Sentences with phrase «use camera effects»

Not exact matches

Finally, Facebook said that Instagram will use its Camera Effects Platform to allow third - party app makers to integrate augmented reality effects into Instagram's cCamera Effects Platform to allow third - party app makers to integrate augmented reality effects into Instagram's cameracamera.

The effect of this act Cook says, would allow the government power to capture data from any device or to require Apple to create a data collection program to intercept a customer's data, potentially got as far as using a phone's camera or microphone without user knowledge.

People without an AV feature on the cameras don't despair — I will explain shortly how you can achieve the same effect using your compact cameras too!

Using a tripod is especially important for jewellery shots, which are usually shot in macro mode, any zooming in and macro effects that you use will accentuate the camera shake and motion blur that's typical of hand holding.

So even lobbying to use a camera had a positive effect.

For the uninitiated: Instagram allows a user to use his or her smartphone's camera to take a picture, after which he or she can add a variety of effects to the photo, and post the snapshot to the app's photo sharing section.

Zoom: What's the use of a good video camera for sports if you can't zoom in for dramatic effect?

Inside this darkened space I use a view camera to record the effect, which I think is a rather wonderful sandwich of two outdoor realities coming together.

If the server decides that there are objects with geographic coordinates that fall within the camera's field of view, it superimposes these objects on the picture from the phone camera, in a fashion similar to the way the director of a science fiction movie might use special effects to add a spacecraft to a filmed scene.

Soto says the discovery came about when the team was studying the local freezing mechanism at the interface between the liquid and the substrate, using a thermal high - speed camera that revealed rapid effects during the cooling process that would have been impossible to see at longer timescales.

While slow motion is typically achieved by filming scenes with a high - speed camera, Benza and his team were able to achieve the same effect by bringing the footage into Apple's Shake digital - compositing software, then retiming it using a Shake plug - in called Furnace Kronos.

We use an empirical approach to characterize the effect of charge - transfer efficiency (CTE) losses in images taken with the Wide - Field Channel of the Advanced Camera for Surveys (ACS).

We discuss the challenges of using commercially available thermoelectrically cooled CCD cameras in a temperature - stabilized environment, and demonstrate that the effects of variable heat output from the CCD camera body can be mitigated using PID - controlled chilled water systems.

This effect, known as a photoconductive response, can be used to make a photodetector or light sensor, and because the two - dimensional nanosheets exhibited such a strong photoconductive response across a broad light spectrum and simultaneously resist chemical contamination, this research could lead to a revolution in extreme low - light, high - resolution imaging products and applications, such as consumer and professional cameras and video cameras, for example.

Is there a particular camera you used to achieve this effect or was mostly due to editing?

Not only was the soundtrack superb but so was the use of the camera and effects.

«One of the somewhat surprising pleasures of this revival then has been how great the show looks, thanks in large part to how the director has mastered using these new cameras to get the effects he wants.

The Hurt Locker uses handheld cameras in a way that enhances the effect of the visuals on screen, whereas Green Zone uses the technique to make an unwatchable mess.

Antal uses the widescreen canvas to good effect, framing windows within windows to emphasize multiple points of view (indeed, conflicting principles are what eventually set these men at one another's throats) and favouring a steady yet highly mobile camera that's mindful of spatial dynamics when roaming off to follow someone, underscoring the urgency within a scene as differing agendas unfold in the foreground and background.

Based on a true story adapted from H.G. Bissinger's book, «Friday Night Lights: A Town, A Dream and a Team», director and co-screenwriter Peter Berg (Very Bad Things, The Rundown) uses shaky camera work to give the effect of realism, mixed with a stylized delivery of high school football action that takes this simple small - town story and makes it feel important, like Hoosiers for football fans.

It's interesting to note that during filming Deakins invented a new type of a combination of lenses, appropriately dubbed «Deakinizers,» which he used to produce the effect of old camera footages in several transitional shots throughout the film.

We had to work out how to film it, so we worked on some camera technology that had been used on helicopters before and handed that over to special effects supervisor Dom Tuohy, who built a really cool rig to film it.

Still cameras were used to take segment shots and were sequenced together, giving the effect of seeing two - dimensional slices of a three - dimensional moment.

Roy Arbogast who has worked on special effects milestones such as «Jaws,» «The Return of The Jedi,» and «The Fugitive» leads a crew that did a lot with a little, using a combination of complicated puppets and mechanical creatures and old school camera tricks including reverse photography.

Ruzowitzky uses camera angles designed to force audience identification with the prisoners, and one scene late in the film follows suit with subjective audio effects — a very flat soundmix, with muffled dialogue — to put you inside Sol's head, his senses going dull after he witnesses the death of another inmate.

This, amidst an overabundant use of visual effects that are used to the detriment of the fun of the stunt choreography and unique camera work that has given Matthew Vaughn his claim to fame.

That glow - up gave Coogler and team the opportunity to create as many physical sets as they wanted, as opposed to sets created purely by visual effects — «It was great to have something that grounded everyone,» Morrison said — and make use of as many camera tools as needed.

At the recent press day, Core, Ramirez, Bracey, wingsuit stunt pilot Jeb Corliss, professional free climber Chris Sharma, Alcon producers Andrew A. Kosove and Broderick Johnson, and 2nd unit director Philip Boston talked about how they went about creating the ultimate sports movie, how the actors viewed their characters and built the bro - mance, the challenges of coordinating a production that shot around the world in 11 countries and on 4 continents, why all the 2nd unit work was shot prior to the first unit work, why vision and authenticity were paramount, why the imagination, energy and focus required to shoot a film in camera is much greater than when visual effects are used everywhere, and why it took courage to make this film.

But on a purely cinematic level, Signs confirms Shyamalan as an exceptionally supple and intuitive visual storyteller, evoking fear and dread through insinuating camera movements, subtle sound and lighting effects, and canny use of offscreen space.

Even Altman's practice of shooting much of his action with two cameras can be linked to Renoir's TV - inspired use of multiple cameras in the late 1950s, while his tendency to keep these cameras moving (resulting in a prowling effect that harks back to The Long Goodbye) adds to the Renoir - like feeling that more is going on in this fictional world than one could possibly encompass.

The aggregate effect of all the juggling is that The Commitments becomes alternately a soapbox for Parker using his green cast as a bullhorn and an extended concert video shot with the same two - camera set in various pub sets featuring a band that, for the most part, turns R&B classics into their mechanical pod counterparts.

These 1 - 3 minute shorts profile Aaron Eckhart's character, lead military advisor Jim Dever, incorporating aliens into the camera movement, the fake Marines» camaraderie, Michelle Rodriguez's character, practical aliens used on set, a gas station explosion, alien visual effects, the existence of aliens, and alien ship design.

When it comes to executing the movie's jump scares, Robitel and his collaborators use a number of the same filmmaking tricks that Wan employed in the original Insidious and even rehash some of that movie's infamous bits of camera trickery, to diminished effect here.

«The Visual Effects of Zodiac» (15:15) isn't the most obvious supplemental inclusion, but while the film is far from spectacle fantasy, this piece reveals just how much effects work was required, from blue screen crime scenes and precise camera moves to fabricating a vintage waterfront and using CGI on gruesome death sequences.

These tricks include an Enterprise lift that goes nowhere, a five - year - old in a costume used to make a cave set look bigger than it actually is and (our favourite) how the camera is shaken to create that jittery effect during action sequences such as the skydiving jump.

The prologue is a visual mess of strobe lights and filter effects (A party montage is joylessly similar, using various camera speeds), and when Carrie Anne is on the loose, Tonderai offers only cheap, anticlimactic startle moments (The most ridiculous one eyes a couple making out in a car as Carrie Anne makes her way toward them).

That scene simply screams Bava; with its use of in - camera effects, miniatures and glass plate trickery, Coppola made his grand baroque literary adaptation in the spirit of the Italian maestro.

Video: Cameron used Sony CineAlta 3D cameras for the shoot, but other than adding a little more visual depth, there really isn't much in the way of 3D effects — especially once we get inside the ship.

Footage from the cameras can be used to provide evidence for disciplinary actions but it can also be used as a way to show students who may not be fully aware of the effects their behaviour can cause.

Using video cameras in a way that recognizes teachers» professionalism can have a dramatic effect on teaching and learning

When used in a manner that respects the professionalism of teachers, video cameras can have a positive effect, Jim Knight writes.

In this workshop we looked at different relationships between sound and image; how you can use moving images to stimulate poetry writing and performance; using digital cameras to explore metaphor; the process of planning a soundtrack; and using Final Cut Express semi-professional editing software to add movement and effects to still images.

But as Manuel Lage has discovered the first car to bear the name was an Alfonso Hispano - Suiza / Americans to the Rear — Rear engined designs — Part Three / Americans to the Rear — Concluding his series on American rear engined cars Karl Ludvigsen examines the role played by General Motors / Epicyclic Gearing — Workshop — Part Two / Settlers Special — A cut - down 1933 Riley Monaco shipped to Vancouver by an ex-pat in the»50s formed the basis for Miles Fenton's ideal supercharged special / Racing in the Rain — Alan Smith has been using his camera to good effect at motor sporting events for over 50 years / Ards TT 75th Anniversary — John Payne reports on the 75th Anniversary of the Ards TT / The Little Engine that could — Gavin Farmer celebrates the Jowett Bradford / It's quicker by Rail — Brian Heath's subject this month is a 1939 Railton long chassis special limousine.

It uses cameras to scan the road ahead for undulations, then primes the suspension to neutralise any bobbing effects and smooth the ride out.

If there is a need to apply the brakes based on navigation data or camera images, for example, because the MINI is approaching a junction or another road user ahead, the coasting function is suppressed so as to be able to make use of the engine braking effect.

The selfie camera on each has a dual lens to create the popular blurred background (bokeh) effect using a Samsung feature called Live Focus, but neither camera has optical image stabilization.

The front camera now offers Portrait Mode as well, using a new AI algorithm to give a depth - of - field effect.

Newer higher end devices (actual cameras) are not using this anymore as panning will give it a slanted effect

With this application users can create text - based graphics and insert freehand drawing, work with a ride range of brushes, enhance photos with real - time camera filter effects, and use manage your projects from the application's homescreen.

Using the front - facing 1.3 - megapixel camera, you can take photos of yourself with silly effects such as bulge, mirror, pucker, and others.