograph owned by the Museum of Modern Art, Wah Kee Spare Ribs, 1970, a medium with which de Kooning was preoccupied in the early years of the decade.

Nearby is a gorgeous late Jackson Pollock, Untitled, 1951 that is semi-figurative; a Franz Kline black and white calligraphic abstraction, Untitled from 1953; an architectural collage of rectangular shapes by Conrad Marca - Relli from 1965; and, from 1976, the Larry Rivers pop - historical Big B Signs Up, a lithograph of two hands clasping a quill pen created by Rivers to mark the U.S. Bicentennial and honor Benjamin Franklin's signing the Declaration of Independence.

Also on view are several early non-ballpoint works; an early lithograph Untitled (1979); a drypoint etching Untitled (1980); two small crayon and oil on paper works Untitled B (1980) and Untitled R (1980); an acrylic and oil on board Untitled 84 - 6 (1984); and Untitled 82 - A (1982), a stunning example of an early painting drawn with a sharp nail and a precursor to his recent acrylic and oil paintings.

Clockwise from upper left: Marginal Utility exhibition posters (2010 and 2011), offset lithographs; Stephen Eichhorn, Orb III (2013), collage on acrylic - coated panel; Studio ephemera from the collection of Alex Lukas; in case at right: Alex Lukas, Untitled, offset lithograph; in case at left: Feminist ephemera from the collection of Susan Guggenheim.

Untitled (2 - color lithograph, published in conjunction with the exhibition «Bruce Nauman: Holograms, Videotapes, and Other Works»)

Untitled («Umbrella»)(c. 1944), lithograph on cream wove paper, by Norman Lewis.

Lot 45: SAM GILLIAM (1933 ---RRB-, «Untitled,» 1997 (color lithograph, handmade paper, and chine - collé).

Untitled («Abstraction»)(1947), lithograph on cream wove paper, by Norman Lewis.

Artist: Serge Poliakoff (after by Charles Sorlier) Title: Untitled Year: 1970 Medium: Lithograph, signed in the plate Paper Size: 21 x 16.5 inches Frame Size: 29.5 x 25 inches Prin...

The following etchings and lithographs are influenced from this time; Peter Doig, print, signed «Untitled» Lithograph.

image: BARBARA KRUGER b. 1945, Untitled, from We Will No Longer Be Seen And Not Heardportfolio, photo - offset lithograph and serigraph

Jordan Wolfson Untitled, 2015 Offset lithograph with bumper stickers 39 1/4 x 25 inches (99.7 x 63.5 cm) Edition of 65 + 10 AP Certificate of Authenticity $ 1,500 + tax and shipping

For Mark Bradford's lithograph Untitled, a series of shapes have been printed to represent, in combination, nooses — transforming an abstract pattern into a haunting tapestry of pain.

An anonymous and untitled mythological lithograph from 1842 and a drawing by Sturtevant after Lichtenstein, Lichtenstein Study for Eclipse of the Sun I and Eclipse of the Sun II (1988), go one step further, corrupting the messages of their originals not through what they represent but rather how they represent.

At times, Taylor's shifts between the literal and the abstract are uncomfortable, particularly when they appear as a strategy for avoiding or dismissing the real - life implications of symbols and objects, as in his strictly formal rendering of the Confederate flag in the lithograph Dixie (1990); his series of prints portraying items in Hawaii with a tinge of wanderlust - inspired exoticism, «Ten Common (Hawaiian Household) Objects» (1989); and two bodies of work showing his attempt to depict various African conceptions of multidimensional, nonlinear time: «Latin Studies» (1984 — 85), which includes the aforementioned Untitled (Latin Study), and «Wheel Studies» (1981 — 85).

Roni Horn, Untitled from the series «Still Water (The River Thames, For Example)», 1999, lithograph on paper, 77 x 105 cm.

Untitled (Giuseppe Arcimboldo's Vertumnus, 1590 or 1591, Scratch & Sniff) 2014 4 - color offset lithograph on 100 lb gloss cover with archival Scratch & Sniff scent, 83.8 x 60.9 cm / 33 x 24 in

Jannis Kounellis, Untitled (Shoes)(2006), steel and glass case, leather shoes, Murano glass, wire, lithograph on paper, 77 x 57.5 x 18 cm.

John Altoon, «Untitled,» 1965, Lithograph.

The lithograph print poster features and untitled monochrome brown color field painting created in 1962.

Untitled, 2008 Offset lithograph 18» x 24» Edition 2 of 20 Framed Courtesy of Philagrafika Sarah Gamble (American) lives and works in Philadelphia, PA..

Untitled, 1983 Hand - colored lithograph 18» x 24» Edition 114 of 150 Published by the Institute of Contemporary Art, Philadelphia Framed Courtesy of Ruth & Jack Solomon Laurie Anderson (American, b. 1947) is an ico

This Mark Rothko Abstract Expressionist Modernist lithograph print poster» Untitled Pink & Black» is a very special piece... more This Mark Rothko Abstract Expressionist Modernist lithograph print poster» Untitled Pink & Black» is a very special piece to add to your collection.

Steve Wolfe Untitled (Study for Long Island Cheese / Noble Cartons), 1993 Oil, lithograph, and modeling paste on paper 24 x 30 inches

Untitled (Silver Cicada), 1981 - 82 Offset lithograph on tissue - thin wove paper 9» x 7 3/4» Unframed Courtesy of Ruth & Jack Solomon Jasper Johns (American, b. 1930) is an iconic American artist.

BARBARA KRUGER, American Untitled (Heard), from We Will No Longer Be Seen And Not Heard portfolio Photo - offset lithograph and serigraph with embossing on Arches 88 paper, 1985 Purchase: Art Museum Funds

Keith haring - untitled (1984): open edition reproduction of artwork by keith haring created in 1984, reproduced in 1988 in an... more Keith haring - untitled (1984): open edition reproduction of artwork by keith haring created in 1984, reproduced in 1988 in an offset lithograph.

Authentic Lithograph «Untitled» Samuel L. Francis, signed, Size Approx. 11 x 14 In.

Jean - michel basquiat - untitled: offset lithograph, open edition by jean - michel basquiat published for a retrospective of his work at a museum in italy in 2002.

Norman Lewis, Untitled (Abstraction), 1947, Lithograph on cream wove paper, edition of 37.

And she follows Degas with one of only two works by women here — Bishop's is the other — Agnes Martin's untitled color offset lithograph of simple horizontals from 1998.

Norman Lewis, Untitled (The Wanderer), 1935/1937, Lithograph on Basingwerk Parchment wove paper.

An original double page lithograph on wove paper by Chinese - American artist Walasse Ting (1929 - 2010) which is untitled, comes from the 1972/3 publication «Fresh Air School»...

Vaclav Vytlacil, Untitled, from the portfolio American Abstract Artists, 1937, offset lithograph on paper, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.114.30

Louise Nevelson, Untitled (Tamarind no. 830 (830b)-RRB-, 1963, color lithograph on paper, Smithsonian American Art Museum, Museum purchase, 1971.84.213

Georges Braque - Untitled: Lithograph published in page 7 of DLM No. 166.

Marie Kennedy, Untitled, from the portfolio American Abstract Artists, 1937, offset lithograph on paper, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.114.17

Gene Davis, Untitled, 1979, color lithograph on paper, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2002.26.3

Louis Schanker, Untitled, from the portfolio American Abstract Artists, 1937, offset lithograph on paper, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.114.25

Jean - michel basquiat - untitled: offset lithograph, open edition by jean - michel basquiat published for a retrospective of his work at a museum... more Jean - michel basquiat - untitled: offset lithograph, open edition by jean - michel basquiat published for a retrospective of his work at a museum in italy in 2002.

Jean - michel basquiat - untitled: offset lithograph, open edition by jean - michel basquiat published for a retrsopective of his work at a museum... more Jean - michel basquiat - untitled: offset lithograph, open edition by jean - michel basquiat published for a retrsopective of his work at a museum in italy in 2002.

Judd Marmor donated Walter de Maria's «High Energy Unit» (1966), Donald Judd's «Untitled» (date unknown), Jean - Michel Basquiat's «Untitled» (circa 1982) and Oyvind Fahlstrom's «Study for Lithograph to Poem by Walasse Ting» (1963).

Untitled (Fun Gallery Exhibition), 1983 Offset lithograph on paper Paper size: 29 x 23 inches; 73.6 x 58.4 cm Frame size: 32 x 26 inches; 81.3 x 66 cm Signed and dated SOLD

Raymond Pettibon Untitled (A Sea of Grinding Tectonic Plates...) 2008 Color lithograph 42 1/2 x 60 ⅛ inches Edition of Edition of 48 (LBFA # 5324)

In Washington, D.C., the National Gallery of Art's collectors committee's purchases included Nam June Paik's last work of video sculpture, Ommah, 2005, from the artist's estate, John McCracken's painted plywood Black Plank, 1967, from New York's David Zwirner Gallery, a set of 10 lithographs by Glenn Ligon, «Runaways,» 1993, and an untitled 1991 photolithograph by Robert Gober.