Not exact matches
A very interesting paper by Bowman L. Clarke, «Whitehead's Cosmology and the Christian Drama,» Journal of Religion 39 (1959), 162 - 69, begins with an analysis of St. Peter's Sermon in Acts 2 and
uses it to show a Christian
dramatic pattern in four acts to illustrate what Whitehead may have been generalizing in four
stages of creativity, to which he applies the term «the particular providence for particular occasions» (PR 532).
The
dramatic scenes are hilariously ridiculous (often unintentionally so); many of the performances feel stilted and off - beat; and the combination of 3D visual design and an attempt to
use more on - location settings (as opposed to sound
stage or green screen) results in moments that feel unusually amateurish for The Wachowskis.
Haneke employs long takes for maximal
dramatic consequence, not unlike action filmmakers
use elaborate set pieces to
stage impressive visual effects.
Carrying over certain
stage conventions, Beckwith constructs this primary set as a somber, suffocating space — a sort of conceptual prison, virtually devoid of laughter or music,
using dramatic lighting shifts to contrast Leia's present living conditions with flashbacks to her time with Ben.
Using exclusive interviews and never - before - published material, she vividly delves into Gypsy's world, including her intensely
dramatic triangle relationship with her sister, actress June Havoc, and their formidable mother, Rose, a petite but ferocious woman who seduced men and women alike and literally killed to get her daughters on the
stage.
Previously, David choreographed his figurative works to imply
dramatic narratives, at times
using the exhibition space as a
stage.
Apple says Portrait Lightning
uses sophisticated algorithms to calculate how facial features interact with light,
using the data to create unique lighting effects like Natural Light, Studio Light (lights up your face), Contour Light (adds
dramatic shadows),
Stage Light (spotlights your face against a dark background), and
Stage Light Mono (
Stage Light, but in black and white).
Apple has released a new ad showcasing the Portrait Lighting feature on the iPhone 8 Plus that lets users create
dramatic studio lighting effects when shooting in Portrait mode.Titled «Portraits of Her», the ad features Shannon Wise of music group The Shacks walking along a sidewalk and singing the band's 2016 single «This Strange Effect» as the camera transitions through the Portrait Lighting mode's range of effects, such as Natural Light, Studio Light, Contour Light, and
Stage Light.The short ad concludes with the iPhone 8 Plus operator showing Wise her portrait photo as he taps through the various effects in the Camera app interface before choosing a favorite.The Portrait Lighting feature on the iPhone 8 Plus and iPhone X
uses sophisticated algorithms to calculate how
Apple says it's significantly improved the Portrait mode on the Plus model, and there's even a new beta feature called «Portrait Lighting», which
uses depth sensing to help imitate a variety of flattering and / or
dramatic studio lighting effects, such as Contour Lighting,
Stage Light, or Studio Light
Always centre
stage, these vibrant, neon colours shout «Look at me» so
use them sparingly, to add
dramatic touches to modern designs.