Sentences with phrase «urban video project»

2015 Xaviera Simmons: Index Seven, David Castillo Gallery, Miami Beach, FL Dark Sound Blue, Yerba Buena Center For The Arts, San Francisco, CA Xaviera Simmons: Accumulations, Lightwork, Syracuse, NY Xaviera Simmons: Number 16, Kemper Museum of Contemporary Art, Kansas City, MO Number 16, Urban Video Project, Syracuse, NY

Urban Video Project (UVP) and parent organization, Light Work, are pleased to announce the exhibition of «Anathema» by multimedia art collective The Otolith Group from November 5 — December 19, 2015.

Urban Video Project (UVP) and parent organization Light Work are pleased to announce the exhibition and world premiere of Crow Requiem, a new video work by artist and filmmaker Cauleen Smith, from April 7 - May 30, 2015.

At the Everson Museum of Art Urban Video Project site, Oliver will install the work Perigee, which echoes the same circular image of a wave that appears in Mare.

As part of the group show, Psychic Geograhies, Urban Video Project is pleased to present Mariam Ghani's Landscape Studies: New Mexico.

Light Work features a multi-gallery exhibition by Demetrius Oliver, showing work in the main gallery, Urban Video Project, and the Robert B. Menschel Photography Gallery.

Light Work and Urban Video Project are proud to present Accumulations and Number Sixteen, concurrent exhibitions featuring the work of multidisciplinary artist Xaviera Simmons.The works within these exhibitions present an artist working with — and through — formal languages of performance, video, sculpture, photography, and social and art histories.

As part of the group show, Psychic Geograhies, Urban Video Project is pleased to present Jackie Goss's There There Square.

At the Everson Museum of Art Urban Video Project site, Oliver will install the workPerigee, which echoes the same circular image of a wave that appears in Mare.

For the inaugural exhibition of UVP's new Everson Museum Plaza venue, Urban Video Project and Light Work are pleased to announce an exhibition of the work of renowned video art pioneer and Syracuse University alum, Bill Viola from September 1 through October 31, 2010.

In conjunction with this exhibition Xaviera Simmons: Number Sixteen will be on view at the Urban Video Project, Everson Museum of Art from January 15 - 31, 2015, Thursday through Saturday, dusk to 11 pm.

This exhibition will be the second installment of UVP 2015 - 16: We Were Never Human a year - long program of exhibitions and events at Urban Video Project and partner organizations exploring the shifting idea of what it means to be human.

These programs are presented as the final installment of «Celestial Navigation: a year into the afro future», a year - long program of exhibitions and events at Urban Video Project and partner organizations that takes afrofuturism as its point of departure.

Urban Video Project and Light Work are pleased to announce the exhibition of table (2013 - 2014), a new piece by celebrated multimedia artist, Ann Hamilton, at UVP Everson from April 8 — May 31, 2014.

In celebration of her dual exhibitions at Urban Video Project and the Everson Museum of Art, Saya Woolfalk will give an artist talk in the Everson's Hosmer Auditorium discussing her rich interdisciplinary practice.

Paglen's Code Names was part of Urban Video Project's architectural video installation at the Everson Museum of Art in 2010.

In conjunction with the exhibition of Michael Bühler - Rose: New Geographics at Light Work and Bühler - Rose's I'll Worship You, You'll Worship Me at Urban Video Project, artist Michael Bühler - Rose will present a gallery talk at Light Work on Thursday, March 20, 2014 at 5 pm.

«Black Bullets» (2012) by Jeannette Ehlers at Urban Video Project (UVP)- installation view Urban Video Project (UVP) Everson installation view of «Black Bullets» by Jeannette Ehlers, showing at UVP Feb. 10 - March 28, 2015.

The Urban Video Project projection runs from dusk to 11 pm, Thursday through Saturday during exhibition dates.

Urban Video Project and Light Work are pleased to announce the exhibition of Platonic by Dani Leventhal at UVP Everson from September 12 — October 26, 2013.

Urban Video Project (UVP) is a multimedia public art initiative of Light Work, the Everson Museum of Art, Syracuse University, Spectrum, and Onondaga County.

Urban Video Project and Light Work are pleased to announce the exhibition of Yui Kugimiya: Cat Brushing Teeth and other works by Yui Kugimiya at UVP Everson from January 23 — February 22, 2014.

2010 Bill Viola per capodimonte, The Museo di Capodimonte of Naples, Naples, IT Bill Viola: The Quintet of the Astonished, Urban Video Project, Syracuse University, Syracuse, New York, US Bill Viola: Visitation, St. Louis Art Museum, St. Louis, Missouri, US Emergence: Bill Viola at the Accademia Gallery, Galleria dell «Accademia, Florence, IT Bill Viola: Figurative Works, Museo Picasso Málaga, Malaga, ES Bill Viola: Fire Woman and Tristan's Ascension, Presented by Kaldor Public Art Projects in association with the Melbourne International Arts Festival; St. Carthage's Church, Melbourne, AU Bill Viola: The Raft, Presented by ACMI for the Melbourne International Arts Festival in association with Kaldor Public Art Projects, Melbourne, AU

2014 «Playtime», Galeria Nara Roesler, São Paulo, Brazil «Western Union: Small Boats (The Leopard)», Urban Video Project, Syracuse, New York «Playtime», Galerie Ron Mandos, Amsterdam, Netherlands «Ten Thousand Waves», Fotografiska, Stockholm, Sweden «Playtime: Photographic Works», Galería Helga de Alvear, Madrid, Spain «Playtime», Roslyn Oxley9 Gallery, Sydney, Australia «Playtime», Victoria Miro Gallery, London

This exhibition marks the second major exhibition of «Celestial Navigation: a year into the afro future», a year - long program of exhibitions and events at Urban Video Project and partner organizations that takes afrofuturism as its point of departure.

Light Work and Urban Video Project (UVP) are proud to present Accumulations and Number Sixteen, concurrent exhibitions featuring the work of Xaviera Simmons, whose multidisciplinary artistic practice includes photography, sculpture, installation, sound art, video, and performance.

His most recent exhibitions; Dress Up as part of the Urban Video Project in Syracuse, NY and Almost Home at Viterbo University in Lacrosse WI, both address objects, domestic space and family identity.

Her latest institutional solo exhibitions were at the Contemporary Arts Center La Regenta and the Everson Museum's Urban Video Project, Syracuse.

This exhibition is part of UVP 2016 - 2017: Interzones, a year - long program of exhibitions and events at Urban Video Project and partner organizations exploring liminal states, haunted places, and the space in - between.

Hot Cocoa Reception / Thursday 15 Feb, 5 - 8 pm @ The Warehouse Gallery, 350 W. Fayette St (at West St), Downtown Syracuse, NY 13202 Part of Th3 Syracuse Arts Night, with outdoor projection by Urban Video Project.

Autograph ABP Urban Video Project Syracuse University Transmedia Department Everson Museum of Art AIPAD (The Photography Show)

The 2017 «Genius» Grant awardees join an illustrious cohort of former Light Work and Urban Video Project affiliated artists, including Robert Adams, Wendy Ewald, LaToya Ruby Frazier, Ann Hamilton (UVP), Alfredo Jaar, Inigo Manglano - Ovalle (UVP), Fazal Sheikh, Cindy Sherman, Bill Viola (UVP), Carrie Mae Weems, and Deborah Willis.

In conjunction with her exhibition at Light Work, Mary Mattingly will be presenting Human and Object, a selection of video works at Urban Video Project (UVP) at the Everson Museum of Art.

2014 Montclair Art Museum, Montclair, NJ Urban Video Project, Syracuse University, Syracuse, NY University of Colorado Boulder, Boulder, CO CoHosts, Baltimore School for the Arts, Baltimore, MD Art in Embassies, Delegation participant, Johannesburg, South Africa Prompter for LaTableRonde Whitney Biennial # 3: On Art as Apparatus, Critical Practices Inc, Whitney Museum of American Art, New York, NY AFROPUNK panel moderated by Greg Tate, Moogfest, Asheville, NC Carrie Mae Weems: Live from the Guggenheim, Guggenheim Museum, New York, NY In Conversation Sanford Biggers and Saul Williams moderated by Rujeko Hockley presented by Columbia University School of the Arts and The Studio Museum, New York, NY Afropunk's The Triptych screening panel, Georgia Institute of Technology, Atlanta, GA Advancing STEM Through Culturally Situated Arts Based Learning, Georgia Institute of Technology, Atlanta, GA

Not exact matches

Stan Douglas will present four new photographs relating to his next project, «Win, Place, or Show», a video installation that is concerned with the effects of urban renewal and the influence of television as a socializing agent.

Recent exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).

2015 Resilience Lab a 6 - month public program, with Cabot Institute, commissioned by Aldo Rinaldi and Tessa Fitzjohn, Bristol public art programme Alterations Studio, 2 - month public program, commissioned by PEER Gallery, London 2014 What Survives The Storm, performative consultation, Sceaux Gardens Estate, commissioned by South London Gallery Local 2013 yörük, temporary settlement and performance program, commissioned by Hackney WicKED Arts festival, London «What we are doing is groundbreaking», The Walworth Archive, re-enacting the Elephant and Castle master - plan as a series of public performances, commissioned by UCL Urban Lab and Elephant and Castle neighbourhood Forum 2012 Elasticity, performance and video works commissioned by The Wick Award, Hackney Wick, London 2008 - 2016 FreeSpace on - going project based on Wenlock Barn Estate London.

To this end, he uses diverse expressive means: photography, video, internet projects, installations and performances in the urban space.

Solo exhibitions / projects include: LIAR 2012, Sub Urban Video Lounge, Rotterdam, Netherlands (2013); The Argument Is Not Finished And The Stage Is Still Being Built, Argument Vertoningsruimte, Tilburg, Netherlands (2012); The Good Life, Lanternhouse Art Centre, Cumbria (2011); Flying Down To Moscow, Neues Kunstforum, Cologne, Germany (2009); Piccadillyland, Art on the Underground, London (2008); Will Someone Stop You...?

Shirley's work was also featured in group exhibitions including: Chance Ecologies, Queens Museum (2016); The Luminous Surface, Salisbury University, Maryland, USA (2015); Magnetic North: Artists of The Arctic Circle, UBS Art Gallery, New York, NY (2014); Sandnes 2160, Museum of Moving Image, New York (2013); Free City, Public At installation for The Flint Public Art Project, Flint, Michigan (2013); [PAM] Cyland Festival, Hermitage Museum, St. Petersburg, Russia (2009); Drift, National Center for Contemporary Art, Moscow, Russia (2008); Video Art in The Age of the Internet, Chelsea Art Museum, New York, NY (2007); Video As Urban Condition, Museum of Modern Art Linz, Linz, Austria (2007).

Her current artistic practice involves individual and collective projects in performance, sculpture, urban intervention, graphic production and video.

Exhibitions at QMA include Red Lines Housing Crisis Learning Center, a project on home finance by artist and urban designer Damon Rich; The Curse of Bigness, which featured major works by Survival Research Laboratories, J. Morgan Puett, and Dexter Sinister, among others; and the first U.S. solo presentation of Korean video and performance artist Sung Hwan Kim.

The artist uses video and PVC foam board to project dizzying imagery of familiar and abstract scenes, with an urban projection creating an unsettling effect and a natural one being more soothing — the two create a tension in opposition to each other.

One might, for example, take note of Saigon 1954 when encountering Tiffany Chung's An archaeology project for future remembrances, 2013, a three - channel video that looks at Thu Thien, a district of Ho Chi Minh City currently being redeveloped as a «new urban area».

2011 Connected - Disconnected, Proyector 2011 Video Art Festival Madrid, ES Corporate Urban Interventions, Stowarzyszenie OFFicyna Szczecin, PL / Smolny University St.Petersburg, RU / Arteles Tampere / Estonian Academy of Arts Tallinn, EE Figure it out - performance in video art, Arad Art Museum, RO / Goethe Institute Kiev, UA / City Art Gallery Kharkiv, RU The Cu Chi Tunnels, Waterside Project Space LondoVideo Art Festival Madrid, ES Corporate Urban Interventions, Stowarzyszenie OFFicyna Szczecin, PL / Smolny University St.Petersburg, RU / Arteles Tampere / Estonian Academy of Arts Tallinn, EE Figure it out - performance in video art, Arad Art Museum, RO / Goethe Institute Kiev, UA / City Art Gallery Kharkiv, RU The Cu Chi Tunnels, Waterside Project Space Londovideo art, Arad Art Museum, RO / Goethe Institute Kiev, UA / City Art Gallery Kharkiv, RU The Cu Chi Tunnels, Waterside Project Space London, UK

Grants and Awards 2015 Ox Bow Artist Residency, Saugatuck, MI 2014 Summer research, Welch School of Art and Design, GSU 2013 CENCIA Grant, College of Arts and Science, GSU Artist Residency, Vermont Studio Center, Johnson VT VSC Fellowship, Vermont Studio Center, Johnson VT Artist Residency, Atlantic Center for the Arts, New Smyrna Beach FL 2012 Artist Residency, Hambidge Art Center, Rabun Gap GA 2011 Summer Research Grant, Welch School of Art and Design, GSU 2008 Summer Research Grant, Welch School of Art and Design, GSU 2007 CENCIA Grant, College of Arts and Science, GSU 2006 Summer Research Grant, Welch School of Art and Design, GSU 2005 Research Initiation Grant, College of Arts and Science, GSU Juror Choice Award, Pass the Ammunition, Ninth Annual Arizona State University Art Museum Short Film and Video Festival, Tempe, AZ 2004 Summer Research Grant, Welch School of Art and Design, GSU 2003 Research Initiation Grant, College of Arts and Science, GSU Summer Research Grant, Welch School of Art and Design, GSU Juror Choice Award, Three Small Deaths, Seventh Annual Arizona State University Art Museum Short Film and Video Festival, Tempe, AZ 2002 Art In America 2001 in Review: Highlighted Public Art Projects «Brute Neighbors,» Commissioned by Hartsfield Atlanta International Airport Atlanta Urban Design Committee, Award of Excellence in Public Art 1998 The Atlanta Contemporary Art Center Studio Program 1997 Fulton County Arts Commission 1982 Ford Foundation III.

This project includes performance, live - feed and prerecorded video, and a series of new sculptures that recall the window grates and security fences that are prominent features of the urban landscape.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avigproject by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, AvigProject, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, AvigProject 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

I projected the video inside a box so I would not add to urban light pollution.

Mana Urban Arts Project and Jonathan Levine Gallery present this short video documenting Los Angeles - based...