Not exact matches
Using theatrical elements like
props, sets, and the stage, she creates work that revolves around practical jokes, gags, and the absurd.
London based artist Grace Schwindt is known for working with film, live performance and sculpture, often
using theatrical sets and
props for performances.
Painters including Watteau once reimagined these actors in paint, but here Sworn
uses costumes,
props, stage furniture and videos to stage a strange
theatrical tableau.
It features: a series of black - and - white photographs of elderly actors by Liu Zheng that play with conventions of ethnographic and opera photography; two videos by Chen Qiulin that make
use of traditional opera characters to respond to changes wrought by the Three Gorges Dam; The Forbidden City (Zijincheng) by Liu Wei, a lyrical video of
theatrical «glove puppets» (budai kuilei) shown publicly for the first time; and videos by Cui Xiuwen that connect to opera in more oblique ways, through performative elements and symbolic
props, gestures, and costumes.
Grace Schwindt
uses theatrical sets for video and performance works with minimal architectural elements and
props to mark a location, for example, a family home.
The term Arte Povera was actually borrowed from the theoretical performance manual, Towards a Poor Theater, written by the Polish
theatrical director Jerzy Grotowski, who called for the removal of excess
props and ornament (the moneyed theater of spectacle) from the stage to the point that the actors
used only their natural gifts to activate meaning with facial expressions, voice, gesture, and acrobatic movements (hence materially «poor»).