Sentences with phrase «using footage shot»

The exhibition will include 100 of his unfired clay objects in addition to two documentary films on his work: «Sonny Ford:» Delta Artist, made by William Ferris in Leland, Mississippi in 1969 and JAMES «SON FORD» THOMAS: ARTIST made by filmmakers Jeffrey Wolf and Zach Wolf, using footage shot of Thomas in 1982 while exhibiting his work as part of the seminal touring exhibition Black Folk Art in America, 1930 - 1980, which has been edited on the occasion of this exhibition.

Not exact matches

Often videos shot on mobile devices have extraneous footage both before and after the post-worthy footage, and a simple video editing app can be used to crop out unwanted frames and shorten videos.

Michael was happy to hear about my projects, and ended up letting me use his studio to shoot some test footage — which allowed me to bring in some AMAZING guests — including the star of ABC's Shark Tank, mega-millionaire Lori Greiner.

At a panel discussion at GWU's School of New Media and Public Affairs on Monday, Rospars described in particular the vital role of online video content, whose power the campaign recognized from the beginning — very early in the race, Obama's team already included a videographer and screenwriter / producer squad to shoot footage both for internal / documentary purposes and (more importantly) for use in public as a persuasive tool.

And the Obama campaign used video extensively: from very early in the race, his team already included a videographer and screenwriter / producer squad to shoot footage both for internal / documentary purposes and (more importantly) for use in public as a persuasive tool.

BUFFALO, N.Y. (WBEN)- As the investigation continues into the fatal shooting in Buffalo's Black Rock neighborhood, authorities won't have the option to use police camera footage because it doesn't» t exist.

Plus, after a shoot, you can use the built - in video editing software to turn your footage into a truly cinematic experience.

Knowledge of the shooting angle could also be used to pinpoint a sniper's location, and to determine the identity of the shooter in military investigations involving «friendly fire» incidents, when video footage or eyewitnesses are unavailable.

For Faces by a Person Unknown Paolo Gioli re-photographed footage from a turn of the 20th century film he had found in 1972, using the same camera the original footage was likely shot on.

The soundtrack preserves the careful mixing of diegetic and non-diegetic effects, most notably in how urban street sounds, particularly of traffic, are used to bridge studio - shot footage with location shooting.

Ridley shot and edited the movie with lots of long takes, overlapping dialogue, some challenging non-linear editing during certain scenes, and used historical footage and old photos from the period.

It also has some footage you haven't seen before, a digitally - altered version of a shot from the film (above, with extra details added to the painting) and a little bit of the awesome Can song «Vitamin C» that is used to good effect in the film's opening.

The key to Cameraperson's triumph is that nothing in the film was created with the knowledge of being used for this purpose, which leaves the footage itself — shot for movies directed by the likes of Laura Poitras, Kirby Dick, Amir Bar - Lev, Gini Reticker, Moore, and many others — uncompromised by manipulation or intentionality.

It's interesting to note that during filming Deakins invented a new type of a combination of lenses, appropriately dubbed «Deakinizers,» which he used to produce the effect of old camera footages in several transitional shots throughout the film.

He never rehearsed a shot with his cinematographer, and he often used «stolen» footage of people on the street and locations.

A nice theatrical trailer using that rarity nowadays of specially - shot footage caps the presentation; the two discs are housed in a standard - sized keepcase wrapped in a cardboard slipcover.

Here is what Slightly Mad Studios said about these screenshots: «As usual, all shots show purely in - game footage that has not been made in any special photo mode, using no post-processing or filters that aren't available during the actual gameplay — What you see below is what you experience while driving!»

Shamefully lazy in almost every way, you'll find yourself laughing more at the obvious use of old stock Navy footage for the external shots than anything the screenwriters are able to muster in this vapid script.

Using real rodeo footage shot by director Nicholas Ray (Rebel Without a Cause) that gives it a semi-documentary feel, the action scenes are a sight to behold and actually drew me in, despite my previously stated disinterest in the sport.

The Blu - ray's all - HD extras begin with Last Chance Lloyd (10:19), an original short film seemingly composed largely from footage shot for the film (most of it deleted and some of it used).

«Full - Length Alternate Celebrity Interviews» (44:48) give us unused material from nine of the season's ten celebrity interviews, hinting at just how much footage was shot for them (very little of the used material resurfaces here).

Well, if you count an inconsistent use of fixed - shot, security camera footage, more traditionally - shot stuff, where the security cameras you should be able to see don't happen to be there, and cutaways aching to be portentous, then The Unfolding is as stylish as Terence Malick teaming up with Nicolas Winding Refn to make an 80s - set, neon - drenched ode to the chasing of the light.

Footage used: All from Bethesda Softworks official channel and some of my own Lock shot before the game crashed and he ragequit.

As expected since the finding of footage is part of the plot, the popular found footage technique of contemporary mainstream horror takes up a good chunk of Demonic, with more traditional shooting methods being used for the investigation and interrogation scenes, as well as flashbacks to the group's initial arrival at Livingston.

Both segments show the directors using a variety of previsualization techniques to first sketch out, then shoot reference footage of each scene in detail, with stunt performers standing in for the stars.

It opens with news footage and makes occasional use of live - action (like shots of clouds in the sky) after that.

Despite the opening moments of the film which make use of gritty CCTV footage, shaky camera phones, and webcams, taking a found footage approach, the rest of the film is smoothly and aesthetically shot in widescreen.

Reichardt had decided to shoot «Certain Women» on digital because she feared using film would cause a delay in dailies, but after seeing test footage of the movie shot in this format, specifically the way the digital camera picked up snow, she knew film would be the only way to go.

Camp Victory, Afghanistan Director: Carol Dysinger Using almost 300 hours of footage shot over the course of three years, Camp Victory, Afghanistan tells the story of the Afghan officers charged with building a new Afghan National Army and the U.S. National Guardsmen sent to mentor them.

This week brought us our first peek at next year's Captain America: Civil War, with some leaked images from the Disney D23 footage popping up online, featuring shots of Cap (Chris Evans), Iron Man (Robert Downey Jr.), Hawkeye (Jeremy Renner), Falcon (Anthony Mackie), The Winter Soldier (Sebastian Stan), War Machine (Don Cheadle), Scarlet Witch (Elizabeth Olsen), Ant - Man (Paul Rudd), Black Panther (Chadwick Boseman) and Crossbones (Frank Grillo), while Mark Ruffalo has revealed that The Hulk won't be appearing in the Phase Three - launching film: «I thought that I would be in the film, but in the end they evidently believe that the reveal of what happened to the Hulk is something too big, and Marvel wants to use this information later.

Jason Cope (Christopher Johnson and all other aliens in «District 9») This 2009 surprise smash about an alien population forced into segregated camps was shot using a variety of technologies, including live action footage, motion capture, and purely digital animation.

(Deadpool 2 sure shoots a lot of footage that's presumably just going to be used in trailers, rather than the final movie, doesn't it?

Documenting the evil growing inside two ten - year old twins, writer - director Christopher Denham's Home Movie creates a completely believable film in the much - maligned found footage genre, using mostly faux - Camcorder footage shot during holidays or special celebrations — those times when people do actually film things they want to keep as memories.

Created as a direct response to the ineffective slideshow book trailers, cinematic book trailers are web videos made for books using original, cinematic quality footage shot exclusively for the book.

Indoor footage we shot of children looked well lit on the iPad 2's screen but grainy when we output the video to a TV using the Digital AV Adapter ($ 29).

All footage was self shot by Christy using a GoPro.

Aside from using a few seconds of stock footage of the real San Pedro Town, the entirety of the episode was a mishmash of incorrect information and scenes shot on a Hollywood sound stage.

«As usual, all shots show purely in - game footage that has not been made in any special photo mode, using no post-processing or filters that aren't available during the actual gameplay,» the studio said.

While Mafia 3 does a brilliant job in storytelling with some of the cutscenes acting as a documentary style explanation of how the events unfolded using archived footage and some being involved with the story itself and it is rather clever how its done but Mafia 3 doesn't get as adventurous with its gameplay as the shooting and cover system are very basic and at times will make you want to scream at the TV.

The gameplay is shot off - screen and we make use of the TeamVVV triple - screen setup, there's also the replay footage which is synced to the gameplay in the lower third of the video for your added viewing pleasure.

As often happens at this type of event I enjoyed myself so much that I decided to make use of all of the footage shot and create a montage showcasing everything we saw at Rezzed.

Using a unique blend of historical archival footage, interviews and rotoscope animation, Tower reveals the action - packed, untold stories of the witnesses, heroes, and survivors of America's first mass school shooting, when the worst in one man brought out the best in so many others.

Filmed by the artist on New Year's Day, its footage shifts between documentary and experimental styles, using both wide - angle and detail shots that, at times, abstract the figures» bodies into a chaotic arrangement of imagery, colour, and movement.

During the 1970s, Polke slowed his art production in favor of travel to Afghanistan, Brazil, France, Pakistan, and the U.S., where he shot photographs (using a handheld 35 mm Leica camera)[7] and film footage that he would incorporate in his subsequent works during the 1980s.

The guano is collected occasionally and the footage is shot cinematically using drones.

Perry uses video as an assemblage of short found and self - shot film footage, of written and spoken words, slang language, phrases and sound clips deriving from whatever enters her gaze on a daily basis.

Filmed by the artist on New Year's Day, its footage shifts between documentary and experimental styles, using both wide - angle and detail shots that, at times, abstract the figures» bodies into a chaotic arrangement of imagery, color and movement.

Best known for a transgressive, pioneering use of found footage throughout his career, Conner was equally dedicated to the use of self - shot and self - edited film.

L'Hippocampe (The Seahorse), was Painlevé's first and only film using underwater footage shot with a rudimentary waterproof case for his camera.

Artist, filmmaker and theatre director Christoph Schlingensief is represented by a video installation, one that uses footage that the artist gathered in 2005 as part of his project The African Twin Towers — the story of a megalomaniac theatre director attempting to stage the 9/11 story in Namibia, shot on location with a cast of locals as well as Schlingensief's regular «family» of performers.